Durmusoglu ovul o (20 resultados)

Condición: As New. Unread book in perfect condition.

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Hardcover. Condición: new. Hardcover. A journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.A journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.BURN & GLOOM! GLOW & MOON! Thousand Years of Troubled Genders was the most comprehensive exhibition to date of Vienna-based artist and filmmaker Katrina Daschner. It was curated by v l . Durmusoglu and encompassed works from the 1990s to the present, ranging from sculptures, textiles, music, performance, community-based work, and, most prominently, film, which sits at the heart of Katrina Daschner's practice. This publication transfers the immersive environment of senses, textures, and feelings created in the exhibition into book form. Just like the exhibition, it confronts, touches, embraces, and dreams of transforming "femme"-ness, transforming bodies, and transforming genders.With stylized performances and video works, Daschner plays with the boundaries of human and non-human, and what is socially defined as the norm, exposing the artificiality of the gendered binary-the dualism of men* and womxn-and the prejudices it generates, freeing the body. In doing so, the stage becomes the setting for a precarious desire for visibility and, at the same time, an endless yearning for rebirth. The bodies that perform and the potential audience that follows them mutate and embody different emotional cycles again and again. These artistic acts generate their own community in the making; everyone participating contribute to the stories in the making. They function like threads attaching her stories, stages, and characters together. In Daschner's textile-based works, threads are minimal yet highly visible, akin to the pinch needed to wake up from a dream. These works-as well as her collages-merge with her confronting yet inviting image politics: she cuts and pastes stories of love and pleasure, violence and resilience, death and rebirth.The written contributions reflect on Katrina Daschner as part of a hardworking generation of queer artists and makers who have been responding to the major conceptual shifts and gender upheavals happening in contemporary art since the 1990s, especially in New York and London. They highlight Katrina Daschner's longstanding line of intersectional queer interest that continues to undermine (neo-)liberal, heteropatriarchal conceptions of sexuality, gender, subjectivity, and relationships.Copublished by Kunsthalle WienContributorsRike Frank, Amelia Groom, Tim St ttgen Shipping may be from multiple locations in the US or from the UK, depending on stock availability. …

Paperback. Condición: Brand New. 96 pages. 0.39x5.51x7.76 inches. In Stock.

Hardcover. Condición: New.

Hardback. Condición: New.

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Condición: New. 2024. hardcover. . . . . .

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Hardcover. Condición: Brand New. Hardcover.Width: 21 cm. Height: 26cm. 272 pages. English text.

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Hardcover. Condición: new. Hardcover. A journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.A journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles.BURN & GLOOM! GLOW & MOON! Thousand Years of Troubled Genders was the most comprehensive exhibition to date of Vienna-based artist and filmmaker Katrina Daschner. It was curated by v l . Durmusoglu and encompassed works from the 1990s to the present, ranging from sculptures, textiles, music, performance, community-based work, and, most prominently, film, which sits at the heart of Katrina Daschner's practice. This publication transfers the immersive environment of senses, textures, and feelings created in the exhibition into book form. Just like the exhibition, it confronts, touches, embraces, and dreams of transforming "femme"-ness, transforming bodies, and transforming genders.With stylized performances and video works, Daschner plays with the boundaries of human and non-human, and what is socially defined as the norm, exposing the artificiality of the gendered binary-the dualism of men* and womxn-and the prejudices it generates, freeing the body. In doing so, the stage becomes the setting for a precarious desire for visibility and, at the same time, an endless yearning for rebirth. The bodies that perform and the potential audience that follows them mutate and embody different emotional cycles again and again. These artistic acts generate their own community in the making; everyone participating contribute to the stories in the making. They function like threads attaching her stories, stages, and characters together. In Daschner's textile-based works, threads are minimal yet highly visible, akin to the pinch needed to wake up from a dream. These works-as well as her collages-merge with her confronting yet inviting image politics: she cuts and pastes stories of love and pleasure, violence and resilience, death and rebirth.The written contributions reflect on Katrina Daschner as part of a hardworking generation of queer artists and makers who have been responding to the major conceptual shifts and gender upheavals happening in contemporary art since the 1990s, especially in New York and London. They highlight Katrina Daschner's longstanding line of intersectional queer interest that continues to undermine (neo-)liberal, heteropatriarchal conceptions of sexuality, gender, subjectivity, and relationships.Copublished by Kunsthalle WienContributorsRike Frank, Amelia Groom, Tim St ttgen Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability. …

