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Añadir al carritoPaperback. Condición: new. Paperback. On oceanic environments through contemporary art and writing.BRACKISH WATERS is the third of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing), through contemporary art and writing.Brackish waters mingle the fresh with the salt. Departing from industrial ports and shoreline ecosystems, this publication crosses oceanic worlds of extraction and distribution. It responds to marine environments diffracted by the perspectives of artists, writers, Indigenous Elders, fish and fishers, biologists, citizen scientists, whales, physicists, boat builders, ship workers, sailors, pirates, brittle stars, and other creatures of the deep.Nanaimo Art Gallery is located on Snuneymuxw territory, one block from the citys harbor, a place that has seen the forced displacement of Snuneymuxw villages, the arrival of precarious mine workers from China, the UK, and Scandinavia, and the World War II internment of Japanese Canadians who ran herring salteries and shipyards there.Such harbors have also been places of exchange, where shipping news and seafarers stories were shared. BRACKISH WATERS serves as a similar waystation. Expanding from two exhibitions, Landfall and Departure: Prologue and Epilogue, this publication records globally interconnected aquatic lives and histories, while considering submerged narratives and forms of cultural expression.ContributorsDoug Allen, Karen Barad, Michael Belmore, Walter Benjamin, Jesse Birch, Ocatvia E. Butler, Heather Cameron, Peter Culley, Stan Douglas, Elissa Ferrari, Masako Fukawa, Ayesha Hameed and Tom Hirst, Maxine Harris, Roni Horn, E. J. Hughes, Lili Huston-Herterich, Dawn Johnston, Eleanor King, Roy Kiyooka, Joy Kogawa, Emily Luce and Klehwetua Rod Sayers, Xulsimalt Gary Manson, Max Maynard, Michele Di Menna, OrcaLab, Frances Ponge, NH Pritchard, Marcus Rediker and Liz Park, Genevieve Robertson, Marina Roy, Jenni Schine and Jay White, Charles H. Scott, Allan Sekula, Jack Shadbolt, Fiona Tan, Willie Thrasher and Linda Saddleback, Tommy Ting, Hajra Waheed, Phyllis Webb.Copublished by Nanaimo Art Gallery. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Publicado por C Magazine, Toronto, 2011
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Añadir al carritoPaperback. Condición: Near Fine. c magazine 112 Winter 2011 Exhibition Practices with pieces by or about Morrell, Amish; Birch, Jesse; Monk, Philip; Langill, Caroline Seck; Frimer, Denise; Mellema, Tatiana; Wolfson, Alex and others. A Canadian Art Magazine. Cover by General Idea. 64 pages, paper with stiff cover. Color and black and white reproduction. 11 3/4" x 8 1/4". Near fine condition.
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Añadir al carritoPaperback. Condición: new. Paperback. On oceanic environments through contemporary art and writing.BRACKISH WATERS is the third of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing), through contemporary art and writing.Brackish waters mingle the fresh with the salt. Departing from industrial ports and shoreline ecosystems, this publication crosses oceanic worlds of extraction and distribution. It responds to marine environments diffracted by the perspectives of artists, writers, Indigenous Elders, fish and fishers, biologists, citizen scientists, whales, physicists, boat builders, ship workers, sailors, pirates, brittle stars, and other creatures of the deep.Nanaimo Art Gallery is located on Snuneymuxw territory, one block from the citys harbor, a place that has seen the forced displacement of Snuneymuxw villages, the arrival of precarious mine workers from China, the UK, and Scandinavia, and