ernest a edmonds (25 resultados)

Hardcover. Condición: Very Good. Ex-Library hardcover in very nice condition with all the usual markings and attachments. Text block clean and unmarked. Tight binding.

hardcover. Condición: Very Good.

hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. First Edition. Hard cover is sound with very slight signs of corner wear. Contents in very good clean condition. Library plate on front inside cover. Library stamps on prelims, some text-pages (with no obstruction of text) and page block. Illustrated with numerous diagrams and tables. Ex-Library.

hardcover. Condición: Good. Estado de la sobrecubierta: No Dust Jacket. Ex-library: label on spine; bookplate on pastedown; torn out labels on FEP; ink stamps on front matter, endpapers, edges of page block. Contents otherwise clean and sound; light wear to cover. Ex Library.

Condición: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Condición: good. This is a pre-loved book that shows moderate signs of wear from previous reading. You may notice creases, edge wear, or a cracked spine, but it remains in solid, readable condition.Please note:-May include library or rental stickers, stamps, or markings.-Supplemental materials e.g., CDs, access codes, inserts are not guaranteed.-Box sets may not come with the original outer box. If it does, the box will not be in perfect condition. -Sourced from donation centers; authenticity not verified with publisher. Your satisfaction is our top priority! If you have any questions or concerns about your order, please don't hesitate to reach out. Thank you for shopping with us and supporting small businessâ"happy reading!

Condición: New. pp. 192 1st Edition.

Condición: New. pp. 192.

Condición: New. pp. 192.

Hardcover. Condición: As new. Quarto in illus pale-grey boards; xvi, 304 pages: illustrations (some color); 24 cm; bibliographical references (pages 281-282) and index. Contents: 1.; Context --; 2.; Environment --; 3.; Research --; 4.; Collaboration --; 5.; Practice --; 6.; Windows to a New Dimension: Bettina Brendel --; 7.; A Million Millennial Medicis: Harold Cohen --; 8.; Structure in Art Practice: Ernest Edmonds --; 9.; Generative Art: Manfred Mohr --; 10.; From Zombies to Cyborg Bodies: Extra Ear, Exoskeleton and Avatars: Stclarc --; 11.; Tears in the Connective Tissue: Joan Truckenbrod --; 12.; Algorithmic Fine Art: Composing a Visual Arts Score: Roman Verostko --; 13.; An Observer's Reflections: The Artist Considered as Expert: Thomas Hewett --; 14.; Realizing Digital Artworks: Colin Machin --; 15.; Being Supportive: Andre Schappo --; 16.; Working with Artists: Manumaya Uniyal --; 17.; Creating Graspable Water in Three-Dimensional Space: Joan Ashworth --; 18.; The Artist as Digital Explorer: Dave Everitt --; 19.; Hybrid Invention: Beverley Hood --; 20.; Contemporary Totemism: Jean-Pierre Husquinet --; 21.; The Illusion and Simulation of Complex Motion: Fre Ilgen --; 22.; The Computer: An Intrusive Influence: Michael Kidner --; 23.; Switched On: Marlena Novak --; 24.; The Color Organ and Collaboration: Jack Ox --; 25.; Digital Spirituality: Anthony Padgett --; 26.; Integrating Computers as Explorers in Art Practice: Michael Quantrill --; 27.; Deconstructing the Norm: Juliet Robson --; 28.; Shifting Spaces: Esther Rolinson --; 29.; Going Somewhere Else: Ray Ward --; 30.; New Directions for Art and Technology: George Whale --; 31.; Defining Interaction: Linda Candy. / Computer art. Art and technology. Art et technologie. Art and technology. Computer art. As new.

Condición: New. In.

PF. Condición: New.

Condición: New. pp. 216.

Paperback. Condición: Brand New. reprint edition. 212 pages. 9.25x6.10x0.49 inches. In Stock.

Condición: Gut. 192 Seiten nice ex library book Sprache: Englisch Gewicht in Gramm: 315 24,1 x 16,5 x 1,3 cm, Taschenbuch.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 288 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence' being generally attributed to John McCarthy, who first used it in print in 1956. 'Computer Supported Cooperative Work', on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984.

Hardback. Condición: New.

Condición: Sehr gut. Zustand: Sehr gut | Sprache: Englisch | Produktart: Bücher | Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ­ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera­ tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence" being generally attributed to John McCarthy, who first used it in print in 1956. "Computer Supported Cooperative Work", on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984.

Edition originale tirée pur fil sur Johannot à 2150 exemplaires (N°1530). Au sommaire de ce numéro consacré aux écrivains américains : Gertrude Stein : Langage et littérature américains - Dorothy Baker : Le jeune homme à la trompette - Erskine Caldwell : L'homme de Dieu - Donald Henderson Clarke : Autobiographie de frank Tarbeaux - Peter Cheney : La Môme vert-de-gris - Ernest Hemingway : C'est aujourd'hui vendredi - Horace Mac Coy : On achève bien les chevaux ? - Walter Edmonds : La résurection de Solly Moon - William Faulkner : Wash - Norah Zeale Hurston : La calebasse de Jonas - Henry Miller : Mona - Damon Runyon : Lily de Saint-Pierre - William Saroyan : Amour, amour. ; Moi sur la terre ; Chère Greta Garbo ; Comme le soleil - Nathanael West : Miss Lonelyhearts - Thorton Wilder : Le ciel est ma gare d'arrivée - Thomas Wolfe : Point de porte - Richard Wright : Le départ de "Big Boy". Plusieurs textes originaux proviennent de la bibliothèque de Sylvia Beach. On trouvera encarté à la fin de l'ouvrage 6 prospectus pour des publications de chez Marc Barbezat, imprimés en 2 couleurs (1 pour des oeuvres de Jean Genet, 1 pour Franz Kafka, 1 pour Dessins de Jean Martin, 1 pour Arthur Rimbaud, 1 pour Federico Garcia Lorca et 1 pour Henri Michaux illustré d'un de ses dessins).

Condición: New. Print on Demand pp. 216 49:B&W 6.14 x 9.21 in or 234 x 156 mm (Royal 8vo) Perfect Bound on White w/Gloss Lam.

Condición: New. PRINT ON DEMAND pp. 216.

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to d.

Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence' being generally attributed to John McCarthy, who first used it in print in 1956. 'Computer Supported Cooperative Work', on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984. 216 pp. Englisch.

Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -Computing, despite the relative brevity of its history, has already evolved into a subject in which a fairly large number of subdisciplines can be identified. Moreover, there has been a noticeable tendency for the different branches of the subject each to develop its own intellectual culture, tradition and momentum. This is not, of course, to suggest that any individ ual subdiscipline has become a watertight compartment or that developments in one branch of the subject have tended to take place in total isolation from developments in other related areas. Nevertheless, it does mean that a deliberate effort is required in order to bring different subdisciplines together in a fruitful and beneficial manner. Artificial Intelligence (AI) and Computer Supported Coopera tive Work (CSCW) jointly constitute a good example of two branches of computing that have emerged separately and given rise to largely distinct research communities and initiatives. On the one hand, the history of AI can be traced back to the 1950s, the term II Artificial Intelligence' being generally attributed to John McCarthy, who first used it in print in 1956. 'Computer Supported Cooperative Work', on the other hand, is a term of more recent coinage, having'been devised by Irene Greif and Paul Cashman in 1984.Springer-Verlag KG, Sachsenplatz 4-6, 1201 Wien 216 pp. Englisch.