Buch. Condición: Neu. Neuware - A journey through over two decades of intersectional and queering practices in film, performance, sculpture, community work, and textiles. BURN & GLOOM! GLOW & MOON! Thousand Years of Troubled Genders was the most comprehensive exhibition to date of Vienna-based artist and filmmaker Katrina Daschner. It was curated by Övül Ö. Durmusoglu and encompassed works from the 1990s to the present, ranging from sculptures, textiles, music, performance, community-based work, and, most prominently, film, which sits at the heart of Katrina Daschner's practice. This publication transfers the immersive environment of senses, textures, and feelings created in the exhibition into book form. Just like the exhibition, it confronts, touches, embraces, and dreams of transforming 'femme'-ness, transforming bodies, and transforming genders. With stylized performances and video works, Daschner plays with the boundaries of human and non-human, and what is socially defined as the norm, exposing the artificiality of the gendered binary--the dualism of men\* and womxn--and the prejudices it generates, freeing the body. In doing so, the stage becomes the setting for a precarious desire for visibility and, at the same time, an endless yearning for rebirth. The bodies that perform and the potential audience that follows them mutate and embody different emotional cycles again and again. These artistic acts generate their own community in the making; everyone participating contribute to the stories in the making. They function like threads attaching her stories, stages, and characters together. In Daschner's textile-based works, threads are minimal yet highly visible, akin to the pinch needed to wake up from a dream. These works--as well as her collages--merge with her confronting yet inviting image politics: she cuts and pastes stories of love and pleasure, violence and resilience, death and rebirth. The written contributions reflect on Katrina Daschner as part of a hardworking generation of queer artists and makers who have been responding to the major conceptual shifts and gender upheavals happening in contemporary art since the 1990s, especially in New York and London. They highlight Katrina Daschner's longstanding line of intersectional queer interest that continues to undermine (neo-)liberal, heteropatriarchal conceptions of sexuality, gender, subjectivity, and relationships. Copublished by Kunsthalle Wien ContributorsRike Frank, Amelia Groom, Tim Stüttgen.…

Hardback. Condición: New.

Gebundene Ausgabe. Condición: Neu. en. 248 Seiten ; 28 cm NEW ! + + + Born from the most extensive retrospective held at the Castello di Rivoli Museo dArte Contemporanea, Title One, I Dreamt, Clara and Other Stories is the first comprehensive monograph on Rossella Biscotti and offers an extensive analysis of her 20-year expressive practice. It features an essay by exhibition curator and editor Marianna Vecellio, and contributions by Övuül Ö. Durmusoglu, Daniel Blanga Gubbay, Philippe Pirotte, and Vera Mey. In addition to an in-depth illustrated chronology on the works presented in the exhibition, the publication includes an anthology of key texts and interviews by international authors that trace the evolution of Biscottis artistic trajectory. Text: Marianna Vecellio, Daniel Blanga Gubbay, Philippe Pirotte, Vera Mey. 9783753309538 Werktäglicher Versand. Jede Lieferung m. ordentl. Rechnung und ausgew. MwSt. Der Versand erfolgt als Büchersendung / Einschreiben mit der Deutschen Post bzw. als Päckchen / Paket mit DHL. Die Lieferzeit ist abhängig von der Versandart und beträgt innerhalb Deutschlands 3-5 Tage, in der EU 5 - 12 Tage. KEIN Versand an Packstationen. Körperschaften und juristische Personen werden auf Wunsch per offener Rechnung beliefert. ***ATTENTION U.S. CUSTOMERS: Due to the new tariffs, we are unable to ship packages to the USA at this time. Thank you for understanding.*** Sprache: Englisch Gewicht in Gramm: 1200.…

Softcover. Condición: Gut bis sehr gut. 1. Auflage. Z : 352 Seiten)pages, many color illustrations - An influential Turkish multimedia artist, Gülsün Karamustafa's (born 1946) painting, installation, performance art and video works address themes of gender, nomadism and pop culture. Her first monograph, Chronographia offers an overview of her oeuvre from the mid-70s to the present.…