Hudson suzanne perling (6 resultados)

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  • Libros (6)

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    • Idioma: Inglés

      Editorial: Petzel Gallery / Koenig Books, New York, NY, 2022

      1733215573 / 9781733215572

      • Tapa dura

      Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA

      Vendedor de 4 estrellas
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      Miembro de asociación: ABAAILAB

      Condición: Usado - Bueno

      EUR 31,22

      Envío por EUR 11,25 
      Se envía dentro de Estados Unidos de America

      Cantidad disponible: 1 disponibles

      Hardcover. Condición: VG+. Hardcover with color printing on cloth. 244 pp, generously illustrated with color reproductions. For the past fifteen years, Emily Mae Smith has brought her lush, humorous, and highly stylized sensibility to bear in one visually stunning canvas after another, artfully blending a Surrealist spirit with the flair of Pop Art and her own feminist aesthetic. Emily Mae Smith, the first standalone volume of the artist's work, provides a panoramic view of Smith's playful, illusionistic, and deeply intelligent oeuvre. With more than 250 illustrated pages, boasting over 150 full-color reproductions that bring Smith's crisp and exquisitely detailed paintings to life, the book takes a close look at her career to date.

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      Idioma: Inglés

      Editorial: National Gallery of Art / The University of Chicago Press, Washington / Chicago, 2018

      0894684108 / 9780894684104

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      Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA

      Vendedor de 4 estrellas
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      Miembro de asociación: ABAAILAB

      Condición: Usado - Bueno

      EUR 40,14

      Envío por EUR 11,25 
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      Cantidad disponible: 2 disponibles

      Paperback. Condición: VG+. Color-illustrated softcover with white lettering. xv, 396 pp. 467 illustrations, mainly in color. Some 250 works explore three distinct periods in American history when mainstream and outlier artists intersected, ushering in new paradigms based on inclusion, integration, and assimilation. The exhibition aligns work by such diverse artists as Charles Sheeler, Christina Ramberg, and Matt Mullican with both historic folk art and works by self-taught artists ranging from Horace Pippin to Janet Sobel and Joseph Yoakum. It also examines a recent influx of radically expressive work made on the margins that redefined the boundaries of the mainstream art world, while challenging the very categories of "outsider" and "self-taught." Historicizing the shifting identity and role of this distinctly American version of modernism's "other," the exhibition probes assumptions about creativity, artistic practice, and the role of the artist in contemporary culture. The exhibition is curated by Lynne Cooke, senior curator, special projects in modern art, National Gallery of Art.--Provided by publisher. Contents as follows: Director's foreword / Earl A. Powell III -- Lenders to the exhibition -- Acknowledgments -- Note to the reader -- Boundary trouble : navigating margin and mainstream / Lynne Cooke -- Modernism's war on terror / Darby English -- How to make a modern primitive / Richard Meyer -- Find-and-seek : Discovery narratives, Americanization, and other tales of genius in modern American folk art / Jennifer Jane Marshall -- Black folk art redux : a curatorial roundtable / Lynne Cooke, John Beardsley, Katherine Jentleson. Faheem Majeed -- Museums, oh museums / Thomas J. Lax -- Affinities in abstraction : textiles, otherness, paintings in the 1970's / Jenni Sorkin -- Archives of femininity / Douglas Crimp -- Personal voyages / Suzanne Hudson -- Plates -- c. 1924 to 1943 : folk aesthetics refigured -- c. 1968 to 1992 : commensurables and incommensurables -- c. 1998 to 2013 : determining difference differently -- Biographies -- Checklist of the exhibition -- Index.

    • Idioma: Inglés

      Editorial: Glenstone Museum / Artbook DAP, Potomac, MD / New York, NY, 2023

      9798987425411

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      Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA

      Vendedor de 4 estrellas
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      Miembro de asociación: ABAAILAB

      Condición: Usado

      EUR 49,05

      Envío por EUR 11,25 
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      Cantidad disponible: 1 disponibles

      Hardcover. Quarto. Hardcover. Grey cloth boards with large plate pasted center front and two small ones side by side on rear. 311 pages (some folded) : illustrations (some color), portraits ; 32 cm. "Accompanying the large-scale traveling exhibition 'Ellsworth Kelly at 100', this volume celebrates the groundbreaking career of the beloved American abstractionist. This publication highlights key aspects of his multifaceted art from his lifelong drawing practice through his later explorations of layered canvas panels. Kelly frequently revisited shapes and motifs observed throughout his career, exploring form, color, line and space through painting, sculpture, collage, drawing and photography. The fully illustrated publication highlights works from major public and private collections alongside key works from Glenstone's collection, including seminal early pieces such as Painting for a White Wall (1952) and Painting in Three Panels (1956), as well as examples from the iconic Chatham and Spectrum series. Also featured is Yellow Curve (1990), a monumental floor painting installation that spans nearly 1,000 square feet, on view for the first time in more than 30 years since it was conceived for an exhibition at Portikus am Main in Frankfurt. Essays by Jean-Pierre Criqui, Alex Da Corte, Suzanne Hudson, Corey Keller and others explore and expand upon Kelly's canon. With three gatefolds and a tip-on cover image, the book also includes unpublished archival materials from the artist's studio and the Glenstone archives" --. VG-. Some scuff and damage to plate on front cover, otherwise clean and unmarked.

