lehmbeck leah (63 resultados)

Condición: Very Good. Item in very good condition! Textbooks may not include supplemental items i.e. CDs, access codes etc.

hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: Fine. 1st. Pictorial boards, 160 pages, illustrations (some colour); 32 cm. Published on the occasion of the exhibition at the Santa Barbara Museum of Art, February 11 to May 6, 2012. Firm binding, clean inside copy. OVERSIZE! Additional shipping charges may be requested for international & priority orders. A large-format coffee-table book. Richly illustrated with colour plates. *** "Decades before today s major Los Angeles museums realized the potential of contemporary art, the pioneering institutions Pasadena Art Museum and the Santa Barbara Museum of Art under curator directors Thomas Leavitt and Walter Hopps championed talented local and internationally recognized painters. Part of the Getty Research Institute's Pacific Standard Time initiative, this crisp exhibition catalog reconstructs the partially forgotten history through photos and reproductions. Storied moments such as Kienholz's first solo show (1961), Duchamp's chess game with a naked Eve Babitz (1963) and Diebenkorn's first major exhibition (1963) reenter the annals of 20th century American art history." - Publisher. *** CONTENTS: The Santa Barbara Museum of Art: postwar art from 1940-1968, by Julie Joyce; "Bringing Pasadena to life": postwar art at the Pasadena Art Museum, 1950-1970, by Leah Lehmbeck; Cities, two tales, and art, by Peter Plagens; Artist biographies, by Jennifer Sudul Edwards and Patricia Lee; Timeline, by Patricia Lee. Size: Folio. Collectible.

Condición: very_good. Book is in very good condition and may include minimal underlining highlighting. The book can also include "From the library of" labels. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Hardcover without dustjacket as issued, 162, very good condition, light rubbing to covers; no internal marks. Foreign shipping may be extra.

Condición: New.

Condición: New. Brand New! Not Overstocks or Low Quality Book Club Editions! Direct From the Publisher! We're not a giant, faceless warehouse organization! We're a small town bookstore that loves books and loves it's customers! Buy from Lakeside Books!

Hardback or Cased Book. Condición: New. City of Cinema: Paris 1850-1907. Book.

Hardcover. Condición: Fine. First Edition. Pictorial stiff cardboard covers in the form of wraps, yellow, black and white. Published to augment the exhibition, Pasadena to Santa Barbara: A Selected History of Art in Southern California, 1951-1969, curated by Julie Joyce. Held at the Santa Barbara Museum of Art, February 11 to May 6, 2012. Splendid condition. Director's Foreword by Larry J. Fineberg, Acknowledgments by Julie Joyce, Timeline by Patricia Lee, then a list of Artists in the Exhibition by Patricia Lee and Jennifer Sudul Edwards. Complete with list of works, select bibliography and lenders to the exhibition.Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes, and for sets.

Condición: As New. Unread book in perfect condition.

hardcover. Condición: As New. Hardcover. Good binding and cover. Clean, unmarked pages. This is an oversized or heavy book, which requires additional postage for international delivery outside the US.

Hardcover. Quarto. Hardcover. Illustrated boards. 191 pages : illustrations (some color) ; 30 cm. City of Cinema traces film's evolution from obscure entertainment to significant art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema's relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a modern medium with an eager audience. Aligning with French beliefs that the nation's culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world. VG+. As new, besides a small stamp inside stating withdrawn from a research library.

Hardcover. Condición: new. Hardcover. How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovationswith works by the Lumiere brothers, Melies, Cheret and morePublished with Los Angeles County Museum of Art.City of Cinema traces films evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinemas relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nations culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world.Presented here are images of and from the street by Jean Beraud, Charles Marville, Jules Cheret and Auguste and Louis Lumiere; the technological experimentation of Loie Fuller, Emile Reynaud and Georges Melies; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Geromeall of which can be considered alongside the prototype film studios of Georges Melies, Gaumont and Pathe.At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium. How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovationswith works by the Lumiere brothers, Melies, Chret and more Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Quarto. Hardcover. Watercolor illustrated paper boards in illustrated jacket. xv, 384 pages : illustrations (chiefly color); 30 cm. "An examination of the last years of the artist Édouard Manet's life and work"--Provided by publisher. "The name Manet evokes the provocative, heroically scaled pictures he painted in the 1860s for the Salon, but in the late 1870s and early 1880s the artist produced quite a different body of work: stylish portraits of actresses and demimondaines, luscious still lifes, delicate pastels, intimate watercolors, and impressionistic scenes of suburban gardens and Parisian cafés. Often dismissed as too pretty and superficial by critics, these later works reflect Manet's elegant social world, propose a radical new alignment of modern art with fashionable femininity, and record the artist's unapologetic embrace of beauty and visual pleasure in the face of death. Featuring nearly three hundred illustrations and nine fascinating essays by established and emerging Manet specialists, a technical analysis of the late Salon painting Jeanne (Spring), a selection of the artist's correspondence, a chronology, and more, Manet and Modern Beauty brings a diverse range of approaches to bear on a little-studied area of this major artist's oeuvre. This volume is published to accompany an exhibition on view at the Art Institute of Chicago May 26 to September 8, 2019, and at the J. Paul Getty Museum at the Getty Center October 8, 2019, to January 12, 2020."--from publisher. VG/VG-. Jacket has bumping at head/tail of spine and corners. Boards have fore edge bumping. Interior clean besides small stamp inside stating "withdrawn from an art museums library".

