Feldman jennie (48 resultados)

paperback. Condición: Very Good. Most of our very good books have only minor imperfections such as shelf wear consistent with a new book that's sat on a bookshop shelf for a year or two. Occasionally we may miss other minor imperfections as we have to grade books at speed. Our books are dispatched from a Yorkshire former cotton mill. We list via barcode/ISBN so please note that the images are stock images and may not be the exact copy you receive, furthermore the details about edition and year might not be accurate as many publishers reuse the same ISBN for multiple editions and as we simply scan a barcode or enter an ISBN we do not check the validity of the edition data when listing. If you're looking for an exact edition please don't order (at least not without checking with us first, although we don't always have time to check). We aim to dispatch prompty, the service used will depend on order value and book size. We can ship to most countries, see our shipping policies. Payment is via Abe only.…

Paperback. Condición: Used-Very Good. Pap. Minor shelf-wear.

Paperback. Condición: Very Good. The book has been read, but is in excellent condition. Pages are intact and not marred by notes or highlighting. The spine remains undamaged.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: Very Good. Very Good paperback with light shelfwear - NICE! Standard-sized.

Paperback. Condición: New. These visually arresting and subtly musical poems range from Scotland and the Hebrides to Paris, the Mediterranean and Israel, capturing resonant details and moments and shaping them into a quizzical coherence. Like the small ghost that circles into lamplight in "Moth", the poems are on the wing, "sourcing the radiance of things" in response to the dark. "The lost notebook" inspires a sequence that interweaves themes of sea, music, memory, love and the charge of language. This is a distinguished first collection. …

Paperback. Condición: Very Good. Tight clean and unmarked, approx 4" x 7" tall, perfect bound, stated second printing 2017.

Paperback. Condición: new. Paperback. Long overlooked in Proust's posthumously published writings, Chardin and Rembrandt , written when he was only twenty - four years old, not only reemphasizes the importance of visual art to his development, but contains the seeds of his later work. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay i s much more than a straightforward piece of art criticism. It is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbu e the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects. Published for the first time as a stand - alone volume and newly translated, this edition, part of the David Zwirner Books ekphrasis series, aims to introduce a wider audience to one of Proust's most important and influential works in Western literature . "For the true artist," as Proust writes, "as for the natural scientist, every type is interesting, and even the smallest mus cle has its importance." The same could be said of the author's own work - every essay has its own crucial place in the formation of his groundbreaking oeuvre. The afterword by renowned Proust scholar Alain Madeleine - Perdrillat , originally published in the French by Le Bruit du Temps, is an impassioned argument in favor of returning to the lost paths of Proust's early thinking. It sees, in the passage from Chardin's world of objects to Rembrandt's contemplative paintings, a move ment toward the radical interiority for which Proust would later become widely celebrated as a novelist. Written at the beginning of his literary career, Chardin and Rembrandt gestures back to some of Proust's earliest notes on art, while creating space fo r what was to come. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. In Jennie Feldman's second collection, the earth-shy bird of the title flies high above the territorial rivalries of its region. From the Middle East, "Swift" ranges across Europe to Scotland, always on the lookout for what coheres in the world and its telling encounters - with a Greek beekeeper, a cello maestro, lone figures on society's margins, the Latin poet Lucretius in an East Jerusalem cafe. Buoyed by music as well as water, notably the Aegean Sea and the rare rains of the eastern Mediterranean, these poems combine delicacy and vigour in their pursuit of an elusive equilibrium. …

Condición: New. Brand New.

Condición: New.

Condición: New.

Paperback. Condición: New. In Jennie Feldman's second collection, the earth-shy bird of the title flies high above the territorial rivalries of its region. From the Middle East, "Swift" ranges across Europe to Scotland, always on the lookout for what coheres in the world and its telling encounters - with a Greek beekeeper, a cello maestro, lone figures on society's margins, the Latin poet Lucretius in an East Jerusalem cafe. Buoyed by music as well as water, notably the Aegean Sea and the rare rains of the eastern Mediterranean, these poems combine delicacy and vigour in their pursuit of an elusive equilibrium. …

Paperback. Condición: Brand New. 72 pages. 8.35x0.55x5.28 inches. In Stock.

Condición: New. pp. 72.

Condición: New. pp. 72.

Paperback. Condición: Brand New. 60 pages. 7.00x4.50x0.25 inches. In Stock.

Paperback. Condición: Very Good.

Condición: New. pp. 72.

Condición: New. 2012. Paperback. Buoyed by music as well as water, notably the Aegean Sea and the rare rains of the eastern Mediterranean, this title includes poems that combine delicacy and vigour in their pursuit of an elusive equilibrium. Num Pages: 72 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 218 x 136 x 7. Weight in Grams: 116. 72 pages. Buoyed by music as well as water, notably the Aegean Sea and the rare rains of the eastern Mediterranean, this title includes poems that combine delicacy and vigour in their pursuit of an elusive equilibrium. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 218 x 136 x 7. Weight: 116. . . . . . …

Condición: New.

