borden robert c (32 resultados)

Soft cover. Condición: Very Good. First Edition. Very good in original wrappers wtih chips on the right edge.

Single issue magazine. Condición: Very Good. Cover art by V. E. Pyles Ilustrador. First Edition; First Printing. New York: The Frank A. Munsey Company. 1937. First Edition; First Printing. Single issue magazine. Pulp magazine in Pictorial wrappers, 144 pages, illustrated. L. G. Blochman, W. C. Tuttle, Charles Tenney Jackson, Wayne Brooke, Stookie Allen, Eustace L. Adams, Perry Adams, James R. Webb, Borden Chase, Robert E. Pinkerton, Peter Kelly, George Preston, Eric Sharpe. Contents page in the Photos. Cover art by V. E. Pyles A Very Good copy with small light-colored spot stain to the lower spine, usual edge wear to the cover, pencil "X" to the front cover, Text paper tanned as usual. See Photos mag 21/ E.

Single Issue Magazine. Condición: Very Good. Cover art by Rudolph Belarski Ilustrador. First Edition; First Printing. New York: The Frank A. Munsey Company 1937 First Edition; First Printing Pulp magazine in Pictorial wrappers 144 pages, illustrated. Edited by Argosy with stories by Eustace L. Adams, Robert Griffith, Frank Richardson Pierce, Walter C. Brown, Stookie Allen, Lester Dent, Foster-Harris, Borden Chase, Clark Bodey, Ken Howard. Cover art by Rudolph Belarski A very good copy with minor chipping to the spine heel, edgewear to the covers, lower corner creasing to the rear cover, text paper lightly toned. See Photos mag 21 /E.

Softcover. Condición: Bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Softcover. Condición: Très bon. Ancien livre de bibliothèque avec équipements. Ammareal reverse jusqu'à 15% du prix net de cet article à des organisations caritatives. ENGLISH DESCRIPTION Book Condition: Used, Very good. Former library book. Ammareal gives back up to 15% of this item's net price to charity organizations.

Single Issue Magazine. Condición: Good. First Edition. New York: The Frank A. Munsey Company A Red Star Magazine 1940. First edition. Pulp magazine in Pictorial wrappers,112 pages, illustrated With stories by Murrary R. Montgomery, C. K. Shaw, Wililam Du Bois, Eustace Cockrell, Borden Chase, Robert Arthur, Walt Coburn. Good copy with the publication year added to the spine which has a short tear to the head front corner, usual creasing and edgewear to the cover which is lightly chipped, text paper toned. See Photos 291E.

single issue magazine. Condición: Very Good. First Edition. New York: The Frank A. Munsey Company [A Red Star Magazine]. Very Good. 1940. First Edition. Softcover. First edition. Pulp magazine. Pictorial wrappers [about 6.75" x 9.5"], 112 pages, illustrated. Very good copy with publication year added to the spine, light cover creasing and edgewear with minor chipping, paper tanning/tanned as usual b504E.

Single Issue Magazine. Condición: Good. First Edition. New York: The Frank A. Munsey Company [A Red Star Magazine] 1940 First edition Pulp magazine in Pictorial wrappers [about 6.75" x 9.5"], 112 pages, illustrated. Editors of Argosy with stories by Borden Chase, Charles Marquis Warren, Robert Carse, Frederick C. Painton, Eustace Cockrell, Johnston McCulley A Good copy with publication year added to the spine which is very lightly chipped at the heel, usual creasing and edgewear to the cover, dust soiling to the covers, text paper toned. See Photos bx 502E.

SingleIssueMagazine. Condición: Very Good. Vol. 303, No. 1. Includes "The Scarlet Blade" (pt. 1 of 3) by Murray R. Montgomery; "Gambler Take All" (novelet) by C. K. Shaw; "Midnight Moon" (novelet) by William Du Bois; "The Divine Right" by Eustace Cockrell; "Crooked Caribbean Cross" (pt. 4 of 7) by Borden Chase; "At Four" by Robert Arthur; "Black Fire" (pt. 2 of 2) by Walt Coburn; "Argonotes"; "Looking Ahead!" Front hinge etars with small loss at heel - cover still attached; mark on cover in pencil; tanning. Book.

