gowda sheela (39 resultados)

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Softcover, 88 pages; as new condition, no internal marks, clean and crisp. Foreign shipping may be extra.

Paperback. Condición: Very Good. Very good paperback. Spine is uncreased, binding tight and sturdy; text also very good. Shelfwear is very minor. Ships from Dinkytown in Minneapolis, Minnesota.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: new. Hardcover. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins-which carry magical, cult and ritual, personal and functional connotations-Gowda blends traditions of craftsmanship and practical application with poetic intensity.Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardback. Condición: New.

Condición: new.

Softcover, staple-bound, 44 pages; in English and German; very good condition; light rubbing to covers; no internal marks. This is not the exhibition catalog; it is a thin pamphlet possibly a museum handout.

Condición: New.

Condición: New.

Condición: New.

Hardcover without dustjacket as issued, 256 pages, in English; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New. . 2020. Hardcover. . . . .

Condición: as new. Herausgegeben von Eva Huttenlauch & Matthias Mühling. Göttingen : Steidl, 2020. Hardcover. 181 pp. color illustrations. 27 cm. - This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance. Condition : as new copy. ISBN 9783958297050. Keywords : ART,

Hardcover. Condición: Brand New. 181 pages. French language. 10.50x8.50x1.00 inches. In Stock.

Broschur / Softcover. 1. Aufl. Following the rapid economic, social and cultural developments in India in recent years, Indian Highway is a timely presentation of the pioneering work being made in the country today. This group exhibition is a snapshot of a vibrant generation of artists working across a range of media. The theme of Indian Highway reflects the importance of the road in migration, as well a as referencing technlogy and the information superhighway', which has been central to India's economic boom. A common thread throughout is the way in which these artists demonstrate an active political and social engagement, examining complex issues in an Indian society undergoing transition, which include enviromentalism, religious sectarianism, globalisation, gender, sexuality and class. - / Sprache: Englisch (Sehr gut erhalten - vermutlich ungelesen / in very good condition) Sprache: Englisch Gewicht in Gramm: 2100.

Soft cover. Condición: Near Fine. No Jacket. 1st Edition. Large 4to softcover volume in black leatherette with silver embossing. In near fine condition. 80 pages.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 22 x 26 cm, 216 pages - Following the rapid economic, social and cultural developments in India in recent years, Indian Highway is a timely presentation of the pioneering work being made in the country today. This group exhibition is a snapshot of a vibrant generation of artists working across a range of media. The theme of Indian Highway reflects the importance of the road in migration, as well a as referencing technlogy and the information superhighway , which has been central to India s economic boom.

Condición: Used - Very Good. VG paperback. First edition. Published on the occasion of an exhibition, October-November 2000. B&W & colour illustrations. A clean, bright copy Used - Very Good. VG paperback.

Condición: New. . 2020. Hardcover. . . . . Books ship from the US and Ireland.

Softcover, 80 pages, very good condition, clean and crisp; no internal marks. Foreign shipping may be extra.

Tapa blanda. Condición: Nuevo.

Hardcover without dustjacket as issued, 184 pages, in English and German; very good condition; except the corners of the covers are lightly bumped; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: VG+. Hardcover with color reproduction detail on front and reverse with 150, [26] pp generously illustrated with color reproductions. Text by Trevor Smith, Abhishek Haxra, Ayisha Abraham.

Encuadernación de tapa dura. Condición: Como Nuevo. LA CASA ENCENDIDA, 2008. Catalogo exposición. Arte. Profusamente ilustrado. 78 páginas. Formato apaisado: 22 x 28. Tapa dura de editorial ilustrada. Como nuevo. La existencia en la India de las diferentes comunidades, religiones y manifestaciones sociales y artísticas, así como la dicotomía entre el pasado y el presente, entre la tradición y la modernidad, están presentes en las representaciones de estos artistas. Libro.