    • Idioma: Inglés

      Editorial: Kestnergesellschaft / Verlag der Buchhandlung Walther Konig / Distributed Art Publishers, Inc, Hannover / Koln / New York, 2014

      3863356071 / 9783863356071

      • Tapa dura

      Librería: Mullen Books, ABAA, Marietta, PA, Estados Unidos de AmericaMullen Books, ABAA

      Vendedor de 4 estrellas
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      Miembro de asociación: ABAAILAB

      Condición: Usado

      EUR 62,43

      Envío por EUR 11,25 
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      Cantidad disponible: 1 disponibles

      Hardcover. Quarto. Hardcover. Blue cloth boards in glossy illustrated jacket. 157 pages : illustrations (some color) ; 27 cm. Catalog published on the occasion of the exhibition held at Kestnergesellschaft, Hannover, Germany, July 25-October 26, 2014./ Editors: Lotte Dinse, Susanne Figner; authors: Suzanne Hudson, Chrissie Iles, Susanne Figner, Veit Görner./ Includes bibliographical references (pages 153-155). Text in German and English. VG. Light rubbing to jacket, otherwise clean and unmarked.

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      Condición: Usado - Bueno

      EUR 48,17

      Envío por EUR 29,23 
      Se envía de Reino Unido a Estados Unidos de America

      Cantidad disponible: 1 disponibles

      Paperback. Condición: Very Good. 2009 Whitechapel Gallery paperback edition. Light reading wear else very good condition. Contents: THE REVIVAL OF BEAUTY Dave Hickey Enter the Dragon: On the Vernacular of Beauty Kathleen Marie Higgins Whatever Happened to Beauty? A Response to Danto Elaine Scarry On Beauty and Being Just Wendy Steiner Venus in Exile: The Rejection of Beauty in Twentieth-Century Art Suzanne Perling Hudson Beauty and the Status of Contemporary Criticism Saul Ostrow The Eternal Problem of Beauty's Return Arthur C. Danto The Aesthetics of Brillo Boxes Alexander Alberro Beauty Knows No Pain Diarmuid Costello, Arthur C. Danto, Anna Dezeuze, Martin Donougho, Thierry de Duve, James Elkins, David Raskin, Dominic Willsdon, Richard Woodfield The Art Seminar CONCEPTS AND CONTEXTS Theodor Adorno On the Concept of the Beautiful Jacques Derrida The Sans of the Pure Cut Griselda Pollock Woman as Sign: Psychoanalytic Readings Jay Bernstein Beauty and the Labour of Mourning Fredric Jameson Transformations of the Image in Postmodernity Thierry de Duve Kant after Duchamp Jason Gaiger Incidental and Integral Beauty: Duchamp, Danto and the Intractable Avant-Garde T.J. Clark Vulgarity Caroline A. Jones The Discourse of the Studio Meets the Technological Sublime John Roberts Replicants and Cartesians Mark Cousins The Ugly Mark Hutchinson Nausea: Encounters with Ugliness Simon O'Sullivan Art and the Political: Minor Literature, War Machines and the Production of Subjectivity POSITIONS Rosalind Krauss The Photographic Conditions of Surrealism Benjamin H.D. Buchloh Robert Morris's Paradoxes Robert Smithson An Aesthetics of Disappointment Andy Warhol On Beauty Rasheed Araeen Cultural Imperialism: Observations on Cultural Situation in the Third World Gerhard Richter Notes Paul Wood Truth and Beauty: The Ruined Abstraction of Gerhard Richter Leon Golub and Nancy Spero Interview with Adrian Searle Agnes Martin Interview with Irving Sandler Alex Katz Interview with David Sylvester John Currin Interview with Robert Rosenblum Wendy Steiner On Marlene Dumas Art & Language On Painting Rudolf Sagmeister Endangered Beauty: On Gary Hume Christoph Grunenberg Attraction-Repulsion Machines: The Art of Jake and Dinos Chapman Vito Acconci Interview with Bryant Rousseau Leo Fitzmaurice Beauty (a list of possibilities).

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      Idioma: Inglés

      Editorial: MASS MoCA, Nort Adams, MA, 2007

      0976427656 / 9780976427650

      • Tapa dura
      • Primera edición

      Librería: Jeff Hirsch Books, ABAA, Wadsworth, IL, Estados Unidos de AmericaJeff Hirsch Books, ABAA

      Vendedor de 5 estrellas
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      Miembro de asociación: ABAAMWABAILAB

      Condición: Usado

      EUR 111,49

      Envío por EUR 6,06 
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      Cantidad disponible: 1 disponibles

      First Edition. First edition and first printing. Hardcover. 192 pages. Published in conjunction an exhibition that ran May 26, 2007 through March 31, 2008 at Mass MoCA. Features a foreword by Joseph Thompson and essays by Susan Cross, Daniel Birnbaum, and Suzanne Perling Hudson. Includes numerous color illustrations, list of previous exhibitions, bibliography, and a checklist. A near fine copy in yellow cloth boards and in a very near fine die-cut slipcase. No dust jacket as issued. A very nice copy of this elaborate production.