blackman peter (33 resultados)

Condición: Very Good. 1778419772. 5/10/2026 1:29:32 PM.

Condición: Like New. Most items will be dispatched the same or the next working day. An apparently unread copy in perfect condition. Dust cover is intact with no nicks or tears. Spine has no signs of creasing. Pages are clean and not marred by notes or folds of any kind.

Paperback. Condición: New. From tigers in a South London suburb to retired Victorian police inspectors investigating train based thefts, from collectors of poets at Shadwell to life-changing decisions in Canonbury, by way of an art installation that defies the boundaries of a gallery, Stations takes a sideways look through the windows of the Overground train, at life as it is, or might be, lived beside the rails: quirky, humorous and sometimes horrifying.

DVD. Condición: Used - Good.

Paperback. Condición: Very Good. Color Illustrations Ilustrador. First Edition. In white wraps, folio, 59pp. Illustrated in color. Size: Folio - between 12" - 15" Tall. Book.

Soft cover. Condición: Very Good. 1982, Journals, Northwest Coast Issue, Maritime Peoples of the Arctic and Northwest Coast, New Permanent Exhibit, Field Museum of Natural History, 27 p., very good paperback.

Paperback. Condición: Good. ***GOOD CONDITION***CLEAN PAGES*** moderate edge wear, yellowing of cover, signed by previous owner. We specialize in non-fiction books. Follow us on Facebook and Instagram.

paperback. Condición: New.

Trade Paperback. Condición: USED Very Good. First Edition. Stated Artists Proof Edition, First Printing, 1999. Inscribed by editor on title page. Pages (otherwise) clean, binding tight. Inscribed by Author.

Soft cover. Condición: Very Good. 5-3/8" x 8-1/2", 20pp incl. prelims. Chapbook printed on acidic paper and saddle stitched in uncoated printed card stock cover. Soiling / age discoloration, moisture staining towards spine, and the top fore corner is lightly bumped / creased, otherwise minor shelf wear, edge wear to cover. Staples are oxidized but binding remains sound. Previous owner's name in ink at head of title page, otherwise pages are clean and unmarked.

Paperback. Condición: Used; Very Good. ***Simply Brit*** Welcome to our online used book store, where affordability meets great quality. Dive into a world of captivating reads without breaking the bank. We take pride in offering a wide selection of used books, from classics to hidden gems, ensuring there is something for every literary palate. All orders are shipped within 24 hours and our lightning fast-delivery within 48 hours coupled with our prompt customer service ensures a smooth journey from ordering to delivery. Discover the joy of reading with us, your trusted source for affordable books that do not compromise on quality.

hardcover. Condición: Acceptable.

Pamphlet. Condición: Good+. 1st Edition. 20pp Rare collection of poems by the pioneering Black British Communist poet, who is beginning to receive the recognition he deserves. Staples a little rusty.

Hardcover. Condición: new. Hardcover. With original documents discovered to build his story, Peter Blackman has eloquently explained the origins, artistic growth, and dissemination of Black Forest carved wooden furniture and fine decor now recognized worldwide. The style evolved in 1815 in Brienz, a small village in the Swiss Alps, and spread through the 19th century, with operations stretching to Paris and central Germany. Bears are the best known and prolific examples, but many other animals and human figures also comprise the style. _x000D_The book presents in detail the development of the "Black Forest" woodcarving tradition, or Brienzerwares, through noteworthy carvers, schools, companies, and the Great Exhibitions worldwide. Artists, collectors, museum curators, and wood carvers will be instructed and inspired by Mr. Blackman's relentless research, fine analysis, and keen eye. AUTHOR: Peter F. Blackman is an attorney and avid historical researcher whose interest in Brienzerware developed through visits to the origins of the style. He has conducted his research, interviews, and study for this book over many years, and wrote the book from his home in West Windsor, Vermont. With original documents discovered to build his story, Peter Blackman has eloquently explained the origins, artistic growth, and dissemination of Black Forest carved wooden furniture and fine decor now recognized worldwide. The style evolved in 1815 in Brienz, a small village in the Swiss Alps, and spread through the 19th century, with operations stretching to Paris and central Germany. Bears are the best known and prolific examples, but many other animals and human figures also comprise the style. The book presents in detail the development of the "Black Forest" woodcarving tradition, or Brienzerwares, through noteworthy carvers, schools, companies, and the Great Exhibitions worldwide. Artists, collectors, museum curators, and wood carvers will be instructed and inspired by Mr. Blackman's relentless research, fine analysis, and keen eye. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Condición: New.

