Boris maslov (58 resultados)

Hardcover. Condición: Good. Estado de la sobrecubierta: Very Good. First Edition. 1st printing. A small amount of ink underlinging, about a dozen pages. xviii, 477pp. In a very nice, slightly rubbed dust jacket. Size: 8vo - 8" - 9" Tall.

108 pp.; 24.4 x 21.5 cm; glue bound; black-and-white & color; edition size unknown; unsigned and unnumbered; offset-printed; Exhibition catalogue published in conjunction with show held at the Joel and Lila Harnett Museum of Art, University of Richmond Museums, Virginia, September 12 to December 3, 2006. Traveled to Faulconer Gallery, Grinnell College, Iowa, March 9 - April 22, 2007 and Samek Art Gallery, Bucknell University, Lewisburg, Pennsylvania, October 24 - December 9, 2008. Texts by Evgeny Orlov, Sergei Kovalsky, Joseph C. Troncale. Artists include Vyacheslav Afonichev, Viktor Andreev, Alexsandr Arefiev, Leonid Bolmat, Leonid Borisov, Sergei Dobrotvorsky, Henrik Elinson, Elena Figurina, Valentin Gerasimenko, Evgeny Gindper, Vladimir Gromov, Alexsandr Gurevich, Igor Ivanov, Rostislav Ivanov, Boris Koshelokhov, Kirill Lilbok, Alexsandr Lotsman, Alexsandr Manusov, Anatoly Maslov, Yury Medvedev, Vladimir Mikhailov, Evgeny Mikhnov, Kirill Miller, Boris Mitavsky, Lenina Nikitina, Timur Novikov, Vladimir Ovchinnikov, Yury Petrochenkov, Yuly Rybakov, Valentin Samarin, Sergei Sergeev, Dmitry Shagrin, Vladimir Shagrin, Sergei Sheiff, Sholom Shvarts, Sergei Sigei, Vladislav Sukhorukov, Viktor Trofimov, Gennady Ustiugov, Valery Valran, Rikhard Vasmi, Vik (Vyacheslav Zabelin), Vadim Voinov and Natalya Zhilina. Includes a map of Leningrad apartment exhibitions, artists biographies, and a checklist of the exhibition. Very Good. Light rubbing of covers and handling wear. Discrete small rubber stamp logo on page 108, otherwise contents clean and unmarked. …

Condición: like_new. Book is in like new condition with minimal signs of wear. Pages are clean and free from notes or highlighting. Dust cover is intact. May not contain miscellaneous items toys, dvds, etc. . We offer 100% money back guarantee and 24 7 customer service.

Condición: New.

Hardcover. Condición: Used-Very Good. dj. Cloth, dj. Slight shelf wear; crease at bottom corner of rear jacket flap. Else a bright, clean copy.

Condición: New.

Condición: New. In English.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Condición: New. pp. 383.

Condición: New.

Condición: very_good. Cover may have light wear, pages in very good condition and binding is sturdy; may have other light shelf wear or creases. May have notes or highlighting.

Hardback. Condición: New. Since the mid-1980s, attempts to think history and literature together have produced much exciting work in the humanities. Indeed, some form of historicism can be said to inform most of the current scholarship in literary studies, including work in poetics, yet much of this scholarship remains undertheorized. Envisioning a revitalized and more expansive historicism, this volume builds on the tradition of Historical Poetics, pioneered by Alexander Veselovsky (1838-1906) and developed in various fruitful directions by the Russian Formalists, Mikhail Bakhtin, and Olga Freidenberg. The volume includes previously untranslated texts of some of the major scholars in this critical tradition, as well as original contributions which place that tradition in dialogue with other thinkers who have approached literature in a globally comparatist and evolutionary-historical spirit. The contributors seek to challenge and complement a historicism that stresses proximate sociopolitical contexts through an engagement with the longue durée of literary forms and institutions. In particular, Historical Poetics aims to uncover deep-historical stratifications and asynchronicities, in which formal solutions may display elective affinities with other, chronologically distant solutions to analogous social and political problems. By recovering the traditional nexus of philology and history, Persistent Forms seeks to reinvigorate poetics as a theoretical discipline that would respond to such critical and intellectual developments as Marxism, New Historicism, the study of world literature, practices of distant reading, and a renewed attention to ritual, oral poetics, and genre.…

Condición: As New. Unread book in perfect condition.

Condición: New. Editor(s): Kliger, Ilya. Series: Verbal Arts: Studies in Poetics. Num Pages: 504 pages. BIC Classification: CBV. Category: (G) General (US: Trade). Dimension: 165 x 237 x 50. Weight in Grams: 868. . 2015. 1st Edition. Hardcover. . . . .

Condición: New.

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New. In English.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 1st edition. 504 pages. 9.25x6.25x1.50 inches. In Stock.

