Colombani greta (27 resultados)

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Condición: Wie Neu. Zustandsbeschreibung: leichte Lagerspuren/near mint. Serpent Symbolism in Keats?s Poetry. Serpent symbolism plays an important role in Keats?s rich animal imagery both on a quantitative level and on a qualitative one. Through images of dazzling, twisted, suffocating snakes Keats gives form to some of his most important ideas as well as anxieties about poetic creation. In particular, snakes convey the tension between the more unconscious and the more conscious elements of the creative psyche, which is reflected in the linguistic texture of the poems. Besides, serpent symbolism shows how Keats?s initial complete adhesion to the predominant Romantic view of the time was complicated and reinterpreted in highly personal terms. By recovering some Augustan notions, this young poet attempted a partial, problematic re-appropriation of the recent past Romanticism had utterly dismissed. 126 Seiten, broschiert (Passages - Transitions - Intersections; Vol. 3/V&R Unipress 2017). Statt EUR 28,00. Gewicht: 208 g - Softcover/Taschenbuch.…

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Taschenbuch. Condición: Neu. Nightmares in the Long Nineteenth Century | Frances Clemente (u. a.) | Taschenbuch | xvii | Englisch | 2026 | Springer | EAN 9783031811661 | Verantwortliche Person für die EU: Springer Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg, juergen[dot]hartmann[at]springer[dot]com | Anbieter: preigu. …

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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - From Johann Heinrich Füssli's 1781 oil painting The Nightmare , which was to become the iconic image of a newly emergent sensibility, to the first psychoanalytic studies culminating in 'On the Nightmare' by Ernest Jones, first published in 1911, the long nineteenth century was characterised by a pervasive fascination with nightmares, both as frightening dreams and, in their personified form, evil spirits or monstrous creatures. This volume investigates the extensive and multifaceted presence of nightmares in the literature and culture of this period from a cross-disciplinary and cross-national perspective, shedding new light on the remarkably widespread nature of the nineteenth-century interest in nightmares as well as on common threads and features that inform and animate it. Its contributions by scholars from different fields reveal how nineteenth-century representations of nightmare, across and beyond Europe, explored fundamental questions about the limits of consciousness and reason, the complex interplay of body and mind, the elusive boundaries between self and other, and the dread of alterity, giving voice to deep-rooted fears and anxieties in a period when these notions were undergoing radical rethinking.…

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Hardcover. Condición: Brand New. 368 pages. 9.25x6.10x8.27 inches. In Stock.

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Librería: moluna, Greven, Alemaniamoluna
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Kartoniert / Broschiert. Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. Über den AutorrnrnAfter graduating in 2016, Dr Greta Colombani is attending a MA degree in Euro-American Literatures and Philologies at the University of Pisa while being also a student at Scuola Normale Superiore. nKlappentext.…

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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -From Johann Heinrich Füssli's 1781 oil painting The Nightmare, which was to become the iconic image of a newly emergent sensibility, to the first psychoanalytic studies culminating in 'On the Nightmare' by Ernest Jones, first published in 1911, the long nineteenth century was characterised by a pervasive fascination with nightmares, both as frightening dreams and, in their personified form, evil spirits or monstrous creatures. This volume investigates the extensive and multifaceted presence of nightmares in the literature and culture of this period from a cross-disciplinary and cross-national perspective, shedding new light on the remarkably widespread nature of the nineteenth-century interest in nightmares as well as on common threads and features that inform and animate it. Its contributions by scholars from different fields reveal how nineteenth-century representations of nightmare, across and beyond Europe, explored fundamental questions about the limits of consciousness and reason, the complex interplay of body and mind, the elusive boundaries between self and other, and the dread of alterity, giving voice to deep-rooted fears and anxieties in a period when these notions were undergoing radical rethinking. 352 pp. Englisch. …

