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Añadir al carritoHardcover. Condición: Near Fine. 8vo 8" - 9" tall; 422 pp; Women And Gender In German Studies, 10.
Librería: AVON HILL BOOKS, Cambridge, MA, Estados Unidos de America
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Añadir al carritoHardcover. Condición: Near Fine. Small marker mark across bar code on back cover. One line in the text is highlighted by a marker. ; 8vo 8" - 9" tall; 280 pp; Studies In German Literature Linguistics And Culture, 220.
Librería: Devils in the Detail Ltd, Oxford, Reino Unido
EUR 57,15
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Añadir al carritoCondición: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - light dent/wear and scuff marks to boards, pages in nice condition, shipped from the UK.
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Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 124,81
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Idioma: Inglés
Publicado por Boydell and Brewer Ltd, US, 2025
ISBN 10: 1640142029 ISBN 13: 9781640142022
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 154,91
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Añadir al carritoHardback. Condición: New. This volume explores the representation of political, racial, sexual, and environmental trauma in German-language graphic narratives, which has thus far received little scholarly attention.In recent decades, as graphic novels have exploded in popularity and have increasingly been engaged with by scholarship, there has been a marked increase in comics that deal with traumatic experiences. These experiences arise variously from warfare, genocide, terrorism, racism, sexual violence, domestic violence, illness, disability, migration, natural disasters, or climate-change, among other causes. Indeed, scholars including Hillary Chute and Gillian Whitlock have argued that graphic narratives are particularly well-suited to portraying traumatic experiences through the lens of individual memories.This edited volume builds on the emergent body of work on the representation of trauma in graphic narratives, but focuses exclusively on German-language graphic narratives, whose exploration of trauma has so far received little scholarly attention. Essays dealing with theoretical and conceptual concerns are joined by analyses of individual creators of graphic narratives, including Olivia Vieweg and Volker Reiche. In addition, there are transcribed conversations among the contributors to the graphic story compilation But I Live, Miriam Libicki, Gilad Seliktar, and Barbara Yelin, and between Birgit Weyhe, creator of the graphic narratives Madgermanes and Rude Girl, and the Germanist Priscilla Layne, who is the model for the main character in the latter book. A final essay looks back further with a critical appraisal of the poet Rolf-Dieter Brinkmann's sampling of comics in his late 1960s Popliteratur works.
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Añadir al carritoHardcover. Condición: Brand New. 224 pages. 9.00x6.00x9.00 inches. In Stock.
Idioma: Inglés
Publicado por Boydell and Brewer Ltd, US, 2025
ISBN 10: 1640142029 ISBN 13: 9781640142022
Librería: Rarewaves.com UK, London, Reino Unido
EUR 147,59
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Añadir al carritoHardback. Condición: New. This volume explores the representation of political, racial, sexual, and environmental trauma in German-language graphic narratives, which has thus far received little scholarly attention.In recent decades, as graphic novels have exploded in popularity and have increasingly been engaged with by scholarship, there has been a marked increase in comics that deal with traumatic experiences. These experiences arise variously from warfare, genocide, terrorism, racism, sexual violence, domestic violence, illness, disability, migration, natural disasters, or climate-change, among other causes. Indeed, scholars including Hillary Chute and Gillian Whitlock have argued that graphic narratives are particularly well-suited to portraying traumatic experiences through the lens of individual memories.This edited volume builds on the emergent body of work on the representation of trauma in graphic narratives, but focuses exclusively on German-language graphic narratives, whose exploration of trauma has so far received little scholarly attention. Essays dealing with theoretical and conceptual concerns are joined by analyses of individual creators of graphic narratives, including Olivia Vieweg and Volker Reiche. In addition, there are transcribed conversations among the contributors to the graphic story compilation But I Live, Miriam Libicki, Gilad Seliktar, and Barbara Yelin, and between Birgit Weyhe, creator of the graphic narratives Madgermanes and Rude Girl, and the Germanist Priscilla Layne, who is the model for the main character in the latter book. A final essay looks back further with a critical appraisal of the poet Rolf-Dieter Brinkmann's sampling of comics in his late 1960s Popliteratur works.
