Post impressionists england (38 resultados)

Hardcover. Condición: Very Good+. Estado de la sobrecubierta: Very Good+. First Edition; First Printing. First Edition (1988) , so stated. Very Good+ in a Very Near Fine DJ: The Book shows a tiny spot of soil to the upper fore-edge; a touch of crimp to the heel of the backstrip; mild nudges to the top edges - at the middle - of each panel; a former owner's name, place & date at the front free endpaper; the binding is square and secure; the text is clean. Free of any creased or dog-eared pages in the text. Free of underlining, hi-lighting, notations, or marginalia in the text. A handsome copy, structurally sound and tightly bound, showing minor, unobtrusive imperfections. Bright and clean. Corners sharp. Not so very far from "As New". The DJ shows a bit of creasing at top edge of the front and rear panels; mild rubbing to the panels; ; else flawless. Close to 'As New'. NOT a Remainder, Book-Club, or Ex-Library. 8vo. (8.75 x 5.65 x 1.7 inches) . Chronology. Index. Blue boards with silver titles at the backstrip. Language: English. Weight: 27.2 ounces. Hardback with DJ. ; 8vo 8" - 9" tall; xix, 519 pages.…

Condición: New.

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Condición: As New. Unread book in perfect condition.

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Hardcover. Condición: Fine. Estado de la sobrecubierta: Very Good+. First Edition.

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Paperback / softback. Condición: New. New copy - Usually dispatched within 4 working days.

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Paperback. Condición: Brand New. 542 pages. 9.18x6.12x9.21 inches. In Stock.

Condición: Muy Bueno. Post-Impresionists in England, de J. B. Bullen, es un estudio fundamental que analiza la recepción y el impacto de los artistas postimpresionistas en el contexto cultural inglés. La obra explora cómo figuras como Cézanne, Van Gogh y Gauguin influyeron en el arte británico de principios del siglo XX, desafiando las convenciones estéticas de la época. Este libro resulta imprescindible para estudiantes de historia del arte, profesionales del sector y aficionados que deseen comprender la evolución del arte moderno. Con un enfoque riguroso y accesible, el autor ofrece un análisis detallado de exposiciones, críticas y debates que marcaron un antes y un después en la escena artística inglesa. Una lectura enriquecedora que combina erudición y claridad, ideal para ampliar el conocimiento sobre un periodo clave de la creatividad occidental.…

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Hardcover. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 7-8 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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Condición: As New. Unread book in perfect condition.

Condición: As New. Unread book in perfect condition.

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Condición: New. 1st edition NO-PA16APR2015-KAP.

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Condición: New. In English.

Buch. Condición: Neu. Neuware - First Published in 1988, Post-impressionists in England documents the response of English taste to modern French art from the first Post-Impressionist Exhibition in 1910 to the outbreak of the First World War. The notion of 'Post-Impressionism', unlike its earlier counterpart, Impressionism, was an exclusively English contribution to art history. Originally used to denote the work of Cezanne, Van Gogh, Gauguin, Matisse and the Fauve painters, it rapidly assimilated Futurism, Cubism and recent English work like Vorticism. By focusing on one aspect of an important and complex period in British cultural history, J.B. Bullen illuminates not only aesthetic questions but also the way in which those aesthetic issues were determined and conditioned by social and political concerns.Changes in English attitudes to art in this period were so rapid and were modified with such speed that the author has taken a strictly chronological approach to the subject. He sets out clearly the month-by-month developments in English attitudes and traces in detail the debates about modernism in England. To make matters clearer the book is divided into three major parts, each complementary to the others. The introduction surveys the period as a whole and places attitudes to art in the general context of the culture of the time. In the second part the extracts provide selected, concrete and particular examples of the huge range of material upon which the findings of the introduction are based; the writers represented include Roger Fry, Bernard Berenson, Desmond McCarthy, John singer Sargent, Walter Sickert, Clive Bell, Virginia Woolf and Wyndham Lewis. In the third part a chronology sets out in tabular form month-by-month events- exhibitions and major publications- as they occurred in Britain and in France. This is a must read for scholars and researchers of British cultural history and art history.…

Hardcover. Condición: Brand New. 542 pages. 9.19x6.13x1.22 inches. In Stock.

Condición: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.