Benjamin mckay (42 resultados)

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PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

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Paperback. Condición: Brand New. 36 pages. 9.00x6.00x0.09 inches. In Stock. Fuller, Marty (ilustrador).

Condición: New. Editor(s): Ingawanij, Adadol; McKay, Benjamin. Num Pages: 260 pages, illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 254 x 178 x 18. Weight in Grams: 571. . 2011. Paperback. . . . .

Soft cover. Condición: Very Good. 277 pp., illustrations, index. Benjamin McKay's love letter to Yasmin Ahmad: "In a country that often finds it hard to weep for itself, you cathartically spun magic. In a land of many races where mistrust and stereotype have become ingrained as false truths, you made your audiences weep and laugh and miraculously empathise with 'their other', the 'other' who dwells within." For the past decade, a number of pioneering independent and mainstream films have put Malaysian cinema and arts onto the global stage. They have also spurred Malaysians themselves into re-looking at well-trodden paths in creative ways. This collection of essays and articles provides scholarly and accessible insights into some of these artistic works through the discerning eye and perspicacious writing of an Australian film scholar who had been resident in Malaysia for several years. The late Benjamin McKay was Lecturer in Film and Television Studies at the School of Arts and Social Sciences, Monash University from 2006-2010. He also contributed regular film and art reviews for Kakiseni and Off The Edge. Both Yeoh Seng Guan and Julian C.H. Lee were Ben's colleagues at the School of Arts and Social Sciences, Monash University, Sunway Campus.…

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Condición: New. Editor(s): Ingawanij, Adadol; McKay, Benjamin. Num Pages: 260 pages, illustrations. BIC Classification: APFA. Category: (G) General (US: Trade). Dimension: 254 x 178 x 18. Weight in Grams: 571. . 2011. Paperback. . . . . Books ship from the US and Ireland.

Soft cover. Condición: As New.

Paperback. Condición: Brand New. 1st edition. 260 pages. 9.75x6.75x0.75 inches. In Stock.

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Condición: New. Since the late 1990s, a vivid new sphere of cinematic practice in Southeast Asia has emerged and been identified as independent. What exactly does this term mean in relation to the way films and videos are made, and the way they look? How do issues of festi.

Taschenbuch. Condición: Neu. Neuware - Benjamin McKay was a writer, critic, and academic based in Kuala Lumpur. He had just completed his PhD research on 1950s and 1960s Malay cinema when, on July 18, 2010, he died of a cardiac arrest. As a lecturer in Film Studies at Monash University Malaysia, he was much loved by his students. As a critic, Benjamin wrote a monthly column for the Malaysian magazine Off The Edge and was a regular contributor to Kakiseni and the Southeast Asian cinema online journal Criticine.…

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Gebunden. Condición: New. Since the late 1990s, a vivid new sphere of cinematic practice in Southeast Asia has emerged and been identified as independent. What exactly does this term mean in relation to the way films and videos are made, and the way they look? How do issues of festi.

Hardcover. Condición: New. In shrink wrap. Looks like an interesting title.

Hardcover. Condición: Brand New. 1st edition. 260 pages. 10.50x7.25x1.00 inches. In Stock.

Condición: New. pp. xix + 322.

Condición: New. pp. xix + 322.

Buch. Condición: Neu. Neuware - Since the late 1990s, a vivid new sphere of cinematic practice in Southeast Asia has emerged and been identified as independent. What exactly does this term mean in relation to the way films and videos are made, and the way they look How do issues of festival circulation, piracy, technology, state and institutional power, and spectatorship.…

Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: New. Since the late 1990s, a vivid new sphere of cinematic practice in Southeast Asia has emerged and been identified as independent. What exactly does this term mean in relation to the way films and videos are made, and the way they look? How do issues of festival circulation, piracy, technology, state and institutional power, and spectatorship apply to practices of independent cinema throughout the diverse region? The authors who speak in this volume-contemporary filmmakers, critics, curators, festival organizers-answer these questions. They describe and analyze the emerging field of Southeast Asian cinema, which they know firsthand and have helped create and foster.Glimpses of Freedom is the outcome of a project collaboratively conceived by a new generation of scholars of cinema in Southeast Asia, inspired by the growing domestic and international visibility of notable films and videos from the region. Contributors include internationally esteemed independent filmmakers, critics, and curators based in Southeast Asia, such as Hassan Abd Muthalib, Alexis A. Tioseco, Chris Chong Chan Fui, and John Torres. International scholars such as Benedict Anderson, Benjamin McKay, May Adadol Ingawanij, and Gaik Cheng Khoo contextualize and theorize Southeast Asia's "independent film cultures." The interaction between practitioners and critics in this volume illuminates a contemporary artistic field, clarifying its particular character and its vital contributions to cinema worldwide.ContributorsBenedict Anderson, Cornell University; Tilman Baumgärtel, Royal University of Phnom Penh; Angie Bexley, College of Asia and the Pacific (Australian National University); Chris Chong, independent film director, Malaysia; Hassan Abd Muthalib (artist, writer, and film director), Universiti Teknologi MARA Malaysia; Eloisa May P. Hernandez, University of the Philippines, Diliman; May Adadol Ingawanij, Centre for Research and Education in Arts and Media, University of Westminster; Gaik Cheng Khoo, Australian National University; Mariam Lam, University of California-Riverside; Benjamin McKay (1964-2010), writer, critic, and academic, Kuala Lumpur; Vinita Ramani Mohan, Access to Justice Asia LLP; Alexis A. Tioseco (1981-2009), film critic, curator, and lecturer, Philippines; John Torres, musician and experimental filmmaker, Philippines; Chalida Uabumrungjit, Thai Film Foundation and Thai Short Film and Video Festival; Jan Uhde, University of Waterloo, Ontario, Canada; and Yvonne Ng Uhde, editorial board, KINEMA journal, University of Waterloo. …