the World War II internment of Japanese Canadians who ran herring salteries and shipyards there.Such harbors have also been places of exchange, where shipping news and seafarers stories were shared. BRACKISH WATERS serves as a similar waystation. Expanding from two exhibitions, Landfall and Departure: Prologue and Epilogue, this publication records globally interconnected aquatic lives and histories, while considering submerged narratives and forms of cultural expression.ContributorsDoug Allen, Karen Barad, Michael Belmore, Walter Benjamin, Jesse Birch, Ocatvia E. Butler, Heather Cameron, Peter Culley, Stan Douglas, Elissa Ferrari, Masako Fukawa, Ayesha Hameed and Tom Hirst, Maxine Harris, Roni Horn, E. J. Hughes, Lili Huston-Herterich, Dawn Johnston, Eleanor King, Roy Kiyooka, Joy Kogawa, Emily Luce and Klehwetua Rod Sayers, Xulsimalt Gary Manson, Max Maynard, Michele Di Menna, OrcaLab, Frances Ponge, NH Pritchard, Marcus Rediker and Liz Park, Genevieve Robertson, Marina Roy, Jenni Schine and Jay White, Charles H. Scott, Allan Sekula, Jack Shadbolt, Fiona Tan, Willie Thrasher and Linda Saddleback, Tommy Ting, Hajra Waheed, Phyllis Webb.Copublished by Nanaimo Art Gallery. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Añadir al carritoPaperback. Condición: new. Paperback. On oceanic environments through contemporary art and writing.BRACKISH WATERS is the third of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing), through contemporary art and writing.Brackish waters mingle the fresh with the salt. Departing from industrial ports and shoreline ecosystems, this publication crosses oceanic worlds of extraction and distribution. It responds to marine environments diffracted by the perspectives of artists, writers, Indigenous Elders, fish and fishers, biologists, citizen scientists, whales, physicists, boat builders, ship workers, sailors, pirates, brittle stars, and other creatures of the deep.Nanaimo Art Gallery is located on Snuneymuxw territory, one block from the citys harbor, a place that has seen the forced displacement of Snuneymuxw villages, the arrival of precarious mine workers from China, the UK, and Scandinavia, and the World War II internment of Japanese Canadians who ran herring salteries and shipyards there.Such harbors have also been places of exchange, where shipping news and seafarers stories were shared. BRACKISH WATERS serves as a similar waystation. Expanding from two exhibitions, Landfall and Departure: Prologue and Epilogue, this publication records globally interconnected aquatic lives and histories, while considering submerged narratives and forms of cultural expression.ContributorsDoug Allen, Karen Barad, Michael Belmore, Walter Benjamin, Jesse Birch, Ocatvia E. Butler, Heather Cameron, Peter Culley, Stan Douglas, Elissa Ferrari, Masako Fukawa, Ayesha Hameed and Tom Hirst, Maxine Harris, Roni Horn, E. J. Hughes, Lili Huston-Herterich, Dawn Johnston, Eleanor King, Roy Kiyooka, Joy Kogawa, Emily Luce and Klehwetua Rod Sayers, Xulsimalt Gary Manson, Max Maynard, Michele Di Menna, OrcaLab, Frances Ponge, NH Pritchard, Marcus Rediker and Liz Park, Genevieve Robertson, Marina Roy, Jenni Schine and Jay White, Charles H. Scott, Allan Sekula, Jack Shadbolt, Fiona Tan, Willie Thrasher and Linda Saddleback, Tommy Ting, Hajra Waheed, Phyllis Webb.Copublished by Nanaimo Art Gallery. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Añadir al carritoCondición: New. Jesse Birch is the curator at Nanaimo Art Gallery. He has produced numerous exhibitions both locally and internationally, published widely, and taught in the Critical + Cultural Studies program at Emily Carr University of Art and Design.Will Holder .
