Cleppe birgit (48 resultados)

Condición: Very Good. Estado de la sobrecubierta: 47771768. 1770809109. 2/11/2026 11:25:09 AM.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so 0412stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

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Paperback. Condición: New. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 5-6 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

Paperback. Condición: New. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.…

Paperback. Condición: new. Paperback. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnaiss Van Gogh (1948), Henri-Georges Clouzots Le Mystere Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by Andre Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. 2023. Paperback. . . . . .

Condición: New.

Condición: New. 2023. Paperback. . . . . . Books ship from the US and Ireland.

Condición: New. In English.

Hardcover. Condición: Fine. No Jacket. 1st Edition. Fine in Hardcover. 1st Printing. 237pp 8vo.

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Condición: New. pp. 256.

Condición: New. pp. 256.

Paperback. Condición: Brand New. reprint edition. 237 pages. 9.00x6.00x0.50 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware - In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.…

Condición: NEW.

Paperback. Condición: new. Paperback. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnaiss Van Gogh (1948), Henri-Georges Clouzots Le Mystere Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by Andre Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Paperback. Condición: New. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnais's Van Gogh (1948), Henri-Georges Clouzot's Le Mystère Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by André Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others.…

Condición: New. &Uumlber den AutorSteven Jacobs is Associate Professor at Ghent University and the University of Antwerp, Belgium. He is an art historian specializing in the relations between film and the visual arts - a topic on which he pub.

Paperback. Condición: new. Paperback. In the 1940s and 1950s, hundreds of art documentaries were produced, many of them being highly personal, poetic, reflexive and experimental films that offer a thrilling cinematic experience. With the exception of Alain Resnaiss Van Gogh (1948), Henri-Georges Clouzots Le Mystere Picasso (1956) and a few others, most of them have received only scant scholarly attention. This book aims to rectify this situation by discussing the most lyrical, experimental and influential post-war art documentaries, connecting them to contemporaneous museological developments and Euro-American cultural and political relationships. With contributors with expertise across art history and film studies, Art in the Cinema draws attention to film projects by Andre Bazin, Ilya Bolotowsky, Paul Haesaerts, Carlo Ragghianti, John Read, Dudley Shaw Aston, Henri Storck and Willard Van Dyke among others. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

softcover /PB, 255 x 200 mm, 324 pages throughout Kleurenillustraties, NL edition. nieuwstaat. ISBN 9789082122558. Om de twee jaar publiceert het Vlaams Architectuurinstituut (VAi) het Architectuurboek Vlaanderen. Sinds meer dan twintig jaar vervult de reeks de functie van naslagwerk en bundeling van kritische essays die focussen op de huidige architectuurproductie. De nieuwste editie zal gelanceerd worden tijdens de opening van de Architectuurbiënnale in Venetië in mei 2016. De 12de editie van het Architectuurboek Vlaanderen toont in welke mate architectuurcultuur is doorgedrongen in onze samenleving, en het illustreert de grote verscheidenheid van de architecturale projecten die gerealiseerd werden in Vlaanderen en Brussel en door architecten uit Vlaanderen en Brussel. De geselecteerde projecten vertonen een aantal overeenkomsten. Ze weerspiegelen de inventieve oplossingen die architecten ontwikkelden om een ??succesvolle interactie tussen vorm, schaal, hergebruik en toe-eigening te realiseren en ze worden gekenmerkt door nauwkeurigheid, vakmanschap en aandacht voor de historische en ruimtelijke context. Het boek toont architectuur op maat. De redactie maakte een zorgvuldige selectie uit de bijna 400 ingezonden projecten van meer dan 200 architecten. Diverse formats werden ontwikkeld om de veelheid aan projecten te tonen. Dertien essays geclusterd rond vier thema's - leven, stad, schaal en de vorm - schetsen de huidige ontwikkelingen in de architectuur in en uit Vlaanderen. In aanvulling op de essays, toont het boek een selectie van de beste projecten door een caleidoscoop van plannen, schetsen en foto's 1164 g.…

Taschenbuch. Condición: Neu. Art in the Cinema | The Mid-Century Art Documentary | Birgit Cleppe (u. a.) | Taschenbuch | Kartoniert / Broschiert | Englisch | 2023 | Bloomsbury Publishing PLC | EAN 9781350357518 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …