Fontana ruben (25 resultados)

Softcover. Condición: Very Good Minus. [DESIGN]. Jorge Frascara, Juan Andralis, Ruben Fontana, Zalma Jalluf, Carlos Venancio. "Ruben Fontana." Barcelona, ES: Editorial Gustavo Gili, S. A., 1993. English and Spanish languages. Softcover. Text with full-color images. 9.5 x 9 x 0.25 in. 24 x 22 x 1 cm. 15 oz. 93 pp. Brodart clear jacket. Sticker on spine of jacket. Sticker on back cover of jacket. Wear, use. Price in pencil on title page. With insert. Text clean. Very Good Minus. ISBN: 9788425215797. …

Condición: New. Idioma/Language: Español. *** Nota: Los envíos a España peninsular, Baleares y Canarias se realizan a través de mensajería urgente. No aceptamos pedidos con destino a Ceuta y Melilla.

Rústica. Condición: New. Estado de la sobrecubierta: Nuevo. 01. La literatura gráfica nos ha acostumbrado a mirar más que a leer y, por ende, la reflexión acaba en imagen las más de las veces sin que percibamos que esta debe estar encaminada a tomar. en consideración un conjunto de circunstancias que conforman el marco social. Este libro trata de elaborar unas pautas prácticas, todas ellas muy reflexionadas, a partir de la experiencia en el campo del diseño en primer lugar, pero con la fuerza que conlleva enfrentarse a la docencia en el campo universitario (sin abandonar la práctica). La forma gráfica del diseño. La palabra, la letra y la página parte de los orígenes de la escritura para alcanzar el modelo aplicado y pedagógicamente contrastado del profesor Rubén Fontana y su equipo. Sin abandonar el modelo humanista, reflexiona sobre los sistemas de enseñanza de la escritura y sus consecuencias no solo en la universidad sino que se impone la tarea de llevar su práctica a los primeros contactos de la persona con la letra. Se trata de una mirada consciente hacia la escritura y el conocimiento desde un ámbito temporal muy concreto: el principio del siglo XXI. La columna vertebral del libro es la docencia y la práctica del diseño. La necesidad de explicar a otros y la de que comprendan es lo que establece una dimensión de la verdadera complejidad del trabajo de la educación . Así aparece reflejado su interés por elaborar un constructo pedagógico que pueda ser un acompañamiento del docente al estudiante, y añade Su función social es innegable puesto que involucra a los habitantes del mundo y es parte de un ideal cultural: el de una sociedad altamente alfabetizada para la igualdad de posibilidades . No se detiene en la docencia y baja a la práctica para ofrecernos un sistema de practicidad para leer el entorno, [ . ] los sistemas artificiales creados por las distintas experiencias humanas a través del tiempo . LIBRO.…

Condición: Usado - Bueno. Usado - Bueno.

Condición: Usado - Bueno. Usado - Bueno.

Condición: Nuevo. Narrativa.

Condición: Nuevo. 235 pages.

Condición: Nuevo. La palabra, la letra y la página editado por Campgrafic.

Condición: Gut. 93 S. Buch in GUTEM Zustand, kaum Gebrauchsspuren. Book in GOOD condition, few traces of use. 9788425215797 Sprache: Spanisch Gewicht in Gramm: 550.

Condición: Good. This is an ex-library book and may have the usual library/used-book markings inside.This book has soft covers. In good all round condition. Please note the Image in this listing is a stock photo and may not match the covers of the actual item,450grams, ISBN:9788425215315.

Encuadernación de tapa blanda. Condición: Muy Bien. Estado de la sobrecubierta: Muy Bien. 1ª Edición.