Idioma: Inglés
Publicado por Boydell & Brewer Ltd Mai 2025, 2025
ISBN 10: 1640142029 ISBN 13: 9781640142022
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 186,21
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Añadir al carritoBuch. Condición: Neu. Neuware - This volume explores the representation of political, racial, sexual, and environmental trauma in German-language graphic narratives, which has thus far received little scholarly attention.In recent decades, as graphic novels have exploded in popularity and have increasingly been engaged with by scholarship, there has been a marked increase in comics that deal with traumatic experiences. These experiences arise variously from warfare, genocide, terrorism, racism, sexual violence, domestic violence, illness, disability, migration, natural disasters, or climate-change, among other causes. Indeed, scholars including Hillary Chute and Gillian Whitlock have argued that graphic narratives are particularly well-suited to portraying traumatic experiences through the lens of individual memories.This edited volume builds on the emergent body of work on the representation of trauma in graphic narratives, but focuses exclusively on German-language graphic narratives, whose exploration of trauma has so far received little scholarly attention. Essays dealing with theoretical and conceptual concerns are joined by analyses of individual creators of graphic narratives, including Olivia Vieweg and Volker Reiche. In addition, there are transcribed conversations among the contributors to the graphic story compilation But I Live, Miriam Libicki, Gilad Seliktar, and Barbara Yelin, and between Birgit Weyhe, creator of the graphic narratives Madgermanes and Rude Girl, and the Germanist Priscilla Layne, who is the model for the main character in the latter book. A final essay looks back further with a critical appraisal of the poet Rolf-Dieter Brinkmann's sampling of comics in his late 1960s Popliteratur works.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 104,71
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Añadir al carritoHardcover. Condición: Brand New. 224 pages. 9.00x6.00x9.00 inches. In Stock. This item is printed on demand.
Librería: Majestic Books, Hounslow, Reino Unido
EUR 110,18
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Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 115,19
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Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 110,63
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Añadir al carritoCondición: New. PRINT ON DEMAND.
Idioma: Inglés
Publicado por Boydell & Brewer Ltd, Columbia, MD, 2025
ISBN 10: 1640142029 ISBN 13: 9781640142022
Librería: CitiRetail, Stevenage, Reino Unido
EUR 134,34
Cantidad disponible: 1 disponibles
Añadir al carritoHardcover. Condición: new. Hardcover. This volume explores the representation of political, racial, sexual, and environmental trauma in German-language graphic narratives, which has thus far received little scholarly attention.In recent decades, as graphic novels have exploded in popularity and have increasingly been engaged with by scholarship, there has been a marked increase in comics that deal with traumatic experiences. These experiences arise variously from warfare, genocide, terrorism, racism, sexual violence, domestic violence, illness, disability, migration, natural disasters, or climate-change, among other causes. Indeed, scholars including Hillary Chute and Gillian Whitlock have argued that graphic narratives are particularly well-suited to portraying traumatic experiences through the lens of individual memories.This edited volume builds on the emergent body of work on the representation of trauma in graphic narratives, but focuses exclusively on German-language graphic narratives, whose exploration of trauma has so far received little scholarly attention. Essays dealing with theoretical and conceptual concerns are joined by analyses of individual creators of graphic narratives, including Olivia Vieweg and Volker Reiche. In addition, there are transcribed conversations among the contributors to the graphic story compilation But I Live, Miriam Libicki, Gilad Seliktar, and Barbara Yelin, and between Birgit Weyhe, creator of the graphic narratives Madgermanes and Rude Girl, and the Germanist Priscilla Layne, who is the model for the main character in the latter book. A final essay looks back further with a critical appraisal of the poet Rolf-Dieter Brinkmann's sampling of comics in his late 1960s Popliteratur works. This volume explores the representation of political, racial, sexual, and environmental trauma in German-language graphic narratives, which has thus far received little scholarly attention. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.