Edvard munch magic north (25 resultados)

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Librería: World of Books (was SecondSale), Montgomery, IL, Estados Unidos de AmericaWorld of Books (was SecondSale)
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Hardback. Condición: Very Good. Munch?s pictorial worlds ? the initial impetus for modernism Edvard Munch?s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds.…

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Librería: World of Books Inc, Montgomery, IL, Estados Unidos de AmericaWorld of Books Inc
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Hardback. Condición: Very Good. Munch?s pictorial worlds ? the initial impetus for modernism Edvard Munch?s radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds.…

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hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

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hardcover. Condición: Good. HARDCOVER Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized.

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Hardback or Cased Book. Condición: New. Edvard Munch: Magic of the North. Book.

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Gebunden. Condición: Sehr gut. Gebraucht - Sehr gut Ungelesenes, vollständiges Exemplar; in sehr gutem Zustand, leichte Lagerspuren, als Mängelexemplar gekennzeichnet -Edvard Munchs radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (18631944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the Magic of the North (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munchs psychologically concentrated pictorial worlds. 304 pp. Englisch.…

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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Librería: Biblios, frankfurt am main, HESSE, AlemaniaBiblios
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Librería: Books Puddle, Woodside, NY, Estados Unidos de AmericaBooks Puddle
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Buch. Condición: Neu. Neuware - Edvard Munchs radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (18631944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the Magic of the North (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munchs psychologically concentrated pictorial worlds.…

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- Primera edición
Librería: Art&Libri Firenze, FIRENZE, FI, ItaliaArt&Libri Firenze
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cartonato. Condición: nuovo. prima edizione. Munich, 2023, Hirmer. Cm. 29x22, pp. 304, ill. a colori n.t., ril. cartonato. Edvard Munch's radical modernity in painting was a challenge for his contemporaries. This applied in particular to the art scene in Berlin around 1900 which the Norwegian Symbolist artist influenced profoundly. In return, he received support there and was able to continue to develop his work. The publication is lavishly illustrated and describes knowledgeably the story of Munch and Berlin. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863-1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the "Magic of the North" (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch's psychologically concentrated pictorial worlds.…
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Librería: preigu, Osnabrück, Alemaniapreigu
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Buch. Condición: Neu. Edvard Munch | Magic of the North | Stefanie Heckmann (u. a.) | Buch | 304 S. | Englisch | 2023 | Hirmer Verlag GmbH | EAN 9783777442181 | Verantwortliche Person für die EU: Hirmer Verlag GmbH, Bayerstr. 57-59, 80335 München, mail[at]hirmerverlag[dot]de | Anbieter: preigu.

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Librería: BUCHSERVICE / ANTIQUARIAT Lars Lutzer, Wahlstedt, AlemaniaBUCHSERVICE / ANTIQUARIAT Lars Lutzer
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Condición: gut. EDVARD MUNCH : Magic of the North In deutscher Sprache. pages.

Editorial: , Hirmer verlag, 2023, 2023
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Librería: BOOKSELLER - ERIK TONEN BOOKS, Antwerpen, BelgicaBOOKSELLER - ERIK TONEN BOOKS
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Añadir al carritoHardcover, 304 pages, ENG. edition, 246 coloured illustrations, NEW, 285 x 225 x 25 mm, . ISBN 9783777442181. In 1892 the Association of Berlin Artists invited the still-unknown Edvard Munch (1863?1944) to an exhibition. The public was shocked by the colourful, sketch-like pictures. The artist enjoyed the furore and moved to the city on the Spree, where he repeatedly sojourned until 1908. Here he learned the techniques for printed graphics and presented for the first time paintings in several continuous series which would become central to his oeuvre. In Berlin, before long, the concept of the ?Magic of the North? (Stefan Zweig) was no longer associated with romantic or naturalistic fjord landscapes, but with Munch?s psychologically concentrated pictorial worlds. 1450 g.…