Emanuela patti (57 resultados)

Condición: very good. Gut/Very good: Buch bzw. Schutzumschlag mit wenigen Gebrauchsspuren an Einband, Schutzumschlag oder Seiten. / Describes a book or dust jacket that does show some signs of wear on either the binding, dust jacket or pages.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New.

Paperback. Condición: New. Runner-up in the 2023 N. Katherine Hayles Award for Criticism of Electronic Literature from the Electronic Literature Organization«At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and least of all educators, took notice, artists, as was their wont for centuries, were the first to reveal the potential of the new technologies. Emanuela Patti not only pays them a long overdue tribute, but along the way revisits with care and engaging style the key features of that transformation. A wonderful read!» (Professor Derrick de Kerckhove, University of Toronto)«We were missing a systematic survey of e-literary arts in Italy. Emanuela Patti has filled that void. Indeed, her study is much more than a survey: it brilliantly connects semiotic theories of open textuality to the profound techno-cultural transformations of socio-political life from the 1960s to the present, from experimental writing to popular culture.» (Professor Massimo Riva, Brown University)In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of «open work» - informed by systems theory, cybernetics, relativism, pragmatism and other influential disciplines of the time - was used by Eco to reconsider the work of art as a site for interactivity, collaboration and intermediality. Starting from this perspective, this book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. It examines how Italian writers, poets, literary critics and intellectuals have responded to each phase of the digital revolution, by enacting «poetics of openness» and «politics of intermediality». Case studies include Nanni Balestrini, Gianni Toti, Italo Calvino, Caterina Davinio, Wu Ming, Michela Murgia, Francesco Pecoraro, Roberto Saviano, Tommaso Pincio, Fabio Viola, Fabrizio Venerandi and Enrico Colombini. In some cases, literary experimentation with new technologies has taken a clear polemical stance towards mass media, globalisation, information society and late capitalism, in order to challenge and/or reconfigure artistic or social ontologies. In others, digital technologies have been used to enhance and extend the parameters and «languages» of literature.…

Condición: As New. Unread book in perfect condition.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Binding sound, text unmarked. Condición: Fine. As new. Robust packaging. Tracking is always added to USA orders. It can be added to other overseas orders on request. Used books are exempt from USA tariffs. No ownership marks. Binding sound, text unmarked. Size: ix, 177pp., 26 x 18 cm. No ownership marks.…

Condición: NEW.

Condición: New. pp. 188.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

paperback. Condición: Good. Brossura editoriale di pagine 170, sottolineature a matita in alcuni capitoli, testo ben fruibile. SPEDIZIONE IN 24 ORE DALLA CONFERMA DELL'ORDINE. Book.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. pp. 188.

Condición: As New. Unread book in perfect condition.

Condición: New. pp. 188.

Paperback. Condición: New.

Condición: new.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Runner-up in the 2023 N. Katherine Hayles Award for Criticism of Electronic Literature from the Electronic Literature Organization«At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and least of all educators, took notice, artists, as was their wont for centuries, were the first to reveal the potential of the new technologies. Emanuela Patti not only pays them a long overdue tribute, but along the way revisits with care and engaging style the key features of that transformation. A wonderful read!» (Professor Derrick de Kerckhove, University of Toronto)«We were missing a systematic survey of e-literary arts in Italy. Emanuela Patti has filled that void. Indeed, her study is much more than a survey: it brilliantly connects semiotic theories of open textuality to the profound techno-cultural transformations of socio-political life from the 1960s to the present, from experimental writing to popular culture.» (Professor Massimo Riva, Brown University)In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of «open work» - informed by systems theory, cybernetics, relativism, pragmatism and other influential disciplines of the time - was used by Eco to reconsider the work of art as a site for interactivity, collaboration and intermediality. Starting from this perspective, this book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. It examines how Italian writers, poets, literary critics and intellectuals have responded to each phase of the digital revolution, by enacting «poetics of openness» and «politics of intermediality». Case studies include Nanni Balestrini, Gianni Toti, Italo Calvino, Caterina Davinio, Wu Ming, Michela Murgia, Francesco Pecoraro, Roberto Saviano, Tommaso Pincio, Fabio Viola, Fabrizio Venerandi and Enrico Colombini. In some cases, literary experimentation with new technologies has taken a clear polemical stance towards mass media, globalisation, information society and late capitalism, in order to challenge and/or reconfigure artistic or social ontologies. In others, digital technologies have been used to enhance and extend the parameters and «languages» of literature.…

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 188 pages. 9.76x6.61x0.43 inches. In Stock.

hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 6-7 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Condición: New. Emanuela Patti is Senior Research Fellow at the University of Birmingham.What role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, i.

