F bulhof (13 resultados)

paperback. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

paperback. Condición: Very Good. No Dust Jacket. First Edition. Six essays. x, 136pp, black/white illustrations. essays from a symposium on Modernism in the Low Countries, 1915-1930 with 21 plates. Contributors are Jan Brandt Corstius, A. Van Elslander, Paul Hadermann, Egbert Krispyn, Robert P. Welsh and A.L. Sotemann. Clean Copy. …

Condición: New.

The Hague, Nijhoff, 1976. x,136 pp. Sewn.

Condición: New.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - FRANCIS BULHOF 'What was Modernism ' That is the title of an address delivered in June of 1960 by the eminent comparatist Harry Levin at Queen's University in King ston, Ontario.1 Apparently, more than a decade ago, in the eyes of this per ceptive analyst of literature and the arts, the modernist movement had become a thing of the past. Having acquired full citizenship in the republic of letters, modernism had outlived itself. The title of Harry Levin's lecture bears an obvious resemblance to that of Fritz Martini's book-length essay Was war Expressionismus ,2 which dealt exclusively with the German variant of the expressionist movement. In the case of German expressionism there is much dispute concerning the precise moment of its decline and fall, but the political conditions provide at least a crucial dividing line in the year 1933. The end of modernism, however, a far more comprehensive movement which was not just limited to one country, is not so easy to determine. And there is also still much discussion about its roots.…

Paperback. Condición: Brand New. reprint edition. 146 pages. 9.60x6.10x0.40 inches. In Stock.

Paperback. Condición: Very Good. Dust Jacket may NOT BE INCLUDED.CDs may be missing. SHIPS FROM MULTIPLE LOCATIONS. book.

Groningen 1966. 228 S. Diss.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -FRANCIS BULHOF 'What was Modernism ' That is the title of an address delivered in June of 1960 by the eminent comparatist Harry Levin at Queen's University in King ston, Ontario.1 Apparently, more than a decade ago, in the eyes of this per ceptive analyst of literature and the arts, the modernist movement had become a thing of the past. Having acquired full citizenship in the republic of letters, modernism had outlived itself. The title of Harry Levin's lecture bears an obvious resemblance to that of Fritz Martini's book-length essay Was war Expressionismus ,2 which dealt exclusively with the German variant of the expressionist movement. In the case of German expressionism there is much dispute concerning the precise moment of its decline and fall, but the political conditions provide at least a crucial dividing line in the year 1933. The end of modernism, however, a far more comprehensive movement which was not just limited to one country, is not so easy to determine. And there is also still much discussion about its roots. 168 pp. Englisch.…

Condición: New. Print on Demand.

Condición: New. PRINT ON DEMAND.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -FRANCIS BULHOF 'What was Modernism ' That is the title of an address delivered in June of 1960 by the eminent comparatist Harry Levin at Queen's University in King ston, Ontario.1 Apparently, more than a decade ago, in the eyes of this per ceptive analyst of literature and the arts, the modernist movement had become a thing of the past. Having acquired full citizenship in the republic of letters, modernism had outlived itself. The title of Harry Levin's lecture bears an obvious resemblance to that of Fritz Martini's book-length essay Was war Expressionismus ,2 which dealt exclusively with the German variant of the expressionist movement. In the case of German expressionism there is much dispute concerning the precise moment of its decline and fall, but the political conditions provide at least a crucial dividing line in the year 1933. The end of modernism, however, a far more comprehensive movement which was not just limited to one country, is not so easy to determine. And there is also still much discussion about its roots.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 168 pp. Englisch.…