Diane radycki (39 resultados)

Condición: Good. Good condition. A copy that has been read but remains intact. May contain markings such as bookplates, stamps, limited notes and highlighting, or a few light stains.

Condición: good. Fast Free Shipping â" Good condition. It may show normal signs of use, such as light writing, highlighting, or library markings, but all pages are intact and the book is fully readable. A solid, complete copy that's ready to enjoy.

paperback. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority.

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books.

Paperback. Condición: New.

Paperback. Condición: new. Paperback. An accessible and in-depth study of Paula Moderson-Becker's final self-portrait, the earliest painting by a woman on view in MoMA's collection galleries Paula Modersohn-Becker painted her last self-portrait in autumn 1907, while she was pregnant with her first child. In the painting she gazes straight at the viewer, holding up two flowers - symbols of the creativity and procreativity of women artists - and resting a protective hand atop her swelling belly. Modersohn-Becker would die three weeks after giving birth, aged just thirty-one, still to be recognized as the first woman artist to challenge centuries of representations of the female body. Today this compelling work claims an important place at The Museum of Modern Art as the earliest painting by a woman on view in the collection galleries. Art historian Diane Radycki's essay examines Modersohn-Becker's self-portrait in depth, surveys the artist's late career, and discusses her posthumous recognition. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Good. No Dust Jacket. 344 pages. Ex-college library marks, light discoloring and wear; a sound binding; good overall. Quantity Available: 1. Category: Biography & Autobiography; ISBN: 0810813440. ISBN/EAN: 9780810813441. Inventory No: 233961.

Condición: New.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: Brand New. 47 pages. 9.00x79.00x0.10 inches. In Stock.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. 2019. Paperback. . . . . .

Soft cover. Condición: Near Fine. 1st Edition. INSCRIBED. Stiff color illus. wraps, oblong format. Inscribed by artist (signed as "Daniel" only), personalized to Jim and Diane, Diane apparently either the Paine Gallery's director or the author of this catalog's essay. Minor shelf/handling wear, nearly as issued. Size: 8vo - over 7¾" - 9¾" tall. Inscribed by Illustrator(s). Book. …

Condición: New.

Condición: New. 2019. Paperback. . . . . . Books ship from the US and Ireland.

Loose-Leaf. Condición: Good. No Dust Jacket. Working manuscript. Extra post. Approx. 133pp. Size: 8x11. Manuscript.

Condición: Good. 1St Edition. Former library copy. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.…

paperbound, flaps, 4to 228 pp., ca. 150 ills. Ausstellungskatalog; Ernst Barlach, Die Brücke, Bauhaus, Lyonel Feininger, Paul Klee, Walter Gropius, Konstruktivismus, Neue Sachlichkeit, Max Beckmann; very good condition.

Ocatvo. Hardcover. Bound in blue cloth with gilt stamped titles. xvii, 344 pages, 5 unnumbered leaves of plates : illustrations ; 23 cm. VG. Light foxing along top edge of text block and some rubbing along bottom board edges. Otherwise clean and unmarked.

Hardcover. Condición: Very Good. No Jacket. 1st Edition. 6 X 9 inches. 344 pages. Blue cloth with gilt type on front and spine. No names, marks or defects.

Hardcover. dj. First Edition, First Printing. Small quarto, x, 246 pages. In Very Good condition with a Very Good dust jacket. Spine is blue with green and white lettering. Dust jacket is protected with a mylar covering. Mild rubbing to board edges. Light bumping to board corners. Textblock clean. Shelved in Artist Monographs. 1414288. Shelved Dupont Bookstore. …

Paperback. Condición: New.

Taschenbuch. Condición: Neu. Neuware - An accessible and in-depth study of Paula Moderson-Becker's final self-portrait, the earliest painting by a woman on view in MoMA's collection galleries Paula Modersohn-Becker painted her last self-portrait in autumn 1907, while she was pregnant with her first child. In the painting she gazes straight at the viewer, holding up two flowers - symbols of the creativity and procreativity of women artists - and resting a protective hand atop her swelling belly. Modersohn-Becker would die three weeks after giving birth, aged just thirty-one, still to be recognized as the first woman artist to challenge centuries of representations of the female body. Today this compelling work claims an important place at The Museum of Modern Art as the earliest painting by a woman on view in the collection galleries. Art historian Diane Radycki's essay examines Modersohn-Becker's self-portrait in depth, surveys the artist's late career, and discusses her posthumous recognition.…

Paperback. Condición: new. Paperback. An accessible and in-depth study of Paula Moderson-Becker's final self-portrait, the earliest painting by a woman on view in MoMA's collection galleries Paula Modersohn-Becker painted her last self-portrait in autumn 1907, while she was pregnant with her first child. In the painting she gazes straight at the viewer, holding up two flowers - symbols of the creativity and procreativity of women artists - and resting a protective hand atop her swelling belly. Modersohn-Becker would die three weeks after giving birth, aged just thirty-one, still to be recognized as the first woman artist to challenge centuries of representations of the female body. Today this compelling work claims an important place at The Museum of Modern Art as the earliest painting by a woman on view in the collection galleries. Art historian Diane Radycki's essay examines Modersohn-Becker's self-portrait in depth, surveys the artist's late career, and discusses her posthumous recognition. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…