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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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Buch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -From Johann Heinrich Füssli's 1781 oil painting The Nightmare, which was to become the iconic image of a newly emergent sensibility, to the first psychoanalytic studies culminating in 'On the Nightmare' by Ernest Jones, first published in 1911, the long nineteenth century was characterised by a pervasive fascination with nightmares, both as frightening dreams and, in their personified form, evil spirits or monstrous creatures. This volume investigates the extensive and multifaceted presence of nightmares in the literature and culture of this period from a cross-disciplinary and cross-national perspective, shedding new light on the remarkably widespread nature of the nineteenth-century interest in nightmares as well as on common threads and features that inform and animate it. Its contributions by scholars from different fields reveal how nineteenth-century representations of nightmare, across and beyond Europe, explored fundamental questions about the limits of consciousness and reason, the complex interplay of body and mind, the elusive boundaries between self and other, and the dread of alterity, giving voice to deep-rooted fears and anxieties in a period when these notions were undergoing radical rethinking. 352 pp. Englisch.…

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Buch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - From Johann Heinrich Füssli's 1781 oil painting The Nightmare, which was to become the iconic image of a newly emergent sensibility, to the first psychoanalytic studies culminating in 'On the Nightmare' by Ernest Jones, first published in 1911, the long nineteenth century was characterised by a pervasive fascination with nightmares, both as frightening dreams and, in their personified form, evil spirits or monstrous creatures. This volume investigates the extensive and multifaceted presence of nightmares in the literature and culture of this period from a cross-disciplinary and cross-national perspective, shedding new light on the remarkably widespread nature of the nineteenth-century interest in nightmares as well as on common threads and features that inform and animate it. Its contributions by scholars from different fields reveal how nineteenth-century representations of nightmare, across and beyond Europe, explored fundamental questions about the limits of consciousness and reason, the complex interplay of body and mind, the elusive boundaries between self and other, and the dread of alterity, giving voice to deep-rooted fears and anxieties in a period when these notions were undergoing radical rethinking.…

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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -From Johann Heinrich Füssli's 1781 oil painting The Nightmare, which was to become the iconic image of a newly emergent sensibility, to the first psychoanalytic studies culminating in 'On the Nightmare' by Ernest Jones, first published in 1911, the long nineteenth century was characterised by a pervasive fascination with nightmares, both as frightening dreams and, in their personified form, evil spirits or monstrous creatures. This volume investigates the extensive and multifaceted presence of nightmares in the literature and culture of this period from a cross-disciplinary and cross-national perspective, shedding new light on the remarkably widespread nature of the nineteenth-century interest in nightmares as well as on common threads and features that inform and animate it. Its contributions by scholars from different fields reveal how nineteenth-century representations of nightmare, across and beyond Europe, explored fundamental questions about the limits of consciousness and reason, the complex interplay of body and mind, the elusive boundaries between self and other, and the dread of alterity, giving voice to deep-rooted fears and anxieties in a period when these notions were undergoing radical rethinking. 352 pp. Englisch.…

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Buch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -From Johann Heinrich Füssli's 1781 oil painting The Nightmare, which was to become the iconic image of a newly emergent sensibility, to the first psychoanalytic studies culminating in 'On the Nightmare' by Ernest Jones, first published in 1911, the long nineteenth century was characterised by a pervasive fascination with nightmares, both as frightening dreams and, in their personified form, evil spirits or monstrous creatures. This volume investigates the extensive and multifaceted presence of nightmares in the literature and culture of this period from a cross-disciplinary and cross-national perspective, shedding new light on the remarkably widespread nature of the nineteenth-century interest in nightmares as well as on common threads and features that inform and animate it. Its contributions by scholars from different fields reveal how nineteenth-century representations of nightmare, across and beyond Europe, explored fundamental questions about the limits of consciousness and reason, the complex interplay of body and mind, the elusive boundaries between self and other, and the dread of alterity, giving voice to deep-rooted fears and anxieties in a period when these notions were undergoing radical rethinking.Springer-Verlag GmbH, Tiergartenstr. 17, 69121 Heidelberg 352 pp. Englisch.…

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