SingleIssueMagazine. Condición: Very Good-. Vol. 303, No. 3. Pulp magazine. [Edited by George W. Post.] Contents list on cover. Includes "Warrior Alone" (novelet) by Robert Carse; "Big Fish" by Frank Richardson Pierce; "Satans on Saturn" (pt. 2 of 5) by Otis Adelbert Kline & E. Hoffman Price; "Ruby of France" by H. Bedford-Jones; "Crooked Caribbean Cross" (pt. 6 of 7) by Borden Chase; "You Can't Waste Pilots" by Louis C. Goldsmith; "The Scarlet Blade" (conclusion) by Murray R. Montgomery. Features: "Argonotes"; "Looking Ahead!" Cover wrinkle; both covers edges trimmed; dealer's mark; creasing; minor soiling. Book.

SingleIssueMagazine. Condición: Very Good. Vol. 303, No. 3. Pulp magazine. [Edited by George W. Post.] Contents list on cover. Includes "Warrior Alone" (novelet) by Robert Carse; "Big Fish" by Frank Richardson Pierce; "Satans on Saturn" (pt. 2 of 5) by Otis Adelbert Kine & E. Hoffman Price; "Ruby of France" by H. Bedford-Jones; "Crooked Caribbean Cross" (pt. 6 of 7) by Borden Chase; "You Can't Waste Pilots" by Louis C. Goldsmith; "The Scarlet Blade" (conclusion) by Murray R. Montgomery. Features: "Argonotes"; "Looking Ahead!" Cover wrinkles; rear cover and spine have minor bug-nibbling. Book.

SingleIssueMagazine. Condición: Very Good. Vol. 280, No. 2. Pulp magazine. [Edited by Chandler H. Whipple.] Cover art by Emmett Watson for "A Flag to Die For" (novelet) by Robert Carse. Includes "Ship of the Line" (pt. 3 of 6) by C. S. Forester; "Malice Afterthought" by John Earl Davis; "Rainbow's End" by E. Hoffman Price; "Mush, You Huskies" (novelet) by Frank Richardson Pierce; "Men of Daring: Roy Lobdell - Cattle Detective" (True Story in Pictures) by Stookie Allen; "Yankee Bargain" by Bertrand L. Shurtleff; "Trouble Wagon" (pt. 4 of 5) by Borden Chase; "This Outlaw Business" by Frank Gruber; "Tainted Caballero" (pt. 2 of 2) by Johnston McCulley. Features: "Cockeyed Chiaroscuro" by Angelo Rubens; "Dress Rehearsal" by Algernon Blaire; "Faster Than Flight" by Crossen Howard; "Call Me "Will" by Chandler McGinnis; "Argonotes"; "Looking Ahead!" Some creasing and soiling; standard wear and tear at edges; tanning. Book.

SingleIssueMagazine. Condición: Very Good+. Vol. 278, No. 1. Pulp magazine. [Edited by Chandler H. Whipple.] Cover art by Rudolph Belarski for "Loot Below" (pt. 1 of 5) by Eustace L. Adams. Includes "Rhythm in the Ring" (short novel) by Robert Griffith; "Omit Wreaths" by Frank Richardson Pierce; "Beachcomber" by Walter C. Brown; "Men of Daring: Dr. Harold Anthony - Grand Canyon Columbus" (True Story in Pictures) by Stookie Allen; "Genius Jones" (pt. 3 of 6) by Lester Dent; "Ready, Willing and Weeble" by Foster-Harris; "Sandhog" (pt. 5 of 6) by Borden Chase; "From Golf to Worse" by Clark Bodey. Features: "Muzzle Your Sea Food" by Ken Howard; "Argonotes"; "Looking Ahead!" Mind tanning; minor chips, creases and edge tears; pencil marks on rear cover. Book.

Wraps. Condición: Good. Ads, Drawings, Some Photos; Full-color Front Cover Ilustrador. Original copy, with an aged, acidic newsprint textblock, slightly musty, but otherwise tight and complete; Very scuffed and worn edges; Full-color front cover illustration; Includes: The Imperfect Gentleman - Complete Novelet, by L. G. Blochman, plus twelve other pieces. 144p. Size: 4to - Over 9 " -12" Tall. Periodical.

Condición: vg+. 1st edition 1st printing US digest paperback, vg+ In stock shipped from our UK warehouse.

