Franco cirulli (65 resultados)

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Condición: NUOVO. Pisa, Ediz.ETS cm.14x22, pp.152, brossura con copertina figurata. Collana Filosofia,98. Quando abbiamo a che fare con un mondo, cioè un ordine in sé strutturato, dotato di una certa regolarità e prevedibilità, che funga da cornice e teatro della nostra prassi e da oggetto del nostro sapere, abbiamo imposto noi una legalità ad un caos originario, ad una molteplicità informe? O presupponiamo che l'ordine sia in qualche modo intrinseco al mondo? Nel primo caso, che caratterizza tanta filosofia moderna e postmoderna, nella natura non si può presumere di scoprire più che uno specchio di una coscienza (un linguaggio, una cultura, un'intersoggettività) che lo costituisce. Nel secondo, ci si chiede piuttosto se sia possibile un'esperienza che non presupponga essenze, categorie, relazioni interne, nessi oggettivi. I saggi qui presentati sono esplorazioni della seconda possibilità, e danno luogo di volta in volta ad un platonismo, ancorché emendato, come nel saggio di Stanley Rosen; ad un approccio hegeliano in cui la realtà è ciò che ne pensiamo speculativamente, nei saggi di Franco Cirulli e Stephen Houlgate; ad una riflessione husserliana sui modi di darsi della complessità temporale alla stessa coscienza che in essa si differenzia, nel saggio di Nicolas de Warren. A cura di Alfredo Ferrarin.…

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Condición: New. In English.

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Condición: New. pp. 212.

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Hardcover. Condición: Brand New. 2015 edition. 180 pages. 9.25x6.25x0.75 inches. In Stock.

Condición: New. pp. xiii + 168.

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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an 'Aesthetics of Figurative Theo humanism'. It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self's exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called 'Modern Grand Narrative of the Arts' is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into 'Art' what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment-far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics(philosophers of art, theology, or religion) will find this book of great interest and assistance. …

Buch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an 'Aesthetics of Figurative Theo humanism'. It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self's exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called 'Modern Grand Narrative of the Arts' is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into 'Art' what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment-far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics(philosophers of art, theology, or religion) will find this book of great interest and assistance.…

Condición: New. pp. xiii + 168.

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Condición: New. In English.

Paperback. Condición: Brand New. reprint edition. 209 pages. 9.25x6.10x0.48 inches. In Stock.

Taschenbuch. Condición: Neu. The Age of Figurative Theo-humanism | The Beauty of God and Man in German Aesthetics of Painting and Sculpture (1754-1828) | Franco Cirulli | Taschenbuch | Boston Studies in Philosophy, Religion and Public Life | xviii | Englisch | 2016 | Springer | EAN 9783319361369 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu.…

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Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an ¿Aesthetics of Figurative Theo humanism¿. It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self¿s exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called ¿Modern Grand Narrative of the Arts¿ is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into ¿Art¿ what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment¿far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics(philosophers of art, theology, or religion) will find this book of great interest and assistance. …

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | This is a comprehensive, integrated account of eighteenth and early nineteenth century German figurative aesthetics. The author focuses on the theologically-minded discourse on the visual arts that unfolded in Germany, circa 1754-1828, to critique the assumption that German romanticism and idealism pursued a formalist worship of beauty and of unbridled artistic autonomy. This book foregrounds what the author terms an ¿Aesthetics of Figurative Theo humanism¿. It begins with the sculptural aesthetics of Johann Joachim Winckelmann and Gottfried Herder before moving on to Karl Philipp Moritz, Wilhelm Heinrich Wackenroder and Friedrich Schelling. The reader will discover how this aesthetic tradition, after an initial obsession with classical sculpture, chose painting as the medium more suited to the modern self¿s exploration of transcendence. This paradigm-shift is traced in the aesthetic discourse of Friedrich Schlegel and Georg Wilhelm Friedrich Hegel. In this work, the widespread prejudice that such aesthetics initiated a so-called ¿Modern Grand Narrative of the Arts¿ is deconstructed. One accusation directed at 18th century aesthetics has been that it realised into ¿Art¿ what had previously been a living, rich tissue of meaning: this work shows how Figurative Theo humanism's attention to aesthetic values was never detached from deeper theological and humanistic considerations. Furthermore, it argues that this aesthetic discourse never forgot that it emerged from modern disenchantment¿far from occluding the dimension of secularization, it draws poignant meaning from it. Anyone with an interest in the current debates about the scope and nature of aesthetics(philosophers of art, theology, or religion) will find this book of great interest and assistance.…

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Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

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