Paperback. Condición: New. NUEVA VISION - Graphic Design for the Arts in Argentina 1940-1976 presents a comprehensive study of Argentina's vibrant visual culture during a transformative period for the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, theatre productions, and visual arts communication. The book highlights the creativity and innovation of designers who merged European avant-garde influences with local artistic traditions, producing works that were visually striking, socially engaged, and culturally resonant. Featuring over 250 images, including posters, exhibition catalogues, and ephemeral graphics, this volume offers a nuanced understanding of the intersection between design, performance, and institutional identity. Essays by leading scholars contextualise the works within Argentina's social, political, and artistic climate, providing critical insights into the country's mid-20th-century design heritage. Nueva Vision is an essential resource for designers, art historians, academics and students, curators, and collectors interested in Latin American modernism and the global history of graphic arts.Text in English and Spanish. …

Condición: Good. 8vo. Softcover. 91 pp. Color Plates. Very Good.

Condición: Good. 4to. Soft Cover. Very Good. 91 pp. Color Plates.

Paperback. Condición: New. NUEVA VISION - Graphic Design for the Arts in Argentina 1940-1976 presents a comprehensive study of Argentina's vibrant visual culture during a transformative period for the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, theatre productions, and visual arts communication. The book highlights the creativity and innovation of designers who merged European avant-garde influences with local artistic traditions, producing works that were visually striking, socially engaged, and culturally resonant. Featuring over 250 images, including posters, exhibition catalogues, and ephemeral graphics, this volume offers a nuanced understanding of the intersection between design, performance, and institutional identity. Essays by leading scholars contextualise the works within Argentina's social, political, and artistic climate, providing critical insights into the country's mid-20th-century design heritage. Nueva Vision is an essential resource for designers, art historians, academics and students, curators, and collectors interested in Latin American modernism and the global history of graphic arts.Text in English and Spanish. …

Rústica. Condición: BUEN ESTADO. Libro.

Paperback. Condición: Brand New. 320 pages. Spanish language. 11.02x0.75x7.68 inches. In Stock.

Condición: New.

Taschenbuch. Condición: Neu. Neuware - A definitive exploration of Argentina's mid-century graphic design and its impact on the arts. Text in English and Spanish.NUEVA VISION Graphic Design for the Arts in Argentina 19401976 presents a comprehensive study of Argentina's vibrant visual culture during a transformative period for the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, theatre productions, and visual arts communication. The book highlights the creativity and innovation of designers who merged European avant-garde influences with local artistic traditions, producing works that were visually striking, socially engaged, and culturally resonant. Featuring over 250 images, including posters, exhibition catalogues, and ephemeral graphics, this volume offers a nuanced understanding of the intersection between design, performance, and institutional identity. Essays by leading scholars contextualise the works within Argentina's social, political, and artistic climate, providing critical insights into the country's mid-20th-century design heritage. Nueva Vision is an essential resource for designers, art historians, academics and students, curators, and collectors interested in Latin American modernism and the global history of graphic arts. Text in English and Spanish.…

Paperback. Condición: New. NUEVA VISION - Graphic Design for the Arts in Argentina 1940-1976 presents a comprehensive study of Argentina's vibrant visual culture during a transformative period for the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, theatre productions, and visual arts communication. The book highlights the creativity and innovation of designers who merged European avant-garde influences with local artistic traditions, producing works that were visually striking, socially engaged, and culturally resonant. Featuring over 250 images, including posters, exhibition catalogues, and ephemeral graphics, this volume offers a nuanced understanding of the intersection between design, performance, and institutional identity. Essays by leading scholars contextualise the works within Argentina's social, political, and artistic climate, providing critical insights into the country's mid-20th-century design heritage. Nueva Vision is an essential resource for designers, art historians, academics and students, curators, and collectors interested in Latin American modernism and the global history of graphic arts.Text in English and Spanish. …

