Figner susanne (54 resultados)

First edition. 11.5 x 9 inches. 184 pages. Profusely illustrated in color. Original pictorial boards. Published on the occasion of the exhibition held at Kestnergesellschaft, Hannover in 2013. "Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000-2012). The Help examines the roles of the artist, the muse and the "help," mixing found objects with abstract forms; Incidents of Travel in Yucatan is a mixed-media installation including a wall of pedestals, autonomous sculptures and video; and the Sunset Series comprises 31 photographs of a single source image, a photograph of a sunset. In each photograph in the series, shot on 35mm film, the artist physically manipulates the found snapshot to create a new image" (the publisher). A fine, well-preserved copy with no markings.…

Paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

Hardcover. Condición: As New. 87 pages, landscape format, linen bound, 84 full page color illustrations of works by Richter. Foreword by Veit Görner / essay by Susanne Finger, Painting with Conceptual Lines / Kito Nedo, Wanderers in the Realm of Speculation / Anders Cold, Itzi Bitzi. Some Recent Works by Daniel Richter. Impeccable copy. Includes a drawings by Daniel Richter on the first page, signed.…

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Standard-sized.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Hardcover. Condición: Near Fine. 1st Edition. Large purple cloth hardcover with silvery picture to middle of front cover. Throughly illustrated. English and German Text. Oblong 4to.

Softcover, 184 pages; in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover, 176 pages, in English and German; as new condition, clean and crisp, no internal marks. Foreign shipping may be extra.

paperback. Condición: Very Good. No marks in text. Very minor wear.

First Edition. First edition. Softcover. 179 pages. Text in English and German with contributions by Didrich Diderichsen, Susanne Figner, Alex Kitnick, and the text of Martin Germann's interview of Harrison. Includes numerous illustrations, index, checklist, and biographical information. A near fine copy in flexible wrappers. A fresh copy.…

Hardcover. Purple cloth boards with silver and black illustration laid in and green stamped lettering. 87 pp. Mainly color illustrations. VG- light scuffing to covers, minor bumping to spine.

Soft cover. Condición: Very Good. Book is in very good condition. 184pp with colour photographs.

First Edition. First edition. Hardcover. 175 pages. Exhibition catalog for a travelling show. Text in English and German. Includes numerous color illustrations. A fine copy in cloth boards. No dust jacket as issued.

Pappband. Quart. 182 S. Pappband. Mit zahlr. farb. Abb. gutes Exemplar.

Softcover, unpaginated, in English and German; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Softcover. Condición: Sehr gut. 1. Auflage. Z : 184 pages with 240 color illustrations. - Since the 1990s, Rachel Harrison (born 1966) has developed a colorful and delightfully grotesque sculptural idiom out of the most contemporary detritus--styrofoam, plastic buckets, vacuum cleaners--which she blends with slapstick humor and art historical and pop cultural references. Fake Titel presents sculptures and drawings from three recent series: The Help (2012), the large-scale installation Incidents of Travel in Yucatan (2011) and the photographic suite Sunset Series (2000 2012). The Help examines the roles of the artist, the muse and the "help," mixing found objects with abstract forms; Incidents of Travel in Yucatan is a mixed-media installation including a wall of pedestals, autonomous sculptures and video; and the Sunset Series comprises 31 photographs of a single source image, a photograph of a sunset. In each photograph in the series, shot on 35mm film, the artist physically manipulates the found snapshot to create a new image.…

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 9-10 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Original-Broschur, 4°, 176 Seiten Guter Zustand.

Hardcover. Quarto. Hardcover. Blue cloth boards in glossy illustrated jacket. 157 pages : illustrations (some color) ; 27 cm. Catalog published on the occasion of the exhibition held at Kestnergesellschaft, Hannover, Germany, July 25-October 26, 2014./ Editors: Lotte Dinse, Susanne Figner; authors: Suzanne Hudson, Chrissie Iles, Susanne Figner, Veit Görner./ Includes bibliographical references (pages 153-155). Text in German and English. VG. Light rubbing to jacket, otherwise clean and unmarked. …

Hardcover. Condición: Brand New. bilingual edition. 254 pages. 11.75x8.25x1.00 inches. In Stock.

Hardcover. Condición: Brand New. 152 pages. French language. 11.00x8.75x0.50 inches. In Stock.

Hardcover. Condición: Sehr gut. 1. Auflage. 84 ganzseitige, farbige Abbildungen der Ausstellung der Kestnergesellschaft Hannover 2011. Querformat Leineneinband mit silberfarbiger Applikatur auf dem vorderen Deckel. Innen ohne Namenseintrag, ohne Widmung, keine Anstreichungen. Am vorderen Deckel unten und 3 Seiten im Vorsatz mit leichten Feuchtigkeitsspuren. Innen im Bereich der Texte und Abbildung fast wie neu. Alle Fotos des Angebots sind eigenhändig vom Anbieter. Auf Wunsch sende ich gern weitere Fotos. Grenzüberschreitende Lieferung kann abweichende Versandkosten verursachen. Hinweis: Wir bemühen uns um möglichst plastikfreien Versand.…

Condición: Sehr gut. 4°. 175 Seiten. Sehr gutes Exemplar der Erstausgabe. Schriftenreihe Museum Kurhaus Kleve - Ewald-Mataré-Sammlung Nr. [71]. BITTE BEACHTEN SIE: KEIN VERSAND AN PACKSTATIONEN ! VERSAND INS AUSLAND MOMENTAN NUR nach Großbritannien, Japan, Schweiz, Irland, Frankreich, Spanien, Italien, Österreich, Belgien und die Niederlande! PLEASE NOTE: SHIPPING TO FOREIGN COUNTRIES AT THE MOMENT ONLY to Great Britain, Japan, Switzerland, Ireland, France, Spain, Italy, Austria, Belgium and the Netherlands! Schneller Versand auf Rechnung (Vorauszahlung vorbehalten) mit der Post bzw. DHL. Sprache: Englisch Gewicht in Gramm: 900 Farb. illustr. Orig.-Leinenband. …

Sehr guter Zustand. Softcover / Original Klappbroschur.

paperback. Condición: Wie neu. 216 Seiten; 9783863352387.1 Gewicht in Gramm: 2.