Condición: As New. Unread book in perfect condition.

32 pp.; 42 x 29 cm.; loose leaves; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed; Issue edited by Al Goldstein. Contents include: "Off-Broadway's Raunchy New Hit by the 'Dirtiest' Man in Town!" by Jim Buckley; "A Behind-the-Scenes Look at the Women behind the Men behind the Pumps," by John Francis Hunter; "How I Gained a Steady Screw and Lost a Steady Fuck," by Marcia Blackman; "Homosexual Citizen : Coming Out at the Gay-In," by Lige & Jack; "Betty Dodson : Exhibition of Erotic Art," by Robert Rosinek; "The Sex Scene," edited by Ken Gaul; "Fuck Books : Tales of Head," by Peter Ogren; "Dirty Diversions," by Al Goldstein; "Naked City," by Peter Ogren and "Shit List," by Jim Buckley. Very Good. Yellowing of paper from age and edge wear. Contents clean and unmarked.

Cloth. Condición: As New. Estado de la sobrecubierta: As New. First Edition. 4to - over 9¾. Book. 304 pp., over 900 photographs, most in color, treats history and other topics relating to Swiss woodcarvings and decor that were produced in the Berner Oberland, in and around Brienz from 1816 to the present. Book focuses on the tradition, that has come to be known as "Black Forest", during its artistic and commercial heyday of the late nineteenth century up to World War One. The book discusses the education of the carvers, the decline of the carving industry, and the participation of the carvers in the world expositions, including London 1851, Chicago 1893 and Paris 1900, as well as smaller regional expositions. Presented is a glossary of better known carvers and carving firms. Additionally there is a detailed index. As new. Please note that book is heavy so there is a possibility that postage, especially abroad, may require recalculation.

Vintage borderless photograph from the set of the 1968 film. With brief manuscript pencil annotations on the verso. Based on the 1959 novel of the same name by Geoffrey Jenkins. A former British Naval officer turned smuggler is eager to make up for his losses after he is forced to abandon his cargo after nearly being caught by the authorities. A former colleague tells him stories of smuggling diamonds and his interested is piqued. Shot on location in Spain and Malta. 10 x 8 inches. Near Fine.

Paperback. Condición: New. From tigers in a South London suburb to retired Victorian police inspectors investigating train based thefts, from collectors of poets at Shadwell to life-changing decisions in Canonbury, by way of an art installation that defies the boundaries of a gallery, Stations takes a sideways look through the windows of the Overground train, at life as it is, or might be, lived beside the rails: quirky, humorous and sometimes horrifying.

Paperback. Condición: New. In shrink wrap. Looks like an interesting title!

Condición: New. Num Pages: 304 pages, 936 colour & 248 b/w photos. BIC Classification: WF. Category: (G) General (US: Trade). Dimension: 289 x 223 x 30. Weight in Grams: 1818. . 2009. Hardcover. . . . .

Condición: New. Num Pages: 304 pages, 936 colour & 248 b/w photos. BIC Classification: WF. Category: (G) General (US: Trade). Dimension: 289 x 223 x 30. Weight in Grams: 1818. . 2009. Hardcover. . . . . Books ship from the US and Ireland.

Condición: Sehr gut. Zustand: Sehr gut | Seiten: 500 | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.

