emma baron (13 resultados)

dvd. Condición: Used - Good.

Hardcover. Quarto. Hardcover. Purple spine with gilt titles over illustrated boards. No jacket, as issued. 239 pages : illustrations (chiefly color), facsimiles, portraits (chiefly color) ; 29 cm. "To accompany an exhibition of one of the central figures in British art and the first exhibition dedicated to Sickert at Tate since 1960. An apprentice of Whistler and close associate of Degas, he engaged with the work of French artists of the time. Sickert in turn influenced many British painters up to the present day. This book will show how Sickert transformed the representation of everyday life, with his approach to subject matter, radical compositions and the evocation of the materiality of existence in paint. It will explore the changing nature of his work - from an impressionistic approach in the 1880s to photography in the 1930s - and how he returned over and over to locations and subjects, including his penetrating self-portraits. Sickert's imagination was fuelled by news and current events such as the Camden Town Murders and newspaper photography, but also by popular culture - music halls, the stage, the rise of cinema and celebrity. Featuring over 200 images from the exhibition and a range of essays by scholars, as well as reflections on Sickert's relevance and influence by a selection of contemporary painters including Kaye Donachie and Somaya Critchlow." --. VG. Some rubbing to boards, light corner bumping and board rubbing. Interior clean besides a small stamp inside stating withdrawn from a research library.

Paperback. Condición: Used, very good. Original 1959 edition/printing. Very large gray softcover, unpaginated. Slight wear, lightly soiled, namel on front cover otherwise no marks or writing. ** We are a small family business selling fine new and pre-owned books online since 1999. We provide professional service and individual attention to your order, daily shipments, and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA.

Paperback. Condición: Brand New. 83 pages. French language. 9.00x6.00x0.20 inches. In Stock.

Paperback. Condición: Brand New. 70 pages. French language. 11.00x8.50x0.17 inches. In Stock.

Paperback. Condición: Brand New. 79 pages. French language. 11.00x8.50x0.19 inches. In Stock.

Paperback. Condición: Brand New. 77 pages. French language. 11.00x8.50x0.19 inches. In Stock.

PAP. Condición: New. New Book. Shipped from UK. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Condición: Hervorragend. Zustand: Hervorragend | Sprache: Französisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condición: Good. Folio. First edition, one of 470 numbered copies on papier blanc du Marais from the total edition of 500, folio (40.2 x 28.2cm), original wrappers, [10] pp., 66 heliogravures on 56 sheets, printed in various colour tints, with captioned tissue-guards tipped in.Founded in 1894 by Robert Demachy and Constant Puyo, the Photo-club de Paris was the French equivalent of the Camera Club of New York and the Linked Ring in London, associations of photographers dedicated to the emergent philosophy of pictorialism, which promoted photography as a fine art rather than purely as a means of documenting reality. This overview of their first exhibition includes photographs by leading figures including Alfred Stieglitz, James Craig Annan and Rudolf Eickemeyer Jr, and numerous others. Printers incluce L'Imprimerie Chaix, Georges Petit Gallery (supplied, of Paris), T. Fillon/LeMercier & Cie (Paris), Richard Paulussen (Vienna), James Craig Annan (Glasgow), Paul Dujardin (Paris), J. Blechinger (Austria).t69 of the photographers accepted for this first exposition were from France but the material included was highly international. There were 30 photographers from Great Britain including Scotland and the Isle of Wight; Austria had 17 followed by Belgium and Holland with ten. Nine were from America: including Emilie Clarkson, John Bullock, John Dumont, Rudolph Eickemeyer, Emma Farnsworth, Clarence Moore, William Post, Robert Redfield and Alfred Stieglitz. Works from Germany, Italy, Spain, Russia and Switzerland were hung. Algeria was represented by at least one photograph by the Frenchman Emile Frechon. The work of the deceased, but influential, British photographer Julia Margaret Cameron (1815-1879) was acknowledged by the exposition committee members and she had an unknown number of works accepted for hanging.OCLC number 889431269; Met Watsonline record number b12671320. .

2pp., 12mo. Bifolium. With monogrammed 'CWP' letterhead in red. He was sorry not to have found her at home, 'but we always go out at the same time'. He invites her to dine with them on the Sunday: 'as Mrs. is with you to take care of Col. Hamilton', whom he is sorry to hear is 'so great an invalid'. Powlett died at the age of 19 in 1864; on his father's death two years later the barony became extinct.

Paperback. Condición: new. Paperback. Nono l'escargot va bientot partir en vacances, mais avant il decide de se rendre au magasin faire quelques achats. La, il voit une bouee en forme de feuille de salade, un super canoe creuse dans un champignon seche et meme une couverture chauffe coquille. Tout lui fait envie ! Il decide donc de tout acheter si bien que sa coquille craque. Heureusement, son ami Ignace la limace lui vient en aide. Comme quoi, dans la vie, mieux vaut avoir un ami que posseder des choses dont on n'a pas forcement besoin. Theme: l'amitie, le consumerisme This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.