Queercore revolutionized the possibilities of sonic kinship among self-identified queer in the 1980s and '90s, through underground networks of zine-making and cassette sharing, and ultimately created an international movement for sonic inclusion.
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Audrey Golden is an arts and culture writer with a focus in music, cinema, and politics based in New York, USA. She is the author of I Thought I Heard You Speak: Women at Factory Records (2023) and Shouting Out Loud: Lives of the Raincoats (forthcoming 2025).
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
Paperback. Condición: new. Paperback. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. Queercore revolutionized the possibilities of sonic kinship among self-identified queer in the 1980s and '90s, through underground networks of zine-making and cassette sharing, and ultimately created an international movement for sonic inclusion. Shipping may be from multiple locations in the US or from the UK, depending on stock availability. Nº de ref. del artículo: 9798765125854
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Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9798765125854
Cantidad disponible: 15 disponibles
Librería: California Books, Miami, FL, Estados Unidos de America
Condición: New. Nº de ref. del artículo: I-9798765125854
Cantidad disponible: 10 disponibles
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
Paperback. Condición: New. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. Nº de ref. del artículo: LU-9798765125854
Cantidad disponible: Más de 20 disponibles
Librería: Rarewaves USA, HEBRON, KY, Estados Unidos de America
Paperback. Condición: New. Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guidebooks for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. Nº de ref. del artículo: LU-9798765125854
Cantidad disponible: 1 disponibles
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000. Nº de ref. del artículo: HU-9798765125854
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Librería: Brook Bookstore On Demand, Napoli, NA, Italia
Condición: new. Nº de ref. del artículo: PHVZQZHOG4
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Librería: Russell Books, Victoria, BC, Canada
paperback. Condición: New. Special order direct from the distributor. Nº de ref. del artículo: ING9798765125854
Cantidad disponible: 6 disponibles
Librería: Rheinberg-Buch Andreas Meier eK, Bergisch Gladbach, Alemania
Taschenbuch. Condición: Neu. Neuware -Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. 208 pp. Englisch. Nº de ref. del artículo: 9798765125854
Cantidad disponible: 2 disponibles
Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, Alemania
Taschenbuch. Condición: Neu. Neuware -Transatlantic knowledge of the queer underground punk scene that ultimately became queercore developed through the spirit of DIY resistance that guided earlier feminist artists as queer musicians pushed back against the homophobia and sexism that remained pervasive in hardcore punk. Queercore officially got its name in the mid-1980s when G.B. Jones and Bruce LaBruce named it in their revolutionary zine J.D.s, but the movement began years earlier with bands like Wayne County and the Electric Chairs, Nervous Gender, and Fifth Column. The scene exploded into the next decade with the popularity of bands that often crossed over into the riot grrrl scene, including Tribe 8, Team Dresch, Sister George, and Huggy Bear. Their revolution took the form of zine and cassette creation, which they distributed far and wide. Those documents became like guid Elektronisches Buch for queer punks in small towns throughout North America, Europe, Australia, and Japan. This book explores queercore as a genre that was never intended to be a genre, but instead an underground resistance movement centered around punk. It identifies the key players in the queercore lexicon, from musicians and filmmakers to record labels and zine-makers, and it documents their histories through original interviews and archival research. Ultimately, the book guides readers through the beginnings of queercore into the present, where the legacy of this unlikely genre looms loudly for LGBTQIA+ artists and all those marginalized by the mainstream. 208 pp. Englisch. Nº de ref. del artículo: 9798765125854
Cantidad disponible: 2 disponibles