Condición: New. 2012. Paperback. Buoyed by music as well as water, notably the Aegean Sea and the rare rains of the eastern Mediterranean, this title includes poems that combine delicacy and vigour in their pursuit of an elusive equilibrium. Num Pages: 72 pages. BIC Classification: DCF. Category: (G) General (US: Trade). Dimension: 218 x 136 x 7. Weight in Grams: 116. 72 pages. Buoyed by music as well as water, notably the Aegean Sea and the rare rains of the eastern Mediterranean, this title includes poems that combine delicacy and vigour in their pursuit of an elusive equilibrium. Cateogry: (G) General (US: Trade). BIC Classification: DCF. Dimension: 218 x 136 x 7. Weight: 116. . . . . . Books ship from the US and Ireland. …

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: As New. Unread book in perfect condition.

Soft cover. Condición: Very Good. 78 pages. Poems by: Robert Gray, Sheenagh Pugh, Andrew Motion, Lucy Tunstall, John Peck, Roger Garfitt, Andrew McNeillie, Moe Way, Maung Pyiyt Min, ko ko thett, Erico Noguiera, Sophie Hannah, Jennie Feldman, David Herd, Patrick McGuinness, James Womack, Rory Waterman,David Herman reads the reviews, Michael Alexander remembers Peter Whigham,Nick Liptrot almost discovers modernism, Jason Guriel observes Logan the poet,Clive Wilmer addresses the responsibilities of poets,Kevin Gardner ferrets through Peter Scupham's basement. (U.P.).…

Paperback. Printed pages: 140. Condición: Near Fine. 1st Edition. First English language translation of Reda's poems. Very slight shelf wear to covers, otherwise excellent. Inscribed and signed to the title page by the translator Jennie Feldman: 'For Arilla, Chris and Ellen, delighted to share these with you - love Jennie, Haita, 25th October 2005'. Overall condition is Near Fine. Size: 5.5 x 8.5 inches (14 x 21.5 cm). Signed by Author.…

Paperback. Condición: new. Paperback. Long overlooked in Proust's posthumously published writings, Chardin and Rembrandt , written when he was only twenty - four years old, not only reemphasizes the importance of visual art to his development, but contains the seeds of his later work. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay i s much more than a straightforward piece of art criticism. It is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbu e the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects. Published for the first time as a stand - alone volume and newly translated, this edition, part of the David Zwirner Books ekphrasis series, aims to introduce a wider audience to one of Proust's most important and influential works in Western literature . "For the true artist," as Proust writes, "as for the natural scientist, every type is interesting, and even the smallest mus cle has its importance." The same could be said of the author's own work - every essay has its own crucial place in the formation of his groundbreaking oeuvre. The afterword by renowned Proust scholar Alain Madeleine - Perdrillat , originally published in the French by Le Bruit du Temps, is an impassioned argument in favor of returning to the lost paths of Proust's early thinking. It sees, in the passage from Chardin's world of objects to Rembrandt's contemplative paintings, a move ment toward the radical interiority for which Proust would later become widely celebrated as a novelist. Written at the beginning of his literary career, Chardin and Rembrandt gestures back to some of Proust's earliest notes on art, while creating space fo r what was to come. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: new. Paperback. Long overlooked in Proust's posthumously published writings, Chardin and Rembrandt , written when he was only twenty - four years old, not only reemphasizes the importance of visual art to his development, but contains the seeds of his later work. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay i s much more than a straightforward piece of art criticism. It is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbu e the everyday world with new meaning, and his ruminations on Rembrandt take his melancholic pupil beyond the realm of mere objects. Published for the first time as a stand - alone volume and newly translated, this edition, part of the David Zwirner Books ekphrasis series, aims to introduce a wider audience to one of Proust's most important and influential works in Western literature . "For the true artist," as Proust writes, "as for the natural scientist, every type is interesting, and even the smallest mus cle has its importance." The same could be said of the author's own work - every essay has its own crucial place in the formation of his groundbreaking oeuvre. The afterword by renowned Proust scholar Alain Madeleine - Perdrillat , originally published in the French by Le Bruit du Temps, is an impassioned argument in favor of returning to the lost paths of Proust's early thinking. It sees, in the passage from Chardin's world of objects to Rembrandt's contemplative paintings, a move ment toward the radical interiority for which Proust would later become widely celebrated as a novelist. Written at the beginning of his literary career, Chardin and Rembrandt gestures back to some of Proust's earliest notes on art, while creating space fo r what was to come. Proposed in 1895 by Proust to the newspaper Revue hebdomadaire (it was rejected), this essay is a literary experiment in which an unnamed narrator gives advice to a young man suffering from melancholy, taking him on an imaginary tour through the Louvre where his readings of Chardin imbue the everyday world with new meaning. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: New. In Jennie Feldman's second collection, the earth-shy bird of the title flies high above the territorial rivalries of its region. From the Middle East, "Swift" ranges across Europe to Scotland, always on the lookout for what coheres in the world and its telling encounters - with a Greek beekeeper, a cello maestro, lone figures on society's margins, the Latin poet Lucretius in an East Jerusalem cafe. Buoyed by music as well as water, notably the Aegean Sea and the rare rains of the eastern Mediterranean, these poems combine delicacy and vigour in their pursuit of an elusive equilibrium. …