Isbn: 9798765125854 - queercore (genre: a 33 1/3 series) (19 resultados)

Paperback. Condición: new. Paperback. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. Queercore revolutionized the possibilities of sonic kinship among self-identified queer in the 1980s and '90s, through underground networks of zine-making and cassette sharing, and ultimately created an international movement for sonic inclusion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New.

Paperback. Condición: New. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.…

Paperback. Condición: New. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.…

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

paperback. Condición: New. Special order direct from the distributor.

Taschenbuch. Condición: Neu. Neuware -Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. 208 pp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. 208 pp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.…

Taschenbuch. Condición: Neu. Neuware - Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.…

Paperback. Condición: new. Paperback. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. Queercore revolutionized the possibilities of sonic kinship among self-identified queer in the 1980s and '90s, through underground networks of zine-making and cassette sharing, and ultimately created an international movement for sonic inclusion. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Paperback. Condición: new. Paperback. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. Queercore revolutionized the possibilities of sonic kinship among self-identified queer in the 1980s and '90s, through underground networks of zine-making and cassette sharing, and ultimately created an international movement for sonic inclusion. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…

Condición: NEW.

Paperback. Condición: New. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.…

Taschenbuch. Condición: Neu. Neuware -Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld 208 pp. Englisch.…

Paperback. Condición: New. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream.…

Taschenbuch. Condición: Neu. Neuware -Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. 208 pp. Englisch.…