Carol m armstrong (35 resultados)

Condición: very_good.

Hardcover. Condición: Good. No Jacket. Former library book; Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More, Spend Less.

Condición: Very Good. Former library copy. Pages intact with possible writing/highlighting. Binding strong with minor wear. Dust jackets/supplements may not be included. Includes library markings. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Condición: Good. Pages intact with minimal writing/highlighting. The binding may be loose and creased. Dust jackets/supplements are not included. Stock photo provided. Product includes identifying sticker. Better World Books: Buy Books. Do Good.

Paperback. Condición: Very Good. 1st. lite wear at edges 4 pages. Carol Armstrong Cover (ilustrador).

Paperback. Condición: Good+. Ink note seen on one page, else very good condition. Book.

Soft cover. Condición: Good. Inscribed by multiple contributors: J. MacCready, Larry Starzec, Aviva Monk. Some sunning, crease on back cover. A10. Inscribed By Authors.

Hardcover. Condición: As New. No Jacket. Pages are clean and are not marred by notes or folds of any kind. ~ ThriftBooks: Read More, Spend Less.

Hardcover. Condición: Used: Very Good. Hardcover in glossy dust jacket. Faint tea stain spot to top edge; spine very lightly sunned. No marks or writing in book.

Wraps. Condición: Very Good. Excerpts from Riegl's The Dutch Group Portrait, and articles on Manet, Picasso, Bruce Nauman, etc. Wrappers handled, corners lightly bumped.

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: Brand New. 1st edition. 312 pages. 9.50x7.00x0.50 inches. In Stock.

Hardcover. Quarto. Hardcover. Watercolor illustrated paper boards in illustrated jacket. xv, 384 pages : illustrations (chiefly color); 30 cm. "An examination of the last years of the artist Édouard Manet's life and work"--Provided by publisher. "The name Manet evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet's elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist's unapologetic embrace of beauty and visual pleasure in the face of death. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist's correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist's oeuvre. This volume is published to accompany an exhibition on view at the Art Institute of Chicago May 26 to September 8, 2019, and at the J. Paul Getty Museum at the Getty Center October 8, 2019, to January 12, 2020."--from publisher. VG/VG-. Jacket has bumping at head/tail of spine and corners. Boards have fore edge bumping. Interior clean besides small stamp inside stating "withdrawn from an art museums library".…

Condición: New.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority.

Softcover. Quarto. Softcover. Illustrated wraps. 119 pages : illustrations (some color) ; 28 cm. Catalog of an exhibition held at the Princeton University Art Museum, Oct. 19, 2002-Jan. 12, 2003. Includes bibliographical references. VG. Embossed gallery stamp on title page, otherwise clean and unmarked.…

Soft cover. Condición: Very Good.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: Very Good. 1st Edition. Very well produced volume published to accompany the Toledo and London exhibition of the same name in 2012/2013. In VG order throughout. Smart blue cloth with light shelfwear only. VG unclipped d/j. This is a charity sale for Friends Of Morston Church (ref.1099831). 4to. 213pp.…

hardcover. Condición: new.

Hardcover. Condición: New.

Hardcover. Condición: As New. Estado de la sobrecubierta: As New. 1st Edition. 511 pages. Well illustrated.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: Fine. Estado de la sobrecubierta: Fine. 1st Edition. First edition, first printing. Fine to Fine- very lightly bumped hardback in a Fine to Fine- unclipped dust jacket protected in a Brodart, clean and unmarked save trace of price sticker residue on rear jacket. Heavy oversize book will require a variable shipping surcharge based on its final destination.…

Hardcover/Hardback. Condición: As New. Estado de la sobrecubierta: As New. First edition. Book condition: As New (Like New With dust jacket.) Binding: Hardcover Language: English Edition: First edition Publishing place: London Publishing Year: 1998 Description: The MIT Press 1998 Today we are so accustomed to seeing photographs wedded to textâ"whether in the family album or daily newspaperâ"that the verbal framing of the photograph has become invisible. The text is internalized within the image, and the meaning of the photograph becomes clear and self-evident, as if by the evidence of the photograph itself. In Scenes in a Library, Carol Armstrong explores the experimental moment, at the inception of the new medium, when the word came to haunt the photographic image, and the forty or so yearsâ"roughly from the 1840s to the 1880sâ"during which the photographic image alternately resisted and became assimilated to the printed page. Armstrong's emphasis is on British books. Not only was it in an English book that the paper photograph was first described and published, but the range of subject matter of nineteenth-century British photographically illustrated books prior to the 1880s was as rich as it was peculiar and sometimes recalcitrant. Armstrong focuses on one book about photography (Talbot's The Pencil of Nature); one "scientific" book (Anna Atkins's Photographs of British Algae); two travel narratives, one factual and one fictional (Francis Frith's Egypt and Palestine Photographed and Observed and his illustrated edition of Longfellow's novel Hyperion: A Romance); and one book of poetry (Julia Margaret Cameron's Illustrations to Alfred Lord Tennyson's Idylls of the King); as well as some miscellaneous books from the 1870s. According to Armstrong, art history has tended to remove the historic photograph from its printed and published context. Moving back and forth between close looking and equally close reading, she reinserts the photograph into the book from which it was taken. 1.000000.…

Hardcover. Condición: New. Estado de la sobrecubierta: New. 1st Edition. Royal Academy Books, 2012. First Edition. 213 pages New Hardcover. New DJ. 10.9"x9.75"x1.0". be5.

Hardcover. Condición: New. Estado de la sobrecubierta: New. First edition 2004, first printing.Published in conjunction with the exhibition by J Paul Getty Museum. Hardcover in full cloth with DJ. Condition new, square tight and clean book no edgewear, corners not bumped, no names, no underlinings, no highlights, no bent page corners, not a reminder. DJ new, no shelfwear, no edgewear. not clipped. Large 4to, 148 pages with numerous color and b/w full page illustrations. Heavy book will require additional postage for international orders. …

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Hardcover. Condición: As New.