Gerspacher arnaud (18 resultados)

paperback. Condición: Very Good. Very Good - Crisp, clean, unread book with some shelfwear/edgewear, may have a remainder mark - NICE PAPERBACK Standard-sized.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Looks Like New except for a surface tear on the back of the dust jacket top left corner and remains of a ripped sticker on the front end paper page bottom right corner, pages clean and crisp, covers clean, no highlighting or underlining. 100% Satisfaction guaranteed or your money back. Thank you for your interest. Free tracking number for each order. We ship the same day or the next business day. e3.…

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Brand New. 94 pages. 7.00x5.00x0.50 inches. In Stock.

Condición: very_good. Fast Free Shipping â" Very Good condition book with a firm cover and clean pages. Shows normal use and some light wear or limited notes markings. A solid, nice copy to enjoy.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. Cleveland Museum of Art / Yale: 2015. Hardcover in dust jacket. 240 pages, illustrated throughout. Condition: Like New, with no marks or flaws; no sign of wear. Exhibition catalog, with this description provided by the museum "TR Ericsson employs photo-based work, sculptural objects, and cinema to create installations that provide a ruthlessly honest, yet tender portrait of his mother, who committed suicide at age 57, and of the triangulated relationships between three generations within one Northeastern Ohio family. Ericsson is involved in an ongoing investigation and reinterpretation of a deteriorating archive of family artifacts, documents, writings, and photographs. Crackle & Drag makes a personal struggle public, coming to terms with the archive's power to determine the past and the future, even as it vanishes in time. The exhibition's title is taken from the final line of Sylvia Plath's poem "Edge": "Staring from her hood of bone./She is used to this sort of thing. Her blacks crackle and drag." The title "Crackle and Drag," is appropriated from a Paul Westerberg song, which pays homage to the poet Sylvia Plath.…

hardcover. Condición: Very Good. 2015 The Cleveland Museum. Page all clean tight and bright no marks. Illustrated hardcover is clean and strong dust jacket is clean slight rub at corners and spine ends.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. Hardback with original Dust Jacket, unclipped. pp 240. Grey paper boards over hardback with black lettering to spine. Very Good overall condition. Profusely illustrated throughout.

Gebundene Ausgabe. Condición: Sehr gut. Gebraucht - Sehr gut sg - ungelesenes mängelexemplar, gestempelt, mit leichten lagerspuren - Mathias Kessler ( 1968) kritisiert unsere Auffassung von Natur. Ernsthaft und doch humorvoll setzt er typische Darstellungsweisen von natürlichen Prozessen neu in Szene und bezieht sich dabei auf Kunstgeschichte, Philosophie und ökologische Debatten. Seine Arbeiten vereinen disparate Genres wie die Malerei der Romantik, Land Art und digitale Visualisierung und wollen vertraute Gegensätze wie Natur/Kultur, Darstellung/Erfahrung, Ideologie/Ästhetik unterlaufen. Der Betrachter weiß beispielsweise nicht, ob es sich bei den Bildern um Fotografien eines Naturschauspiels handelt oder aber um digitale Visualisierungen einer künstlichen Landschaft: In der Installation Das Eismeer zeigt ein Bild Eisberge als leblose, in fahlem Licht inszenierte Hollywood-Sets, und der Betrachter wird aufgefordert, den Blick auf die Miniaturnachbildung eines Meisterwerks im Gefrierfach eines Kühlschranks mit einem Schluck von dem dort ebenfalls gekühlten Bier zu verbinden. Ausstellung: Kunsthal Rotterdam 12.9. 13.12.2015.…

Hardcover. Condición: New.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - Toward a posthumanist art and ethologyThe Owls Are Not What They Seem is a selective history of modern and contemporary engagements with animals in the visual arts and how these explorations relate to the evolution of scientific knowledge regarding animals. Arnaud Gerspacher argues that artistic knowledge, with its experimental nature, ability to contain contradictions, and more capacious understanding of truth-claims, presents a valuable supplement to scientific knowledge when it comes to encountering and existing alongside nonhuman animals and life worlds. Though critical of art works involving animals that are unreflective and exploitative, Gerspacher's exploration of aesthetic practices by Allora & Calzadilla, Pierre Huyghe, Agnieszka Kurant, Araya Rasdjarmrearnsook, Martin Roth, David Weber-Krebs, and others suggests that, alongside scientific practices, art has much to offer in revealing the otherworldly qualities of animals and forging ecopolitical solidarities with fellow earthlings.…