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Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
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Añadir al carritoCondición: New. Editor(s): Over, Berthold. Num Pages: 432 pages, 17 b/w & 7 colour illus. BIC Classification: 1D; AVGC3; AVGC4; HBJD; HBTB. Category: (G) General (US: Trade). Dimension: 227 x 149 x 27. Weight in Grams: 602. . 2017. Paperback. . . . .
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
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Añadir al carritoCondición: New. Editor(s): Over, Berthold. Num Pages: 432 pages, 17 b/w & 7 colour illus. BIC Classification: 1D; AVGC3; AVGC4; HBJD; HBTB. Category: (G) General (US: Trade). Dimension: 227 x 149 x 27. Weight in Grams: 602. . 2017. Paperback. . . . . Books ship from the US and Ireland.
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Añadir al carritoCondición: Sehr gut. 798 S. Als Mängelexemplar gekennzeichnet, Lagerspuren vorhanden Sprache: Englisch Gewicht in Gramm: 1178.
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
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Añadir al carritoPaperback. Condición: new. Paperback. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as ?pasticcios? since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 71,90
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Añadir al carritoPaperback. Condición: New. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Librería: Kennys Bookshop and Art Galleries Ltd., Galway, GY, Irlanda
Original o primera edición
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Añadir al carritoCondición: New. 2022. 1st Edition. paperback. . . . . .
Idioma: Inglés
Publicado por Bielefeld, transcript Vlg.,, 2021
ISBN 10: 3837648850 ISBN 13: 9783837648850
Librería: Antiquariat Logos, München, Alemania
EUR 44,20
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Añadir al carritoGr.-8°, Brosch. 795 S.; mit zahlr. teils farb. Abb. u. Tab. Neuwertiges Ex. / Fine Copy // In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer`s abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. ISBN: 9783837648850 Sprache: Englisch Gewicht in Gramm: 1370.
Librería: Majestic Books, Hounslow, Reino Unido
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Añadir al carritoCondición: New. pp. 650.
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
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Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Librería: Books Puddle, New York, NY, Estados Unidos de America
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Librería: Kennys Bookstore, Olney, MD, Estados Unidos de America
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Añadir al carritoCondición: New. 2022. 1st Edition. paperback. . . . . . Books ship from the US and Ireland.
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 79,90
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Añadir al carritoCondición: New. pp. 650.
Publicado por A.M.I.S. (Antiquae Musicae Italicae Studiosi) Centro italo-tedesco / Deutsch-Italienisches Zentrum Villa Vignoni, Como, Lombardia, 1977
Librería: Andover Books and Antiquities, Andover, MA, Estados Unidos de America
EUR 44,33
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Añadir al carritoSoftcover. Atti del VI Convegno internazionale sulla musica italiana nei secoli XVII-XVIII / Beitrage zum sechsten internationalen Symposium uber die italienische Musik im 17.-18. Jahrhundert. Loveno di Menaggio (Como), 11-13 luglio 1995. 485 pp. Contributi musicologici del Centro Ricerche dell'A.M.I.S.- Como. numero 10. Softcover. Very good condition; touches of wear on covers.
Librería: Gazelle Books, Lancaster, LANCA, Reino Unido
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Añadir al carritoPaperback. Condición: New. New Book, Direct from Publisher.
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Añadir al carritoPaperback. Condición: New. New Book, Direct from Publisher.
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 103,18
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Añadir al carritoPaperback. Condición: new. Paperback. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as ?pasticcios? since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles. The musical pastiche of the 18th century reconsidered in a collection of musicological and interdisciplinary essays, written by renowned specialists. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Librería: Revaluation Books, Exeter, Reino Unido
EUR 126,28
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Añadir al carritoPaperback. Condición: Brand New. 795 pages. 9.50x6.50x1.75 inches. In Stock.
Librería: Rarewaves.com UK, London, Reino Unido
EUR 66,58
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Añadir al carritoPaperback. Condición: New. In Early Modern times, techniques of assembling, compiling and arranging pre-existing material were part of the established working methods in many arts. In the world of 18th-century opera, such practices ensured that operas could become a commercial success because the substitution or compilation of arias fitting the singer's abilities proved the best recipe for fulfilling the expectations of audiences. Known as »pasticcios« since the 18th-century, these operas have long been considered inferior patchwork. The volume collects essays that reconsider the pasticcio, contextualize it, define its preconditions, look at its material aspects and uncover its aesthetical principles.
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 74,00
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Añadir al carritoBuch. Condición: Neu. Neuware - 'Crudel tiranno Amor' (HWV 97) ist der Titel des Werks, das Händel 1721 komponierte und von dem er 1738 eine zweite Fassung mit veränderter Besetzung schrieb. Die aus drei Arien und zwei Rezitativen bestehende Kantate war ursprünglich für Sopran, zwei Oboen, Streicher und Generalbass komponiert. Von der späteren Fassung, in der Händel auch Änderungen in der Tonart und der Melodie vornahm und reichere Verzierungen hinzufügte, war bislang nichts bekannt. Ihre Handschrift tauchte in München auf. Bedeutsam ist sie deshalb, weil es sich um die einzige Handschrift handelt, die in einem Rezitativ eine eigenhändige Aussetzung des Basso continuo durch den Komponisten enthält, das sich zudem noch durch eine außergewöhnliche Klangfülle auszeichnet. Die Kantate erschien in einer hochwertigen Faksimile-Ausgabe und, zusammen mit dem Aufführungsmaterial, zugleich als praktische Ausgabe.Die Erstausgabe wurde betreut vom Bertold Over, dem Finder der Quelle, dem die Zuordnung innerhalb eines Konvoluts aus dem Nachlass Wilhelm Heinrich Riehls gelang.- Erstausgabe des spektakulären Quellenfunds in der Bayerischen Staatsbibliothek- Hochwertige Faksimile-Ausgabe mit Transkription- Wissenschaftliche Einleitung des Entdeckers.
EUR 191,26
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Añadir al carritoHardcover. Condición: Brand New. 304 pages. 9.25x6.25x0.69 inches. In Stock.