Taschenbuch. Condición: Neu. Neuware - What role did Dante play in the work of Pier Paolo Pasolini (1922-1975) His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the early 1950s. During this period, the philologists Gianfranco Contini (1912-1990) and Erich Auerbach (1892-1957) played a crucial role in Pasolini's re-thinking of 'represented reality', suggesting Dante as the best literary, authorial and political model for a generation of postwar Italian writers. This emerged first as 'Dantean realism' in Pasolini's prose and poetry, after Contini's interpretation of Dante and of his plurilingualism, and then as 'figural realism' in his cinema, after Auerbach's concepts of Dante's figura and 'mingling of styles'. Following the evolution of Pasolini's mimetic ideal from these formative influences through to La Divina Mimesis, Emanuela Patti explores Pasolini's politics of representation in relation to the 'national-popular', the 'questione della lingua' and the Italian post-war debates on neorealism, while also providing a new interpretation of some of his major literary and cinematic works. …

Condición: New.

Hardcover. Condición: new. Hardcover. This book studies the multifaceted impact of David Rizzio (c. 1533-1566), the Italian musician and courtier whose murder at the Palace of Holyroodhouse reshaped the destiny of Mary, Queen of Scots. Remembered as a figure of scandal and romance, Rizzio has inspired fascination for over 450 years. This book traces his many reimaginings across Britain and continental Europe, from early diplomatic newsletters to various art forms including painting, literature and music. By following his story across Scotland, England, France, Italy, Germany and Spain, chapters in the book highlight the strikingly transnational reach of his legend. They show how Rizzio became a cultural icon and reassess his enduring significance in Scottish/British cultural memory and identity and their wider European contexts. Explores the enduring influence of David Rizzio in Scottish and European art and material culture. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Bross Edit. Condición: Nuovo. 8vo, br. ed. Il volume esplora il rapporto tra Pier Paolo Pasolini e Dante Alighieri, due figure cardine della cultura italiana, mostrando come Pasolini abbia reinterpretato l'opera di Dante per affrontare i temi sociali, politici e culturali del suo tempo. Attraverso un'analisi interdisciplinare che spazia dalla letteratura al cinema, dalla filosofia alla semiotica, viene indagata l'influenza della Commedia sulla produzione pasoliniana, dalle prime antologie sulla poesia dialettale e popolare ai film, mettendo a fuoco il lungo e articolato percorso di ricezione ed elaborazione del modello dantesco che ha portato alla riscrittura pasoliniana, incompiuta e frammentata, del capolavoro di Dante, La Divina Mimesis. Dall'influenza di Contini e Auerbach sulla formazione del concetto pasoliniano di "realtà rappresentata" (mimesi) passando per i dibattiti ideologici sul realismo, la questione della lingua, il ruolo dell'intellettuale organico (o "mimetico") e il "nazional-popolare", vengono passate in rassegna le grandi questioni teoriche degli anni Cinquanta e Sessanta. Il libro arricchisce la comprensione del dialogo tra passato e presente nella cultura italiana e offre un contributo innovativo agli studi su Pasolini e sulla ricezione moderna di Dante evidenziando come Pasolini utilizzi l'immaginario dantesco per creare un linguaggio nuovo e sovversivo, capace di coniugare tradizione e modernità.…

Condición: New.

Taschenbuch. Condición: Neu. Opera aperta | Italian Electronic Literature from the 1960s to the Present | Emanuela Patti | Taschenbuch | Italian Modernities | 328 S. | Englisch | 2022 | Peter Lang | EAN 9781789978599 | Verantwortliche Person für die EU: Lang, Peter GmbH, Gontardstr. 11, 10178 Berlin, r[dot]boehm-korff[at]peterlang[dot]com | Anbieter: preigu.…

Paperback. Condición: New. Runner-up in the 2023 N. Katherine Hayles Award for Criticism of Electronic Literature from the Electronic Literature Organization«At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and least of all educators, took notice, artists, as was their wont for centuries, were the first to reveal the potential of the new technologies. Emanuela Patti not only pays them a long overdue tribute, but along the way revisits with care and engaging style the key features of that transformation. A wonderful read!» (Professor Derrick de Kerckhove, University of Toronto)«We were missing a systematic survey of e-literary arts in Italy. Emanuela Patti has filled that void. Indeed, her study is much more than a survey: it brilliantly connects semiotic theories of open textuality to the profound techno-cultural transformations of socio-political life from the 1960s to the present, from experimental writing to popular culture.» (Professor Massimo Riva, Brown University)In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of «open work» - informed by systems theory, cybernetics, relativism, pragmatism and other influential disciplines of the time - was used by Eco to reconsider the work of art as a site for interactivity, collaboration and intermediality. Starting from this perspective, this book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. It examines how Italian writers, poets, literary critics and intellectuals have responded to each phase of the digital revolution, by enacting «poetics of openness» and «politics of intermediality». Case studies include Nanni Balestrini, Gianni Toti, Italo Calvino, Caterina Davinio, Wu Ming, Michela Murgia, Francesco Pecoraro, Roberto Saviano, Tommaso Pincio, Fabio Viola, Fabrizio Venerandi and Enrico Colombini. In some cases, literary experimentation with new technologies has taken a clear polemical stance towards mass media, globalisation, information society and late capitalism, in order to challenge and/or reconfigure artistic or social ontologies. In others, digital technologies have been used to enhance and extend the parameters and «languages» of literature.…