Paperback. Condición: New. NUEVA VISION - Graphic Design for the Arts in Argentina 1940-1976 presents a comprehensive study of Argentina's vibrant visual culture during a transformative period for the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, theatre productions, and visual arts communication. The book highlights the creativity and innovation of designers who merged European avant-garde influences with local artistic traditions, producing works that were visually striking, socially engaged, and culturally resonant. Featuring over 250 images, including posters, exhibition catalogues, and ephemeral graphics, this volume offers a nuanced understanding of the intersection between design, performance, and institutional identity. Essays by leading scholars contextualise the works within Argentina's social, political, and artistic climate, providing critical insights into the country's mid-20th-century design heritage. Nueva Vision is an essential resource for designers, art historians, academics and students, curators, and collectors interested in Latin American modernism and the global history of graphic arts.Text in English and Spanish. …

Condición: gut. NUEVA VISION: GRAPHIC DESIGN FOR THE ARTS IN ARGENTINA 1940-1976. A comprehensive study of Argentina?s vibrant visual culture during a transformative period for the arts. In deutscher Sprache. pages.

paperback,19.5 x 28 cm, 320 pages, English/Spanish text. *New. ISBN 9789464002683. NUEVA VISION presents a comprehensive study of Argentina?s dynamic visual culture during a period of transformation in the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, printed matter and other ephemera, and exhibitions? communication in the visual arts. The book highlights the creativity and innovation of designers who, in a first period until the late 1940s, fused European avant-garde influences with local artistic traditions, producing visually striking, socially engaged and culturally resonant works. As from the 1950s Argentine graphic designers developed their own visual language that even inspired and stimulated cross-continent colleagues and the arts scene. With over 200 images, including posters, exhibition catalogues and ephemeral graphics, this book offers a nuanced understanding of the intersection between design, performance and institutional identity. Featuring contextual essays by academic Andrea Gergich and designer Rubén Fontana, NUEVA VISION offers a critical examination and testimonial of mid-20th-century Argentine design within its social, political, and artistic context. It is an essential resource for anyone interested in Latin American modernism and the global history of graphic arts. Jelle Jespers is a Brussels-born graphic designer, curator, and researcher specializing in Latin American graphic arts. Andrea Gergich is an Argentine graphic designer, lector, curator and design historian focused on modern and contemporary design practices. Rubén Fontana is an acclaimed Argentine designer and visual researcher with expertise in typographic innovation and graphic culture. Together, they bring decades of experience documenting and analyzing design history, with collaborations including exhibitions, academic publications, and institutional research projects across Europe and Latin America. 0 g. …

Paperback, 212 colour illustrations and 8 black-and-white illustrations, English, Spanish, . ISBN 9789464002683. NUEVA VISION: Graphic Design for the Arts in Argentina 1940-1976' presents a comprehensive study of Argentina?s dynamic visual culture during a period of transformation in the arts. Through meticulous documentation and high-quality reproductions, authors Jelle Jespers, Andrea Gergich, and Rubén Fontana explore how graphic design shaped cultural institutions, printed matter and other ephemera, and exhibitions? communication in the visual arts. The book highlights the creativity and innovation of designers who, in a first period until the late 1940s, fused European avant-garde influences with local artistic traditions, producing visually striking, socially engaged and culturally resonant works. As from the 1950s Argentine graphic designers developed their own visual language that even inspired and stimulated cross-continent colleagues and the arts scene. With over 200 images, including posters, exhibition catalogues and ephemeral graphics, this book offers a nuanced understanding of the intersection between design, performance and institutional identity. Featuring contextual essays by academic Andrea Gergich and designer Rubén Fontana, NUEVA VISION offers a critical examination and testimonial of mid-20th-century Argentine design within its social, political, and artistic context. It is an essential resource for anyone interested in Latin American modernism and the history of graphic arts. 0 g. …

Sin Encuadernar. Condición: Muy bien. 1ª Edición. Atica galería de arte, Buenos Aires, 1979. 1ª Edición. Cartel de la exposición celebrada en la galería de arte Atica de Buenos Aires entre el 27 de agosto y el 15 de septiembre de 1979. Buen estado. 34,5x73.