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Añadir al carritoTaschenbuch. Condición: Neu. Neuware - On oceanic environments through contemporary art and writing.BRACKISH WATERS is the third of three projects to engage the resource industries of Vancouver Island (mining, forestry, and fishing), through contemporary art and writing.Brackish waters mingle the fresh with the salt. Departing from industrial ports and shoreline ecosystems, this publication crosses oceanic worlds of extraction and distribution. It responds to marine environments diffracted by the perspectives of artists, writers, Indigenous Elders, fish and fishers, biologists, citizen scientists, whales, physicists, boat builders, ship workers, sailors, pirates, brittle stars, and other creatures of the deep.Nanaimo Art Gallery is located on Snuneymuxw territory, one block from the city's harbor, a place that has seen the forced displacement of Snuneymuxw villages, the arrival of precarious mine workers from China, the UK, and Scandinavia, and the World War II internment of Japanese Canadians who ran herring salteries and shipyards there.Such harbors have also been places of exchange, where shipping news and seafarers' stories were shared. BRACKISH WATERS serves as a similar waystation. Expanding from two exhibitions, Landfall and Departure: Prologue and Epilogue, this publication records globally interconnected aquatic lives and histories, while considering submerged narratives and forms of cultural expression.ContributorsDoug Allen, Karen Barad, Michael Belmore, Walter Benjamin, Jesse Birch, Ocatvia E. Butler, Heather Cameron, Peter Culley, Stan Douglas, Elissa Ferrari, Masako Fukawa, Ayesha Hameed and Tom Hirst, Maxine Harris, Roni Horn, E. J. Hughes, Lili Huston-Herterich, Dawn Johnston, Eleanor King, Roy Kiyooka, Joy Kogawa, Emily Luce and Klehwetua Rod Sayers, Xulsi'malt Gary Manson, Max Maynard, Michele Di Menna, OrcaLab, Frances Ponge, NH Pritchard, Marcus Rediker and Liz Park, Genevieve Robertson, Marina Roy, Jenni Schine and Jay White, Charles H. Scott, Allan Sekula, Jack Shadbolt, Fiona Tan, Willie Thrasher and Linda Saddleback, Tommy Ting, Hajra Waheed, Phyllis Webb.Copublished by Nanaimo Art Gallery.
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Añadir al carritoPaperback. Condición: New.
Idioma: Inglés
Publicado por Oxford Public Library, 1992
Librería: Nash Books, Huntsville, TX, Estados Unidos de America
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Añadir al carritoHardcover. Condición: Near Fine. History of Benton County and Historic Oxford and Index of History of Benton County and Historic Oxford by Jesse Setlington Birch. Two volume hardcover set published as a limited set by Oxford Public Library.
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Añadir al carritoCondición: Hervorragend. Zustand: Hervorragend | Sprache: Englisch | Produktart: Bücher | Keine Beschreibung verfügbar.
Año de publicación: 2024
Librería: Gyan Books Pvt. Ltd., Delhi, India
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Añadir al carritoLeather Bound. Condición: new. Language: English. Language: English. Presenting an Exquisite Leather-Bound Edition, expertly crafted with Original Natural Leather that gracefully adorns the spine and corners. The allure continues with Golden Leaf Printing that adds a touch of elegance, while Hand Embossing on the rounded spine lends an artistic flair. This masterpiece has been meticulously reprinted in 2024, utilizing the invaluable guidance of the original edition published many years ago in 1842. The contents of this book are presented in classic black and white. Its durability is ensured through a meticulous sewing binding technique, enhancing its longevity. Imprinted on top-tier quality paper. A team of professionals has expertly processed each page, delicately preserving its content without alteration. Due to the vintage nature of these books, every page has been manually restored for legibility. However, in certain instances, occasional blurriness, missing segments, or faint black spots might persist. We sincerely hope for your understanding of the challenges we faced with these books. Recognizing their significance for readers seeking insight into our historical treasure, we've diligently restored and reissued them. Our intention is to offer this valuable resource once again. We eagerly await your feedback, hoping that you'll find it appealing and will generously share your thoughts and recommendations. Lang: - English, Pages: - 375, Print on Demand. If it is a multi-volume set, then it is only a single volume. We are specialised in Customisation of books, if you wish to opt different color leather binding, you may contact us. This service is chargeable. Product Disclaimer: Kindly be informed that, owing to the inherent nature of leather as a natural material, minor discolorations or textural variations may be perceptible. Explore the FOLIO EDITION (12x19 Inches): Available Upon Request. 375 375.