Condición: New. &Uumlber den AutorPeter F. Blackman is an attorney and avid historical researcher whose interest in Brienzerware developed through visits to the origins of the style. He has conducted his research, interviews, and study for this book ov.

Hardcover. Condición: new. Hardcover. With original documents discovered to build his story, Peter Blackman has eloquently explained the origins, artistic growth, and dissemination of Black Forest carved wooden furniture and fine decor now recognized worldwide. The style evolved in 1815 in Brienz, a small village in the Swiss Alps, and spread through the 19th century, with operations stretching to Paris and central Germany. Bears are the best known and prolific examples, but many other animals and human figures also comprise the style. _x000D_The book presents in detail the development of the "Black Forest" woodcarving tradition, or Brienzerwares, through noteworthy carvers, schools, companies, and the Great Exhibitions worldwide. Artists, collectors, museum curators, and wood carvers will be instructed and inspired by Mr. Blackman's relentless research, fine analysis, and keen eye. AUTHOR: Peter F. Blackman is an attorney and avid historical researcher whose interest in Brienzerware developed through visits to the origins of the style. He has conducted his research, interviews, and study for this book over many years, and wrote the book from his home in West Windsor, Vermont. With original documents discovered to build his story, Peter Blackman has eloquently explained the origins, artistic growth, and dissemination of Black Forest carved wooden furniture and fine decor now recognized worldwide. The style evolved in 1815 in Brienz, a small village in the Swiss Alps, and spread through the 19th century, with operations stretching to Paris and central Germany. Bears are the best known and prolific examples, but many other animals and human figures also comprise the style. The book presents in detail the development of the "Black Forest" woodcarving tradition, or Brienzerwares, through noteworthy carvers, schools, companies, and the Great Exhibitions worldwide. Artists, collectors, museum curators, and wood carvers will be instructed and inspired by Mr. Blackman's relentless research, fine analysis, and keen eye. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Hardcover. Condición: new. Hardcover. With original documents discovered to build his story, Peter Blackman has eloquently explained the origins, artistic growth, and dissemination of Black Forest carved wooden furniture and fine decor now recognized worldwide. The style evolved in 1815 in Brienz, a small village in the Swiss Alps, and spread through the 19th century, with operations stretching to Paris and central Germany. Bears are the best known and prolific examples, but many other animals and human figures also comprise the style. _x000D_The book presents in detail the development of the "Black Forest" woodcarving tradition, or Brienzerwares, through noteworthy carvers, schools, companies, and the Great Exhibitions worldwide. Artists, collectors, museum curators, and wood carvers will be instructed and inspired by Mr. Blackman's relentless research, fine analysis, and keen eye. AUTHOR: Peter F. Blackman is an attorney and avid historical researcher whose interest in Brienzerware developed through visits to the origins of the style. He has conducted his research, interviews, and study for this book over many years, and wrote the book from his home in West Windsor, Vermont. With original documents discovered to build his story, Peter Blackman has eloquently explained the origins, artistic growth, and dissemination of Black Forest carved wooden furniture and fine decor now recognized worldwide. The style evolved in 1815 in Brienz, a small village in the Swiss Alps, and spread through the 19th century, with operations stretching to Paris and central Germany. Bears are the best known and prolific examples, but many other animals and human figures also comprise the style. The book presents in detail the development of the "Black Forest" woodcarving tradition, or Brienzerwares, through noteworthy carvers, schools, companies, and the Great Exhibitions worldwide. Artists, collectors, museum curators, and wood carvers will be instructed and inspired by Mr. Blackman's relentless research, fine analysis, and keen eye. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Centenary history of the Middlesex golf club. Tall 8vo. 128pp. Original green boards. A fine copy.

Hardcover. Booklet, 20 pages, 21.5 x 13.6 cm. Paper contains wood, therefore the cover and pages are light brown. Good condition. With dedication on page 3: For Stefan Hermlin from Peter Blackman. Gewicht: 40.