Condición: New. Editor(s): Kliger, Ilya. Series: Verbal Arts: Studies in Poetics. Num Pages: 504 pages. BIC Classification: CBV. Category: (G) General (US: Trade). Dimension: 165 x 237 x 50. Weight in Grams: 868. . 2015. 1st Edition. Hardcover. . . . . Books ship from the US and Ireland.

Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - Pindar and the Emergence of Literature places Pindar in the context of the evolution of Archaic Greek poetics. While presenting an in-depth introduction to diverse aspects of Pindar's art (authorial metapoetics, imagery, genre hybridization, religion, social context, and dialect), it seeks to establish a middle ground between cultural contextualism and literary history, paying attention both to poetry's historical milieu and its uncanny capacity to endure in time. With that methodological objective, the book marshals a new version of historical poetics, drawing both on theorists usually associated with this approach, such as Alexander Veselovsky, Mikhail Bakhtin, and Olga Freidenberg, and on T. S. Eliot, Hans Blumenberg, Fredric Jameson, and Stephen Greenblatt. The ultimate literary-historical problem posed by Pindar's poetics, which this book sets out to solve, is the transformation of pre-literary structures rooted in folk communal art into elements that still inform our notion of literature. …

Gebunden. Condición: New. KlappentextrnrnDrawing inspiration from the Russian and Soviet tradition of historical poetics, the contributors to the volume seek to challenge and complement the historicism that stresses proximate socio-political contexts as well as the more .

Buch. Condición: Neu. Neuware - Since the mid-1980s, attempts to think history and literature together have produced much exciting work in the humanities. Indeed, some form of historicism can be said to inform most of the current scholarship in literary studies, including work in poetics, yet much of this scholarship remains undertheorized. Envisioning a revitalized and more expansive historicism, this volume builds on the tradition of Historical Poetics, pioneered by Alexander Veselovsky (1838-1906) and developed in various fruitful directions by the Russian Formalists, Mikhail Bakhtin, and Olga Freidenberg. The volume includes previously untranslated texts of some of the major scholars in this critical tradition, as well as original contributions which place that tradition in dialogue with other thinkers who have approached literature in a globally comparatist and evolutionary-historical spirit. The contributors seek to challenge and complement a historicism that stresses proximate sociopolitical contexts through an engagement with the longue durée of literary forms and institutions. In particular, Historical Poetics aims to uncover deep-historical stratifications and asynchronicities, in which formal solutions may display elective affinities with other, chronologically distant solutions to analogous social and political problems. By recovering the traditional nexus of philology and history, Persistent Forms seeks to reinvigorate poetics as a theoretical discipline that would respond to such critical and intellectual developments as Marxism, New Historicism, the study of world literature, practices of distant reading, and a renewed attention to ritual, oral poetics, and genre.…

Hardback. Condición: New. Since the mid-1980s, attempts to think history and literature together have produced much exciting work in the humanities. Indeed, some form of historicism can be said to inform most of the current scholarship in literary studies, including work in poetics, yet much of this scholarship remains undertheorized. Envisioning a revitalized and more expansive historicism, this volume builds on the tradition of Historical Poetics, pioneered by Alexander Veselovsky (1838-1906) and developed in various fruitful directions by the Russian Formalists, Mikhail Bakhtin, and Olga Freidenberg. The volume includes previously untranslated texts of some of the major scholars in this critical tradition, as well as original contributions which place that tradition in dialogue with other thinkers who have approached literature in a globally comparatist and evolutionary-historical spirit. The contributors seek to challenge and complement a historicism that stresses proximate sociopolitical contexts through an engagement with the longue durée of literary forms and institutions. In particular, Historical Poetics aims to uncover deep-historical stratifications and asynchronicities, in which formal solutions may display elective affinities with other, chronologically distant solutions to analogous social and political problems. By recovering the traditional nexus of philology and history, Persistent Forms seeks to reinvigorate poetics as a theoretical discipline that would respond to such critical and intellectual developments as Marxism, New Historicism, the study of world literature, practices of distant reading, and a renewed attention to ritual, oral poetics, and genre.…

Condición: Brand New. For much of Western history, Pindar's work was recognized as the pinnacle of lyric poetry. This book presents an introduction to different aspects of Pindar's art, while demonstrating its importance for the coming into being of literature as it has been conceived of in the West.…

Condición: New.

Condición: New. This book demonstrates Pindar's importance for the coming into being of literature as it has been conceived of in the West. Num Pages: 384 pages, 4 tables. BIC Classification: 2AHA; DSBB; DSC. Category: (P) Professional & Vocational; (U) Tertiary Education (US: College). Dimension: 228 x 152 x 22. Weight in Grams: 680. . 2015. hardcover. . . . . …

Condición: New. In English.