Darren jorgensen (64 resultados)

Paperback or Softback. Condición: New. Finding Max. Book.

Paperback. Condición: new. Paperback. The Dead Cs Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other. "Discusses improvised rock and DIY labels stretching from Dunedin, the tiny centre of New Zealand pop and rock, to Europe and the US through The Dead C's Clyma est mort album"-- Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New. The Dead C's Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. 2023. Paperback. . . . . .

Condición: New.

Paperback. Condición: Brand New. 128 pages. 7.75x5.00x1.00 inches. In Stock.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: new. Paperback. In recording and ordering documents considered important, the archive is a source of power. It takes control of the past, deciding which voices will be heard and which won't, how they will be heard and for what purposes. Indigenous communities understood the power of the archive well before the European Enlightenment arrived and began archiving them. For them colonialism has been a struggle over archives as much as anything else. The eighteen essays by twenty authors, seven of whom are Indigenous, investigate different aspects of this struggle in Australia, from Indigenous uses of traditional archives and the development of new ones to the deconstruction and appropriation of European archives by contemporary artists as acts of cultural empowerment. The eighteen essays by twenty authors, seven of whom are Indigenous, investigate different aspects of this struggle in Australia, from Indigenous uses of traditional archives and the development of new ones to the deconstruction and appropriation of European archives by contemporary artists as acts of cultural empowerment. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Paperback. Condición: New.

Condición: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Paperback. Condición: New.

Paperback. Condición: New.

Paperback or Softback. Condición: New. Indigenous Archives: The Making and Unmaking of Aboriginal Art. Book.

Condición: New.

Condición: New.

Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

PF. Condición: New.

paperback in very good condition; 456 pages, b/w photos.

Condición: New. In English.

Condición: New.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. The Dead Cs Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other. "Discusses improvised rock and DIY labels stretching from Dunedin, the tiny centre of New Zealand pop and rock, to Europe and the US through The Dead C's Clyma est mort album"-- Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware.

Paperback. Condición: Fine. Small Qto., Unpaginated, approx 28 pages, colour illustrated. Looks as new, a Fine copy.

Paperback. Condición: new. Paperback. The Dead Cs Clyma est mort (1993) is the record of a live gig for one person. Tom Lax was running the Siltbreeze label in Philadelphia and had come to New Zealand to meet the artists he was releasing. He heard The Dead C at their noisy, improvised best, turning rock music on its head with a free-form style of blaring, loosely organised sound. Leading a second wave of music from Dunedin, New Zealand, The Dead C were an assault against the kind of jangly pop that had made the Dunedin Sound famous during the 1980s. This book uses The Dead C and in particular their album Clyma est mort (1993) to offer insights into the way the best of rock music plays vertigo with our senses, illustrating a sonic picture of freedom and energy. It places the album into the history of independent music in New Zealand, and into an international context of independent labels posting, faxing and phoning each other. "Discusses improvised rock and DIY labels stretching from Dunedin, the tiny centre of New Zealand pop and rock, to Europe and the US through The Dead C's Clyma est mort album"-- Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…