5 vol.: vol. 1: 57 pp. ; vol. 2: 58 pp. ; vol. 3: 42 pp.; vol. 4: 66 pp. ; vol. 5: 50 pp.; 5 vol.: 23.2 x 14.6 cm. (each); glue bound; black-and-white; edition size unknown; unsigned and unnumbered; offset-printed Volumes I-V of "Summary of a Workshop," a biannual series of symposiums on contemporary art sponsored by the Frederick R. Weisman Foundation and held at various North American locations. Each symposium was accompanied by a catalogue which summarized the conversations that took place. Volume I: "The Relationship Between Art and Architecture," held in Santa Monica, CA, January 21-22, 1989. Participants included: Frank O. Gehry, Daniel Buren, Jean-Louis Cohen, Cesar Pelli, Donald Judd, Irving Lavin, Germano Celant, Henry N. Cobb, Christopher Knight, Mildred Friedman, John Chamberlain, Peter Eisenman, Robert Irwin, Michael Graves, Nancy Wexler, Henry T. Hopkins, and Michael Rotondi. Volume II: "Art + Architecture + Society," held in Toronto, Canada, July 22-23, 1989. Participants included: Henry T. Hopkins, Michael Rotondi, Diana Agrest, Lynda Benglis, Scott Burton, Adele Freedman, April Greiman, Alanna Heiss, Craig Hodgetts, Walter Hopps, Catherine Ingraham, Eric Owen Moss, Matt Mullican, Larry Richards, David Ross, Alexis Smith, and Leon Whiteson. Volume III, "Art Fairs : Plans and Process," held in Los Angeles, CA, December 5-6, 1989. Participants included: O. Kelley Anderson Jr., Brian Angel, Dr. Alberto Anfossi, Rosina Gómez Baeza, Dr. Emil Bammatter, Thomas P. Blackman, Van Deren Coke, Michelle De Angelus, Milton Esterow, Anita Kaegi, Claudio Bruni Sakraischik, Allan Schwartzman, Leif Ståhle, Tamara Thomas, Robert Thomson. Volume IV, "Conservation and Contemporary Art," held in Richmond, VA, June 4-5, 1990. Participants included: Henry T. Hopkins, Billie Milam, Albert Albano, James Bernstein, Sharon Blank, Victoria Blyth Hill, Tom Branchick, William Leischer, Carol Mancusi-Ungaro, Ross Merill, Roy De Forest, Tim Ebner, George Herms, Duane Hanson, Rotraut Klein-Moquay, Ida Kohlmeyer, Miriam Shapiro, Paul Brach, Zora Sweet Pinney, and Nora Halpern Brougher. Volume V, "Support for the Arts in Unsupportive Times," held in Los Angeles, CA, December 4-5, 1990. Participants included: Nora Halpern Brougher, Henry T. Hopkins, Cee Scott Brown, Marie Cieri, Pamela Clapp, Gary Garrels, Stanley Grinstein, David Ireland, Steven D. Lavine, Bella Lewitzky, Lisa Lyons, Anne MacDonald, Peter Norton, Max Palevsky, Claire Peeps, Dr. Thomas Reese, Joy Silverman, Tina Summerlin, Ella King Torrey, Joel Wachs, and Frederick R. Weisman. "Twice each year the Frederick R. Weisman Art Foundation conducts workshops dealing with issues of importance to those involved in the creation, exposition, collection, conservation and education of international contemporary art in all of its manifestations. These workshops bring together approximately eighteen experts in closed session for two days. The topic is determined by the Foundation but the direction that conversation takes is determined by the participants. There is no agenda. The workshops are taped, transcribed, edited, published in the present form and distributed to participants, interested parties, museums and libraries." -- Henry T. Hopkins, director. Very Good / Fine. Set of 5 volumes. Light rubbing and yellowing of cover edges and light yellowing of pages, otherwise Fine. Contents clean and unmarked.