Isbn: 9789999342919 - algorithmic stages: how ai reinvents live performance (8 resultados)

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  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    Librería: California Books, Miami, FL, Estados Unidos de AmericaCalifornia Books

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    EUR 49,42

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  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK

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    EUR 59,10

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    PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books

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    EUR 61,11

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    Cantidad disponible: 2 disponibles

    Paperback. Condición: Brand New. 74 pages. 6.00x0.17x9.00 inches. In Stock.

  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail

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    EUR 53,30

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    Paperback. Condición: new. Paperback. This book explores a quiet but profound shift in the performing arts: artificial intelligence is no longer content with generating images or texts offstage. It is stepping onto the stage. It performs. In seven chapters, the book first traces the history of performance art from Futurism and Dada to body art and digital environments in order to understand its essence: corporeal presence, ephemerality, risk, and the direct relationship with the audience. It then introduces the technical basics of AI that artists need (generative models, GANs, transformers, no-code tools) before analyzing three major functions of AI in performance: 1. Score generator: AI writes texts, movements, or scenarios in real time, making each performance unique. 2. Interpreter or co-performer: conversational agents, robots, or reactive systems dialogue and improvise with the human artist. 3. Participatory device: the audience influences the AI through their reactions, becoming training data themselves. An aesthetic and philosophical chapter deepens questions of authenticity, authorship, algorithmic error, and temporality. A final chapter offers practical guidelines for creating your own AI performance (tools, latency, documentation, copyright). The book does not take sides for or against AI. Instead, it shows that the tension between flesh and code, between human risk and algorithmic coldness, is precisely what makes these new art forms exciting. It invites artists and curious minds to experiment, with no programming skills required. AI is not a threat to live performance it is a strange partner, a non-human mirror, and perhaps the next great adventure of the stage. This item is printed on demand. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller

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    Condición: Nuevo

    EUR 76,31

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    Cantidad disponible: 1 disponibles

    Paperback. Condición: new. Paperback. This book explores a quiet but profound shift in the performing arts: artificial intelligence is no longer content with generating images or texts offstage. It is stepping onto the stage. It performs. In seven chapters, the book first traces the history of performance art from Futurism and Dada to body art and digital environments in order to understand its essence: corporeal presence, ephemerality, risk, and the direct relationship with the audience. It then introduces the technical basics of AI that artists need (generative models, GANs, transformers, no-code tools) before analyzing three major functions of AI in performance: 1. Score generator: AI writes texts, movements, or scenarios in real time, making each performance unique. 2. Interpreter or co-performer: conversational agents, robots, or reactive systems dialogue and improvise with the human artist. 3. Participatory device: the audience influences the AI through their reactions, becoming training data themselves. An aesthetic and philosophical chapter deepens questions of authenticity, authorship, algorithmic error, and temporality. A final chapter offers practical guidelines for creating your own AI performance (tools, latency, documentation, copyright). The book does not take sides for or against AI. Instead, it shows that the tension between flesh and code, between human risk and algorithmic coldness, is precisely what makes these new art forms exciting. It invites artists and curious minds to experiment, with no programming skills required. AI is not a threat to live performance it is a strange partner, a non-human mirror, and perhaps the next great adventure of the stage. This item is printed on demand. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail

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    Condición: Nuevo

    EUR 64,85

    Envío por EUR 43,15 
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    Cantidad disponible: 1 disponibles

    Paperback. Condición: new. Paperback. This book explores a quiet but profound shift in the performing arts: artificial intelligence is no longer content with generating images or texts offstage. It is stepping onto the stage. It performs. In seven chapters, the book first traces the history of performance art from Futurism and Dada to body art and digital environments in order to understand its essence: corporeal presence, ephemerality, risk, and the direct relationship with the audience. It then introduces the technical basics of AI that artists need (generative models, GANs, transformers, no-code tools) before analyzing three major functions of AI in performance: 1. Score generator: AI writes texts, movements, or scenarios in real time, making each performance unique. 2. Interpreter or co-performer: conversational agents, robots, or reactive systems dialogue and improvise with the human artist. 3. Participatory device: the audience influences the AI through their reactions, becoming training data themselves. An aesthetic and philosophical chapter deepens questions of authenticity, authorship, algorithmic error, and temporality. A final chapter offers practical guidelines for creating your own AI performance (tools, latency, documentation, copyright). The book does not take sides for or against AI. Instead, it shows that the tension between flesh and code, between human risk and algorithmic coldness, is precisely what makes these new art forms exciting. It invites artists and curious minds to experiment, with no programming skills required. AI is not a threat to live performance it is a strange partner, a non-human mirror, and perhaps the next great adventure of the stage. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH

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    Condición: Nuevo

    EUR 91,45

    Envío por EUR 30,50 
    Se envía de Alemania a Estados Unidos de America

    Cantidad disponible: 2 disponibles

    Taschenbuch. Condición: Neu. nach der Bestellung gedruckt Neuware - Printed after ordering - This book explores a quiet but profound shift in the performing arts: artificial intelligence is no longer content with generating images or texts offstage. It is stepping onto the stage. It performs. In seven chapters, the book first traces the history of performance art from Futurism and Dada to body art and digital environments in order to understand its essence: corporeal presence, ephemerality, risk, and the direct relationship with the audience. It then introduces the technical basics of AI that artists need (generative models, GANs, transformers, no-code tools) before analyzing three major functions of AI in performance: 1. Score generator : AI writes texts, movements, or scenarios in real time, making each performance unique. 2. Interpreter or co-performer : conversational agents, robots, or reactive systems dialogue and improvise with the human artist. 3. Participatory device : the audience influences the AI through their reactions, becoming training data themselves. An aesthetic and philosophical chapter deepens questions of authenticity, authorship, algorithmic error, and temporality. A final chapter offers practical guidelines for creating your own AI performance (tools, latency, documentation, copyright). The book does not take sides for or against AI. Instead, it shows that the tension between flesh and code, between human risk and algorithmic coldness, is precisely what makes these new art forms exciting. It invites artists and curious minds to experiment, with no programming skills required. AI is not a threat to live performance it is a strange partner, a non-human mirror, and perhaps the next great adventure of the stage.

  • Idioma: Inglés

    Editorial: Eliva Press, 2026

    9999342914 / 9789999342919

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    • Impresión bajo demanda

    Librería: preigu, Osnabrück, Alemaniapreigu

    Vendedor de 5 estrellas
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    Condición: Nuevo

    EUR 54,50

    Envío por EUR 70,00 
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    Cantidad disponible: 5 disponibles

    Taschenbuch. Condición: Neu. Algorithmic Stages | How AI Reinvents Live Performance | Khouloud Bouassida | Taschenbuch | Englisch | 2026 | Eliva Press | EAN 9789999342919 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu Print on Demand.