Wraps. Condición: Very Good+. Vol. 280, No. 1. Pulp magazine. [Edited by Chandler H. Whipple.] Cover art by V. E. Pyles for "Red Coat - White Feather" (novelet) by Frank R. Pierce. Includes "Tainted Caballero" (pt. 1 of 2) by Johnston McCulley; "Ship of the Line" (pt. 2 of 6) by C. S. Forester; "No tool for a Diver" by Richard Howells Watkins; "Liege Lord" (novelet) by Robert E. Pinkerton; "The Enchanted Mug" by Richard Sale; "Trouble Wagon" (pt. 3 of 5) by Borden Chase; "Beachcomber" by Allan Vaughan Elston. Features: "Are We Mice - or Mice?" by Eric Sharpe; "Argonotes"; "Looking Ahead!" Several small corner chips to early pages at lower foredge; minor creasing; minor stain at upper rear foredge cover corner. Magazine.

SingleIssueMagazine. Condición: Very Good-. Vol. 275, No. 6. Cover by V. E. Fries. Includes "Black Damp" (novelet) by W. Ryerson Johnson; "The Wall" (novelet) by Robert Carse; "Fifty Bucks, Please" by Frederick C. Painton; "Kingdom Come" (pt. 3 of 6) by Martin McCall; "No Romance at Racetracks" by Borden Chase; "Mr. Gadget" (meet Percival Jones; short novel) by D. L. Ames; "Trails West" (pt. 5 of 6) by Bennett Foster; "The Greatest Scoundrel Unhung" by Murray Leinster. Features: "Discipline by the Barrell" by George Preston; "Argonotes"; "Looking Ahead!" Front cover a little soiled wityh losses at lower end (see scan); tanning; twine dents; bumps and dings. Book.

Wraps. Condición: Very Good+ to Near Fine. Vol. 280, No. 1. Pulp magazine. [Edited by Chandler H. Whipple.] Cover art by V. E. Pyles for "Red Coat - White Feather" (novelet) by Frank R. Pierce. Includes "Tainted Caballero" (pt. 1 of 2) by Johnston McCulley; "Ship of the Line" (pt. 2 of 6) by C. S. Forester; "No tool for a Diver" by Richard Howells Watkins; "Liege Lord" (novelet) by Robert E. Pinkerton; "The Enchanted Mug" by Richard Sale; "Trouble Wagon" (pt. 3 of 5) by Borden Chase; "Beachcomber" by Allan Vaughan Elston. Features: "Are We Mice - or Mice?" by Eric Sharpe; "Argonotes"; "Looking Ahead!" Standard wear and tear at overlaps but a bit less than usual; tanning; short spine tears. Magazine.

SingleIssueMagazine. Condición: Very Good+. Vol. 302, No. 6. Includes "Black Fire" (pt. 1 of 2) by Walt Coburn; "The Gold That Ran Away" (novelet) by Louis C. Goldsmith; "Masterpiece" by Samuel W. Taylor; "Crooked Caribbean Cross" (pt. 3 of 7) by Borden Chase; "Ride a Pack Horse" by Jim Kjelgaard; "Capitol Calamity" (novelet) by William Brandon; "Rebel Take Arms" (conclusion) by Robert Carse. Very slight dampstain. Book.

Condición: New.

SingleIssueMagazine. Condición: Very Good+. Vol. 275, No. 6. Cover by V. E. Fries. Includes "Black Damp" (novelet) by W. Ryerson Johnson; "The Wall" (novelet) by Robert Carse; "Fifty Bucks, Please" by Frederick C. Painton; "Kingdom Come" (pt. 3 of 6) by Martin McCall; "No Romance at Racetracks" by Borden Chase; "Mr. Gadget" (meet Percival Jones; short novel) by D. L. Ames; "Trails West" (pt. 5 of 6) by Bennett Foster; "The Greatest Scoundrel Unhung" by Murray Leinster. Features: "Discipline by the Barrell" by George Preston; "Argonotes"; "Looking Ahead!" Minor spots. Book.

