arruda lucas (47 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Condición: New.

Hardcover. Condición: Brand New. 412 pages. 10.75x7.75x10.75 inches. In Stock.

Condición: As New. Unread copy in mint condition.

Condición: New. Brand New.

Condición: As New. Unread book in perfect condition.

Hardback. Condición: New. The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions.Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo, they have an ephemeral, transient quality.Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, instead achieving their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime.Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book provides a detailed introduction to the work of a uniquely thoughtful and inventive artist.

Hardcover. Condición: VG+: As new in shrinkwrap. A white casebound book with debossed white text on the spine. "The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions. Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo, they have an ephemeral, transient quality. Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, instead achieving their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime. Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book provides a detailed introduction to the work of a uniquely thoughtful and inventive artist.".

Hardback. Condición: New. The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions.Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo, they have an ephemeral, transient quality.Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, instead achieving their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime.Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book provides a detailed introduction to the work of a uniquely thoughtful and inventive artist.

Condición: new.

Hardcover. Condición: new. Hardcover. The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions.Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo, they have an ephemeral, transient quality.Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, instead achieving their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime.Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book provides a detailed introduction to the work of a uniquely thoughtful and inventive artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

No Binding. Condición: Very Good. this is 6 different exhibition announcement published by David Zwirner (with some duplicates) the 6 artists: photo of Ursula Andress by an anonymous artist "System and Vision" (5 copies); Jason Rhoades "PeaRoeForm"; Suzan Frecon "tere verte 2014" (2 copies) and "ultra terre verte 2016" (2 copies); James Bishop "Having 1970" (4 copies); Lucas Arruda "Deserto-modelo 2017"; size of all: 8 x8 inches, edition size is unknown, none are signed; all in VERY GOOD COND.

Condición: New.

Condición: New.

Condición: New. In.

Hardcover. Condición: New.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Brand New. 127 pages. 11.00x8.50x0.50 inches. In Stock.

Condición: New. 2020. 01st Edition. Hardcover. . . . . .

Hardback. Condición: New. New copy - Usually dispatched within 4 working days.

Condición: New.

Condición: New.

Condición: New. 2020. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: new. Hardcover. The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions.Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo, they have an ephemeral, transient quality.Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, instead achieving their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime.Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book provides a detailed introduction to the work of a uniquely thoughtful and inventive artist. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

HARDCOVER. Condición: New. 1st Edition. Large 4to. in thick boards, colour plate to front cover, 127pp on thick art paper, colour plates, etc . [CONDITION: NEW unread and unmarked copy ] . To see more of our Art Monographs etc type DbbARTIST in the Keywords search box . . We always ship in STRONG PROTECTIVE CARD PARCELS.

Condición: NEW.

Hardback. Condición: New. The first comprehensive monograph on the work of Brazilian painter Lucas Arruda elucidates the artist's intricate, meditative compositions.Arruda has gained critical acclaim for atmospheric paintings that fluctuate between abstraction and figuration, imagination and reality. This monograph presents three groups of works loosely characterized as seascapes, jungles, and monochromes. Collectively titled Deserto-Modelo, they have an ephemeral, transient quality.Arruda's intimately sized paintings of seascapes and junglescapes are characterized by their subtle rendition of light. Painted from memory, they are devoid of specific reference points, instead achieving their variety through the depiction of atmospheric conditions. Verging on abstraction, the compositions are grounded by an ever-present, if sometimes faint, horizon line that offers a perception of distance. They appear at once familiar and imaginary. Through his often evocative and textured brushstrokes, Arruda foregrounds the materiality and physicality of paint, while also recalling his genres' historical associations with the notion of the romantic sublime.Alongside meticulous color plates and powerful details, author Will Chancellor offers a close reading of the work, raising questions about artifice, thresholds, and perception. Critic Barry Schwabsky unpacks the challenges posed by Arruda's mysterious painted surfaces. As a whole, this book provides a detailed introduction to the work of a uniquely thoughtful and inventive artist.