Hardcover without dustjacket as issued, 176 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Hardcover. Condición: Fine. 1st Edition. Paper covered boards (hardcover), 181 p. : illustrations (chiefly in color), 27 cm. Fine/very good, clean, crisp, no internal marks. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins, which carry magical, cult and ritual, personal and functional connotation, Gowda blends traditions of craftsmanship and practical application with poetic intensity. Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance.

352 pp.; 27.8 x 22.8 cm.; screw bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Walker Art Center, Minneapolis, Minnesota, February ? May, 2003. Traveled to Fondazione Sandretto Re Rebaudengo per l'arte, Turin, Italy, June - September, 2003 and Contemporary Arts Museum Houston, Texas, July - September, 2004. Curated by Philippe Vergne with Olukemi Ilesanmi and Douglas Fogle. Texts by Philippe Vergne, Olukemi Ilesanmi, Douglas Fogle, Vasif Kortun, Cuauhtémoc Medina, Hou Hanru, Steve Dietz, Gunalan Nadarajan, Yukiko Shikata, Raqs Media Collective, Kathy Halbreich, Vishakha Desai, Sarah Schultz, Kiyoko Motoyama Sims, Susan Rotilie, Christi Atkinson, Meredith Walters, Philip Bither, Baraka Sele, Otori Hidenaga, Cis Bierinckx, Paulo Herkenhoff, and Aimee Chang. Additional selected reading material by Hélio Oiticica, Arjun Apppadurai, and others. Artists include Allora & Calzadilla, Hüseyin Bahri Alptekin, Can Altay, Kaoru Arima, Atelier Bow Wow, Cabelo, Franklin Cassaro, Santiago Cucullu, Anita Dube, Esra Ersen, Sheela Gowda, Zon Ito, Cameron Jamie, Gülsun Karamustafa, Moshekwa Langa, Marepe, Hiroyuki Oki, Tsuyoshi Ozawa, Robin Rhode, Usha Seejarim, Ranjani Shettar, Song Dong, Tabaimo, Wang Jian Wei, Yin Xiuzhen, Zhao Liang, and Raqs Media Collective. Fine. Covers and contents clean and unmarked. Due to size and weight additional shipping may be required for international orders.

79 pp.; 34.6 x 27.4 cm.; sewn bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed Large-scale exhibition catalogue published in conjunction with show of finalists for the Hugo Boss Prize held at the Guggenheim Museum in 2014. Introduction by Katherine Brinson. Finalists include Paul Chan, Sheela Gowda, Camille Henrot, Hassan Khan, and Charline von Heyl. Featuring commissioned essays on each artists work: Petra Cortright on Paul Chan, Grant Watson on Sheela Gowda, Fionn Meade on Camille Henrot, Jeremy DeCristo on Hassan Khan, and Suzanne Hudson on Charline von Heyl. Each artist's section has an essay on their work, selected exhibition history, and reproductions. Includes contributor biographies. Very Good. Very light scuffing of covers and gentle bumping of cover edges. Contents clean and unmarked. Due to large size and weight of this publication additional shipping charges will be required for international orders.

Hardcover. Condición: new. Hardcover. This book explores the eclectic practice of artist Sheela Gowda and her ongoing engagement with the paradoxes and predicaments of urban and rural life in modern India. With an emphasis on her sprawling installations, we see her use of distinctive materials from her native India, whose textures, colors and scents lend her work narrative form as well as metaphorical force. Through the imaginative employment of cow dung, kumkum powder, coconut fibers, hair, threads, stones, tar barrels and tarpaulins-which carry magical, cult and ritual, personal and functional connotations-Gowda blends traditions of craftsmanship and practical application with poetic intensity.Gowda began her career as an oil painter, testing out themes and approaches that would shape her later practice: the everyday life of middle-class India, the conflicts women confront at work and at home, appropriating media images that touch on political and social tensions. In the early 1990s she first adopted cow dung as a medium (initially in paintings, later in three-dimensional pieces and installations), exploring its relevance to the Hindu cult of the cow and omnipresence in today's India, from practical uses (in construction, flooring, insulation), to its purifying, healing properties and sacred significance. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.