SingleIssueMagazine. Condición: Very Good+ to Near Fine. Vol. 302, No. 6. Includes "Black Fire" (pt. 1 of 2) by Walt Coburn; "The Gold That Ran Away" (novelet) by Louis C. Goldsmith; "Masterpiece" by Samuel W. Taylor; "Crooked Caribbean Cross" (pt. 3 of 7) by Borden Chase; "Ride a Pack Horse" by Jim Kjelgaard; "Capitol Calamity" (novelet) by William Brandon; "Rebel Take Arms" (pt. 4 of 4) by Robert Carse. Standard wear with minor tears to overlaps with mild marginal tanning. Book.

SingleIssueMagazine. Condición: Very Good+ to Near Fine. Vol. 276, No. 4. [Edited by Chandler H. Whipple.] Cover by V. E. Pyles. Includes "The Imperfect Gentleman" (novelet) by L. G. Blochman; "Henry Plays a Hunch" (pt. 1 of 4) by W. C. Tuttle; "Wildcat talk" by Charles Tenny Jackson; "Armored Car No. 13" by Wayne Brooke; "Men of Daring: George Washington Crile - Adventurous Savant" (True Story in Pictures) by Stookie Allen; "Stunt Man" (pt. 3 of 4) by Eustace L. Adams; "Taste of Brass" by Perry Adams; "Higher Than Human" by James R. Webb; "Blue-White and Perfect" (pt. 4 of 6) by Borden Chase; "A Bird and His Tail" by Robert E. Pinkerton. Features: "Martian Laughter" by Peter Kelly; "America Munches On" by George Preston; "Whoa Mankind!" by Eric Sharpe; "Argonotes"; "Looking Ahead!" Minor creases, smudges and tears; mild tanning. Book.

Condición: As New. Unread book in perfect condition.

Card covers. 16 Pp. Light sunning to edges, otherwise vg.

Card covers. Card covers. 9 Pp. Light sunning to edges, otherwise vg.

Condición: Good. Folio. 35 x 53.25cm. sheet size with pages attached to hinges for an effective width of 38cm. 6 plate volumes uniformly bound in full green morocco with elaborate gilt border designs; gilt inner dentelles, marbled endpapers, all edges gilt. .VERY HEAVY VOLUMES.10 plate albums bound in 5, plus the plate atlas album. With 508 lithographed plates (400 in the albums, frontispiece portrait & 107 in the atlas), many printed in color or hand-colored, others black & white or sepia; color lithographed title pages for the atlas and the albums, except for the title page of the tenth part, which is not present and perhaps never published. Plain paper interleaves to the plates. Some of the plates are chromolithographs but most of the colored plates are richly handcolored and gommés. Sixty artists worked on the lithographs.References: Brunet II, 920."ouvrage splendide et d'un grand intérêt"; OCLC Number / Unique Identifier: 1110334971.Dunbarton Oaks:Like his family before him, Alexandre Du Sommerard (1779-1842) had a career in public service, first in the military, then in the civil service, then in the court itself. Passion for his native country of France was even more manifest in his art collecting and studies, which is where he directed most of his energies.The first items he acquired were paintings by contemporary French painters, but, after 1825, he devoted himself to art from the Middle Ages to the seventeenth century, with particular attention to arts with French connections. In his actions and his collector's tastes, Sommerard was likely influenced by Alexandre Lenoir (1761-1839), who rescued medieval treasures and monuments from destruction during the French Revolution and who later set up the Musée des Monuments Français.By 1832, Sommerard had accumulated such a large collection that he purchased the late fifteenth-century Hôtel des Abbés de Cluny to house it. In each room of the building, he arranged furniture, objects, and textiles according to their function or symbolic value in an attempt to replicate the interior spaces of the past.In 1838, Alexandre Du Sommerard published the first volumes of a multivolume work, Les Arts du moyen-âge, which he intended as a history of French medieval art. His collection and study included early Christian and Byzantine art as the precursors to western medieval art. He felt that history should not rely solely on written sources and that historians and the public needed to comprehend the history of art as well.The illustrated atlas and album were issued serially, 10 installments in all and each with a beautiful, unique title page. Inside each installment were large illustrations of medieval buildings and objects. In the Avertissement, Sommerard brags that the publication used lithography, the most advanced technique in book illustration available at the time, in order to create accurate reproductions. At this point, chromolithography was still in development, and most lithographic illustrations were black-and-white, so it seems likely that the rich colors in Sommerard's publication were added manually.Upon his death in 1842, his collection and the building were bequeathed to the state. In 1844, Lenoir's son, Alexandre-Albert Lenoir (1801-1891), oversaw the movement of his father's collection to Roman baths that are immediately adjacent to the Hôtel de Cluny. The combined collections became the Musée de Cluny (now the Musée National du Moyen Âge). Edmond du Sommerard (d. 1855) was appointed the museum's first curator and was responsible for the acquisition of the museum's famous lady-and-unicorn tapestries. Since then, some items have been deaccessioned and moved to other museums, but the existing museum still reflects the ideas and tastes of Sommerard and Lenoir.Alexandre Du Sommerard a mobilisé près de soixante artistes pour créer les cinq cents planches d'illustrations lithographiques des Arts au Moyen Âge.Dès ses débuts, Alexandre a montré un intérêt marqué pour cette technique, l'ayant déja? utilisée pour Les Vues de Provins. Cet intérêt s'explique par la facilité d'exécution offerte par la lithographie, qui n'exige pas des artistes l'apprentissage d'une technique de gravure particulière. Cette simplification d'exécution permet non seulement de réduire le temps nécessaire a? la réalisation d'une estampe, mais aussi d'acquérir rapidement une renommée grâce a? la diffusion quasi immédiate de ces images. Cette avancée technologique explique pourquoi la lithographie est devenue rapidement une alternative intéressante, tant sur le plan financier que commercial, par rapport à d'autres procédés.PROVENANCE; Bookplate of M.C.D. Borden in each volume. Matthew Chaloner Durfee Borden was born on July 18, 1842 in Fall River, Mass., the son of Col. Richard and Abby W. (Durfee) Bordon. He was educated at Phillips Academy in Andover, and graduated from Yale University in 1864. At Yale he was a member of Delta Kappa Epsilon and Skull and Bones. Later that year he entered one of New York's leading dry goods house as a stock boy. In 1865, he married his relative, Harriet M. Durfee, and they had seven children.Borden came to New York after graduation, working as a clerk in a dry goods jobbing house. Three years later he became a partner in a commission firm and represented the American Print Cloth Works of Fall River. This concern failed in 1879, but Mr. Borden reorganized it in 1880 as the American Printing Company. In 1869, Borden decided to manufacture his own cotton rather than buying it from others to supply his printing mills. He built three mills to begin with, and ultimately the Falls River Iron Works Mills was a thriving business. He was a compassionate man regarding his employees, raising wages in times of depression, and his mills were not struck by the labor unions when his relatives' mills were.Borden also kept a home in New York City at 25 West 56th Street, where he had many financial interests, being a director of the Manhattan Company Bank, the Lincoln N.

