Amy horowitz (32 resultados)

Condición: Very Good. Very Good Condition. Has some wear. Five star seller - Buy with confidence.

Paperback. Condición: Fair. Pap/Com. Supplements included. The item might be beaten up but readable. May contain markings or highlighting, as well as stains, bent corners, or any other major defect, but the text is not obscured in any way.

paperback. Condición: Good. Pap/Com. Corners are slightly bent. Used - Good.

paperback. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

Paperback. Condición: New.

Paperback. Condición: New. This title examines a pan-ethnic style of music created by North African and Middle Eastern Israeli musicians in the late twentieth century. The relocation of North African and Middle Eastern Jews to Israel in the 1950s and 1960s brought together communities from Egypt, Iraq, Kurdistan, Yemen, and many other Islamic countries, as well as their unique music styles. In the unstable, improvisatory spaces of transit camps, development towns, and poor neighborhoods, they created a new pan-ethnic Mizrahi identity and a homegrown hybrid music that inspired equal parts high-pitched enthusiasm and resistance along the fault lines of Israel's ethnic divide. In ""Mediterranean Israeli Music and the Politics of the Aesthetic"", author Amy Horowitz investigates the emergence of a new panethnic Mizrahi style of music between the 1970s and 1990s, as the community struggled to gain recognition on the overlapping stages of politics and music. This volume is both an ethnographic study based on Horowitz's immersion in the Mizrahi community and a multi-voiced account of community members, who describe their music and musicians who play it. Horowitz focuses primarily on the work of three artists - Avihu Medina, Zohar Argov, and Zehava Ben - who pioneered a recognizable Mizrahi style and moved this new musical formation from the Mizrahi neighborhoods to the national arena. She also contextualizes the music within the history of the community by detailing the mass migration of North African and Middle Eastern Jews to Israel, the emergence of these immigrants as a pan-ethnic political coalition in the 1970s, and the opening up of markets for disenfranchised music makers as a result of new recording technologies, including the cassette recorder and four-way duplicating machine. ""Mediterranean Israeli Music and the Politics of the Aesthetic"" places folklore within the frameworks of nationalism, ethnicity, ethnomusicology, Jewish studies, Israel studies, Middle Eastern Studies, and politics. Anyone interested in these disciplines will appreciate this remarkable volume. …

Mixed Media Product. Condición: New. Mediterranean Israeli Music and the Politics of the Aesthetic [With CD (Audio)]. Media.

Paperback. Condición: New.

Condición: new.

Condición: New.

Condición: New.

Condición: New.

Paperback. Condición: new. Paperback. Portraits of young adults in Washington Square Park and the West Village of New York City, documenting those on the cusp of adulthood in one of the most culturally diverse areas of the USA Amy Horowitz's superb street portraiture is all about connection. It's about being seen, heard, and understood, for those she photographs as well as for herself. For the past five years Amy has made portraits of young adults in Washington Square Park and the West Village of New York City, documenting those on the cusp of adulthood in one of the most culturally diverse areas of the country. Amy is moved by how youth here explore their identities as they transition into adulthood during a tumultuous time in history. She looks for people with something visually interesting (hair, color, jewelry, tattoos, clothing) and an inner authenticity and vulnerability. Many are students pursuing creative careers in fashion, film, music, or art. A Walk in the Park? is a vibrant, beautiful and important document. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Condición: New. In English.

Paperback. Condición: Brand New. 320 pages. 9.45x6.30x1.97 inches. In Stock.

Soft cover. Condición: New. xvii, 251 pages : illustrations ; 23 cm + 1 audio disc (digital ; 4 3/4 in.). Summary:"An ethnographic study of the emergence of a pan-ethnic style of music in Israel between the mid-1970s and mid-1990s. This two-decade period encompasses the coming of age of the Middle Eastern and North African creators of the grassroots music network in the 1970s and the sea change in the music's reception by mainstream Israeli society in the 1990s.…

Paperback. Condición: Brand New. paperback/cd edition. 251 pages. 9.00x6.25x0.75 inches. In Stock.

Condición: NEW.

