Hernandez duran ray (47 resultados)

Condición: Good. First Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good. …

Condición: Good. First Edition. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Very Good. First Edition. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

Soft cover. Condición: Very Good. 1st Edition. Back cover has imprinted mailing address and some soil; tight, text clean. 109 p., illustrated. [b 222].

Hardcover. Condición: As New. 1st Edition. 1999. Art Institute of Chicago. Sq. 4to. Hardcover. First edition. Fine in fine DJ. As new.

hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. First Edition. Unread. No markings in book. Binding is fine. DJ is fine. 136pp.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: New.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Long overdue art catalog for the New Mexican Chicano movement of the 1970s. Vibrant art by activist Chicanx creatives fills an enormous gap in the history of art from the movement that blossomed in the 1960s and 1970s. The decade between 1970 and 1980 marks an important period in the Chicana and Chicano Movement in New Mexico known simply as the movimiento. Artists from all over the state played important roles in the movement by providing art, participating in political discourse, and organizing actions. However, while some activists and organizers, such as Dolores Huerta, are known and celebrated nationally, most of these artists have gone unrecognized. Not only have they been overlooked in the art history and discourse of New Mexico, they have also gone unrecognized in the discussion of Chicano art history nationally. Voces del Pueblo begins to repair this gap in the history of the Chicana and Chicano art movement. Printed in color and black and white, the book showcases nearly two hundred images, including work by six New Mexico artists as well as historical photos of the movement. Readers will also find interviews with each of these artists and contextualizing essays by the cocurators of the National Hispanic Cultural Center exhibit, Ray Hernandez-Duran and Irene Vasquez, as well as scholars, such as Phillip B. (Felipe) Gonzales, Howard Griego, and Sonja Elena Gandert. The result is an incomparable look at art history in New Mexico and the importance of New Mexican artists in the Chicana and Chicano Movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: Used - Good. This extraordinary collection was assembled in a response to a move among American artists to work in a represational manner contrary to prevailing notions of modernism. The Davidsons assembled an extraordinary collection of American drawings dating from 1960 to the present, showcasing the continuing currency of realism and humanism. Book has minor shelf wear.…

Hardback. Condición: New. Explore how sacred art evolved in early Mexico, adapting to local cultures and artistic traditions.This beautifully illustrated book reveals the importance of saints in New Spain, a viceroyalty that was part of the Spanish Empire from 1521-1821, covering modern-day Mexico, Central America, and the US Southwest. In the late sixteenth century, Rome's attempts to manage sanctity as an official process had a profound impact throughout Spain and the Spanish viceroyalties. Saintly devotions traveled to Mexico, and circulated within the vast territory as images or print, then to be transformed by New Spain's own communities. Drawing on collections from Mexico and the United States, this book examines the role of images in the construction of the holy: these paintings, sculptures, and engravings routinely used to propagate, celebrate, and venerate saintly figures, and used in official beatification and canonization proceedings. The relationship between sanctity and the pictorial is a long, revered tradition that continues in the work of New Mexico's santero artists today. …

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 304 pages. 10.01x8.01x1.01 inches. In Stock.

Condición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Condición: New.

Condición: New.

Hardback. Condición: New. Explore how sacred art evolved in early Mexico, adapting to local cultures and artistic traditions.This beautifully illustrated book reveals the importance of saints in New Spain, a viceroyalty that was part of the Spanish Empire from 1521-1821, covering modern-day Mexico, Central America, and the US Southwest. In the late sixteenth century, Rome's attempts to manage sanctity as an official process had a profound impact throughout Spain and the Spanish viceroyalties. Saintly devotions traveled to Mexico, and circulated within the vast territory as images or print, then to be transformed by New Spain's own communities. Drawing on collections from Mexico and the United States, this book examines the role of images in the construction of the holy: these paintings, sculptures, and engravings routinely used to propagate, celebrate, and venerate saintly figures, and used in official beatification and canonization proceedings. The relationship between sanctity and the pictorial is a long, revered tradition that continues in the work of New Mexico's santero artists today. …

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Paperback. Condición: Brand New. 304 pages. 10.01x8.01x1.01 inches. In Stock.

Condición: New.

Condición: New. 1st edition NO-PA16APR2015-KAP.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. Long overdue art catalog for the New Mexican Chicano movement of the 1970s. Vibrant art by activist Chicanx creatives fills an enormous gap in the history of art from the movement that blossomed in the 1960s and 1970s. The decade between 1970 and 1980 marks an important period in the Chicana and Chicano Movement in New Mexico known simply as the movimiento. Artists from all over the state played important roles in the movement by providing art, participating in political discourse, and organizing actions. However, while some activists and organizers, such as Dolores Huerta, are known and celebrated nationally, most of these artists have gone unrecognized. Not only have they been overlooked in the art history and discourse of New Mexico, they have also gone unrecognized in the discussion of Chicano art history nationally. Voces del Pueblo begins to repair this gap in the history of the Chicana and Chicano art movement. Printed in color and black and white, the book showcases nearly two hundred images, including work by six New Mexico artists as well as historical photos of the movement. Readers will also find interviews with each of these artists and contextualizing essays by the cocurators of the National Hispanic Cultural Center exhibit, Ray Hernandez-Duran and Irene Vasquez, as well as scholars, such as Phillip B. (Felipe) Gonzales, Howard Griego, and Sonja Elena Gandert. The result is an incomparable look at art history in New Mexico and the importance of New Mexican artists in the Chicana and Chicano Movement. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: new. Paperback. Long overdue art catalog for the New Mexican Chicano movement of the 1970s. Vibrant art by activist Chicanx creatives fills an enormous gap in the history of art from the movement that blossomed in the 1960s and 1970s. The decade between 1970 and 1980 marks an important period in the Chicana and Chicano Movement in New Mexico known simply as the movimiento. Artists from all over the state played important roles in the movement by providing art, participating in political discourse, and organizing actions. However, while some activists and organizers, such as Dolores Huerta, are known and celebrated nationally, most of these artists have gone unrecognized. Not only have they been overlooked in the art history and discourse of New Mexico, they have also gone unrecognized in the discussion of Chicano art history nationally. Voces del Pueblo begins to repair this gap in the history of the Chicana and Chicano art movement. Printed in color and black and white, the book showcases nearly two hundred images, including work by six New Mexico artists as well as historical photos of the movement. Readers will also find interviews with each of these artists and contextualizing essays by the cocurators of the National Hispanic Cultural Center exhibit, Ray Hernandez-Duran and Irene Vasquez, as well as scholars, such as Phillip B. (Felipe) Gonzales, Howard Griego, and Sonja Elena Gandert. The result is an incomparable look at art history in New Mexico and the importance of New Mexican artists in the Chicana and Chicano Movement. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardback. Condición: New. Explore how sacred art evolved in early Mexico, adapting to local cultures and artistic traditions.This beautifully illustrated book reveals the importance of saints in New Spain, a viceroyalty that was part of the Spanish Empire from 1521-1821, covering modern-day Mexico, Central America, and the US Southwest. In the late sixteenth century, Rome's attempts to manage sanctity as an official process had a profound impact throughout Spain and the Spanish viceroyalties. Saintly devotions traveled to Mexico, and circulated within the vast territory as images or print, then to be transformed by New Spain's own communities. Drawing on collections from Mexico and the United States, this book examines the role of images in the construction of the holy: these paintings, sculptures, and engravings routinely used to propagate, celebrate, and venerate saintly figures, and used in official beatification and canonization proceedings. The relationship between sanctity and the pictorial is a long, revered tradition that continues in the work of New Mexico's santero artists today. …