Hardcover. Condición: Very Good. Estado de la sobrecubierta: No Dustjacket. First Edition. ISBN . Twenty Volume Hardback set. No Dust jackets. 1926 to 1930 dates for all tttwenty volumes. First Printing. Bound in green cloth with gold gilt lettering on spine. Good to Very Good Condition. Tight sound unmarked copy with with dust soiling to top edge, minor brown stains and spots sprinkled through out the twenty volumes, minor rubs to edges and corners of covers. Nice complete set otherwise. Section 1, Shelf 5. No Signature.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1922 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 230 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 230 Canada. Delegate to the Conference on the Limitation of Armament (1921-1922 : Washington, D.C.),Borden, Robert Laird, Sir, 1854-1937.

LeatherBound. Condición: New. BOOKS ARE EXEMPT FROM IMPORT DUTIES AND TARIFFS; NO EXTRA CHARGES APPLY. LeatherBound edition. Condition: New. Reprinted from 1923 edition. Leather Binding on Spine and Corners with Golden leaf printing on spine. Bound in genuine leather with Satin ribbon page markers and Spine with raised gilt bands. A perfect gift for your loved ones. Pages: 208 NO changes have been made to the original text. This is NOT a retyped or an ocr'd reprint. Illustrations, Index, if any, are included in black and white. Each page is checked manually before printing. As this print on demand book is reprinted from a very old book, there could be some missing or flawed pages, but we always try to make the book as complete as possible. Fold-outs, if any, are not part of the book. If the original book was published in multiple volumes then this reprint is of only one volume, not the whole set. Sewing binding for longer life, where the book block is actually sewn (smythe sewn/section sewn) with thread before binding which results in a more durable type of binding. Pages: 208.