Paperback. Condición: new. Paperback. Portraits of young adults in Washington Square Park and the West Village of New York City, documenting those on the cusp of adulthood in one of the most culturally diverse areas of the USA Amy Horowitz's superb street portraiture is all about connection. It's about being seen, heard, and understood, for those she photographs as well as for herself. For the past five years Amy has made portraits of young adults in Washington Square Park and the West Village of New York City, documenting those on the cusp of adulthood in one of the most culturally diverse areas of the country. Amy is moved by how youth here explore their identities as they transition into adulthood during a tumultuous time in history. She looks for people with something visually interesting (hair, color, jewelry, tattoos, clothing) and an inner authenticity and vulnerability. Many are students pursuing creative careers in fashion, film, music, or art. A Walk in the Park? is a vibrant, beautiful and important document. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover without dustjacket as issued, 936 pages; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Paperback. Condición: New. This title examines a pan-ethnic style of music created by North African and Middle Eastern Israeli musicians in the late twentieth century. The relocation of North African and Middle Eastern Jews to Israel in the 1950s and 1960s brought together communities from Egypt, Iraq, Kurdistan, Yemen, and many other Islamic countries, as well as their unique music styles. In the unstable, improvisatory spaces of transit camps, development towns, and poor neighborhoods, they created a new pan-ethnic Mizrahi identity and a homegrown hybrid music that inspired equal parts high-pitched enthusiasm and resistance along the fault lines of Israel's ethnic divide. In ""Mediterranean Israeli Music and the Politics of the Aesthetic"", author Amy Horowitz investigates the emergence of a new panethnic Mizrahi style of music between the 1970s and 1990s, as the community struggled to gain recognition on the overlapping stages of politics and music. This volume is both an ethnographic study based on Horowitz's immersion in the Mizrahi community and a multi-voiced account of community members, who describe their music and musicians who play it. Horowitz focuses primarily on the work of three artists - Avihu Medina, Zohar Argov, and Zehava Ben - who pioneered a recognizable Mizrahi style and moved this new musical formation from the Mizrahi neighborhoods to the national arena. She also contextualizes the music within the history of the community by detailing the mass migration of North African and Middle Eastern Jews to Israel, the emergence of these immigrants as a pan-ethnic political coalition in the 1970s, and the opening up of markets for disenfranchised music makers as a result of new recording technologies, including the cassette recorder and four-way duplicating machine. ""Mediterranean Israeli Music and the Politics of the Aesthetic"" places folklore within the frameworks of nationalism, ethnicity, ethnomusicology, Jewish studies, Israel studies, Middle Eastern Studies, and politics. Anyone interested in these disciplines will appreciate this remarkable volume. …

Paperback. Condición: New.

Condición: Good. Your purchase helps support Sri Lankan Children's Charity 'The Rainbow Centre'. Ex-library, so some stamps and wear, but in good overall condition. Our donations to The Rainbow Centre have helped provide an education and a safe haven to hundreds of children who live in appalling conditions.…

PaperbackNOISBN. Condición: Very Good. Original ed. VG, CLEAN, SOLID, BRIGHT.HAS NOT BEEN ABUSED. NO NAMES, NO WRITING, ETC. ; ATTRACTIVE RED cloth covered CLAMSHELL BOX WITH ORANGE PAPER LABEL. ; FULL SIZE DOUBLE SPINE STAPLED PAPER COVERED BOOKLET.3 CLEAR PLASTIC CD CASES, EACH HOLDING 2 CDS IN CARDBOARD INSERT. ALL NICE; ALSO 20?pg thin pamphlet AMERICAN FOLK MUSIC (Folkways 1952 ed by H. Smith. FP I II III). . ( 84 SELECTIONS IN TOTAL.) ; 68pg & 6 CDs pages; box is 1" thick, bright red.…

PAP. Condición: New. New Book. Delivered from our UK warehouse in 4 to 14 business days. THIS BOOK IS PRINTED ON DEMAND. Established seller since 2000.

Paperback / softback. Condición: New. This item is printed on demand. New copy - Usually dispatched within 5-9 working days.

Condición: New. Print on Demand pp. xvii + 251 42 Illus.

Condición: New. Print on Demand pp. xvii + 251.

Condición: New. PRINT ON DEMAND pp. xvii + 251.

Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - The relocation of North African and Middle Eastern Jews to Israel in the 1950s and 1960s brought together communities from Egypt, Iraq, Kurdistan, Yemen, and many other Islamic countries, as well as their unique music styles. In the unstable, improvisatory spaces of transit camps, development towns, and poor neighborhoods, they created a new pan-ethnic Mizrahi identity and a homegrown hybrid music that inspired equal parts high-pitched enthusiasm and resistance along the fault lines of Israel's ethnic divide. In Mediterranean Israeli Music and the Politics of the Aesthetic, author Amy Horowitz investigates the emergence of a new pan-ethnic Mizrahi style of music between the 1970s and 1990s, as the community struggled to gain recognition on the overlapping stages of politics and music. This volume is both an ethnographic study based on Horowitz's immersion in the Mizrahi community and a multi-voiced account of community members, who describe their music and musicians who play it. Horowitz focuses primarily on the work of three artistsAvihu Medina, Zohar Argov, and Zehava Benwho pioneered a recognizable Mizrahi style and moved this new musical formation from the Mizrahi neighborhoods to the national arena. She also contextualizes the music within the history of the community by detailing the mass migration of North African and Middle Eastern Jews to Israel, the emergence of these immigrants as a pan-ethnic political coalition in the 1970s, and the opening up of markets for disenfranchised music makers as a result of new recording technologies, including the cassette recorder and four-way duplicating machine.Mediterranean Israeli Music and the Politics of the Aesthetic places folklore within the frameworks of nationalism, ethnicity, ethnomusicology, Jewish studies, Israel studies, Middle Eastern Studies, and politics. Anyone interested in these disciplines will appreciate this remarkable volume.…