Taschenbuch. Condición: Neu. Neuware -Barry Le Va (1941-2021) is regarded as a moderniser of sculpture in post-1960s art. Kunstmuseum Liechtenstein presents the first retrospective since the artist's death.'I guess at that time the body was a new territory, and it had to be investigated.'-Barry Le Va, 2003In his cross-disciplinary oeuvre, which is seen as beginning in the early days of process art and postminimalism, Barry Le Va succeeded in expanding the concept of sculpture. Not only did he break up the unit of form into countless particles, he also incorporated the principles of change, instability, and disruption as constants in his art.Kunstmuseum Liechtenstein presents the first retrospective since the artist's death, providing a survey of his work from the 1960s to his final groups of work. The thread running through this exhibition is the exploration of the relationship between the installations and the drawings.Executed with care and following detailed plans, Barry Le Va's installations are defined by the principles of chance, chaos and order. All his life, the floor was the artist's 'ground' and field for experimentation. First executed in 1966, his Distribution Pieces, scattered on the ground, gained him wide and instant public attention following a cover story in Artforum in November 1968.Drawing is an integral part of Le Va's oeuvre. On the one hand, he saw it as part of his thinking process; on the other, he understood drawings as 'diagrams that function almost like musical scores or compositions'. In this sense they often pave the way for the sculptural work, sometimes serving as a kind of 'plan view', while at the same time permitting interpretation and improvisation in situ. Other drawings are works in their own right.From the outset, the relationship between viewer and artwork was of the utmost importance to Le Va. His installations, which he likened to crime scenes, challenge the viewers to search for clues so as to reconstruct the act and the underlying concept. This approach is based on Le Va's profound interest in the crime genre: 'I became intrigued by the idea of visual clues, the way Sherlock Holmes managed to reconstruct a plot from obscure visual evidence.'The exhibition is accompanied by a three-volume publication in which the artist's voice is heard in particular through his 'Notes' (statements) and through the republication and first publication of interviews.The exhibition will travel to Fruitmarket, Edinburgh (26 October 2024 - 2 February 2025), and Museum Kurhaus Kleve (30 March - 29 June 2025).…

34,5 x 26 cm quer ; Leinen. Condición: Gut. 87 S. ; Großformatige Hardcoverausgabe, Leineneinband mit montiertem Deckeltitel, Text in deutscher und englischer Sprache, 87 Seiten mit zahlreichen Abbildungen. Gutes Exemplar. hw1754 ISBN: 9783940953971.

Paperback. Condición: Brand New. 520 pages. 10.25x8.25x10.00 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - Barry Le Va (1941-2021) is regarded as a moderniser of sculpture in post-1960s art. Kunstmuseum Liechtenstein presents the first retrospective since the artist's death.'I guess at that time the body was a new territory, and it had to be investigated.'-Barry Le Va, 2003In his cross-disciplinary oeuvre, which is seen as beginning in the early days of process art and postminimalism, Barry Le Va succeeded in expanding the concept of sculpture. Not only did he break up the unit of form into countless particles, he also incorporated the principles of change, instability, and disruption as constants in his art.Kunstmuseum Liechtenstein presents the first retrospective since the artist's death, providing a survey of his work from the 1960s to his final groups of work. The thread running through this exhibition is the exploration of the relationship between the installations and the drawings.Executed with care and following detailed plans, Barry Le Va's installations are defined by the principles of chance, chaos and order. All his life, the floor was the artist's 'ground' and field for experimentation. First executed in 1966, his Distribution Pieces, scattered on the ground, gained him wide and instant public attention following a cover story in Artforum in November 1968.Drawing is an integral part of Le Va's oeuvre. On the one hand, he saw it as part of his thinking process; on the other, he understood drawings as 'diagrams that function almost like musical scores or compositions'. In this sense they often pave the way for the sculptural work, sometimes serving as a kind of 'plan view', while at the same time permitting interpretation and improvisation in situ. Other drawings are works in their own right.From the outset, the relationship between viewer and artwork was of the utmost importance to Le Va. His installations, which he likened to crime scenes, challenge the viewers to search for clues so as to reconstruct the act and the underlying concept. This approach is based on Le Va's profound interest in the crime genre: 'I became intrigued by the idea of visual clues, the way Sherlock Holmes managed to reconstruct a plot from obscure visual evidence.'The exhibition is accompanied by a three-volume publication in which the artist's voice is heard in particular through his 'Notes' (statements) and through the republication and first publication of interviews.The exhibition will travel to Fruitmarket, Edinburgh (26 October 2024 - 2 February 2025), and Museum Kurhaus Kleve (30 March - 29 June 2025).…

Großformatiger Band (4°) mit zahlreichen meist farbigen Abbildungen. Tadelloser Zustand (Kunst). Klappbroschur. Kein Versand aufgrund von EPR Regelungen in EU-Länder außerhalb Deutschlands. No shipping to EU countries outside of Germany due to EPR regulations.