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations-with works by the Lumiere brothers, Mélies, Chéret and morePublished with Los Angeles County Museum of Art.City of Cinema traces film's evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema's relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation's culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world.Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome-all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé.At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.

Hardback or Cased Book. Condición: New. Impressionist and Modern Art: The A. Jerrold Perenchio Collection at Lacma. Book.

Condición: New. In.

Condición: Good. Folio. 162 pp. Very good with marginal staining. Hard covers with cardboard printed boards. Mostly color plates. Includes works by Sam Francis, Karl Benjamin, Richards Ruben, June Wayne, Marcel Duchamp, John Altoon et al. Essays by Julie Joyce, Leah Lehmbeck and Peter Plagens.

Soft cover. Condición: Near Fine. Small 4to bound in die-cut black and cream wraps, with front flap. Unpaginated, but 28 pages. In color. [OJ].

Hardback. Condición: New. How film emerged in 19th-century Paris amid an array of social, political, artistic and technological innovations-with works by the Lumiere brothers, Mélies, Chéret and morePublished with Los Angeles County Museum of Art.City of Cinema traces film's evolution from an obscure entertainment to the most powerful art form of the 20th century. Placing cinema in the context of 19th-century Parisian visual culture, this book brings together posters, paintings, studio and documentary photography, and film stills that evoke Paris as a site of consumption, demonstrate early cinema's relationship with technology and the fine arts, and highlight local and global spaces of film production. It also examines the aspects of 19th-century visual culture that gave rise to cinema as a quintessentially modern medium with an eager audience. Aligning with French beliefs that the nation's culture would be democratized through consumption, cinema reinforced a set of assumptions about French cultural and political authority and disseminated these ideas to the rest of the world.Presented here are images of and from the street by Jean Béraud, Charles Marville, Jules Chéret and Auguste and Louis Lumière; the technological experimentation of Loïe Fuller, Émile Reynaud and Georges Méliès; and the plein-air observations of Camille Pissarro and the staged artifice of Jean-Leon Gerome-all of which can be considered alongside the prototype film studios of Georges Méliès, Gaumont and Pathé.At the dawn of the 20th century, cinema is as much, if not more, a way of appropriating the world. Through arresting images and incisive texts, this book examines the origins of cinema and its position as a global medium.

Condición: New.

Hardcover. Condición: New.

Softcover. Condición: VG+. Black and tan wraps with front flap, [28 pp.], color illus. Presents 8 abstract paintings / prints rendered by American conceptual artist John Baldessari (b. 1931), inspired by 25 portraits painted by Paul Cezanne of his wife, Hortense. With an essay by Leah Lehmbeck. Includes information about the printing process itself by master printers Jeff McMane and Richard Kaz. Scarce.

Hardcover. Condición: new. Hardcover. A commemoration of a renowned collection of 19th- and 20th-century European art, from Manet to MagrittePublished with Los Angeles County Museum of Art.The collection of former Univision CEO, A. Jerrold Perenchio, is a treasure trove of masterpieces, including important works by Bonnard, Degas, Gauguin, Leger, Magritte, Manet, Monet, Picasso and others. By donating this incredible collection to LACMA, Perenchio has singlehandedly transformed the museum's collection of European art. Dating from the 1870s through the 1930s, many of these nearly 50 pieces exemplify some of the most radical and inventive moments in the history of art. Included here are Degas' outstanding At the Cafe-concert: The Song of the Dog; LACMA's first Manet, the portrait of Louise Gauthier-Lathuille; three exceptional paintings by Monet; a Post-Impressionist standout by Bonnard; a superb early Cubist drawing by Picasso; and Magritte's Dangerous Liaisons. Featuring brilliant reproductions of each work and insightful texts, this volume celebrates an extremely rare and magnanimous demonstration of support for the visual arts. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New. 2011. Hardcover. By tracing the local printmaking communities, the academic establishment, as well as the significant influence of workshops like Gemini G E L and Cirrus Editions, the catalogue addresses the spectacular spread of printmaking from its modern beginnings in Southern California within the larger narrative of post-war American art. Num Pages: 256 pages, 200 full-colour illustrations. BIC Classification: 1KBBWF; AFH. Category: (G) General (US: Trade). Dimension: 247 x 293 x 28. Weight in Grams: 1788. . . . . .

Condición: As New. Unread book in perfect condition.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.