9789899119147 - floating world : ukiyo-e japanese prints /anglais de a préciser (13 resultados)
- Tapa blanda
Librería: PBShop.store UK, Fairford, GLOS, Reino UnidoPBShop.store UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 38,73
Envío por EUR 4,85Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 15 disponibles
PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Floating World : Ukiyo-e Japanese Prints
Neglia, Francesca (CON); Sigur, Hannah (CON); Rodrigues, Jorge; Xavier, Rui
- Tapa blanda
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 42,56
Envío por EUR 2,26Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
Floating World : Ukiyo-e Japanese Prints
Neglia, Francesca (CON); Sigur, Hannah (CON); Rodrigues, Jorge; Xavier, Rui
- Tapa blanda
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 44,37
Envío por EUR 2,26Se envía dentro de Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: As New. Unread book in perfect condition.
Idioma: Inglés
Editorial: Fundacao Calouste Gulbenkian, Plano de Edicoes, PT, 2025
- Tapa blanda
Librería: Rarewaves.com USA, London, LONDO, Reino UnidoRarewaves.com USA
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 48,61
Gastos de envío gratisSe envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 12 disponibles
Paperback. Condición: New. Calouste Gulbenkian amassed a remarkable collection of Japanese art. This lesser known facet of the collector's activity was explored in the exhibition Floating world: 'ukiyo-e' Japanese prints, which presented a large number of Japanese prints produced between the 17th and 19th centuries that belong e…ntirely to the Museum's collection. The exhibition focused on the concept of ukiyo, which means 'floating world' and refers to the fleeting pleasures of everyday life.The catalogue is divided into two parts. The first is a set of four essays, including three by the exhibition curators. In the first text, Jorge Rodrigues explores the set of prints acquired by Calouste Gulbenkian for his collection. Francesca Neglia then looks at two of the most popular iconographic themes in ukiyo-e: the figure of the courtesan and landscapes. In the third essay, Hannah Sigur discusses the literary network associated with ukiyo-e. Finally, Rui Xavier, Preventive Conservation Coordinator at the Gulbenkian Museum and curator of the Gulbenkian Collection's lacquerware, writes about the damage sustained by the collection of Japanese prints after the 1967 Lisbon's floods and the remarkable restoration process that followed.The second part of the publication is similar in structure to the accompanying exhibition sections and includes texts on specific works or groups of works. The first chapter, 'Different views of nature and landscape', deals with landscape painting as an autonomous genre of ukiyo-e; in 'Uki-e': perspective images, the focus is on uki-e, a genre of prints made by adopting Western geometric perspective; Yoshiwara's 'floating world' revolves around the authorised leisure district of Edo (present-day Tokyo) and its influence on the production of prints depicting women; 'Ukiyo-e's literary web' deals with the unique and contradictory relationship between scholarly literature and poetry and the main protagonists in the 'floating world', such as kabuki theatre actors and the so-called 'women for play'; finally, 'The Tokaido Stations' covers the famous print series of the same name, comprising prints on various themes related to the Tokaido route, which ran from Edo to the imperial city of Kyoto.Image Credits: Panorama.
- Tapa blanda
Librería: Aardvark Rare Books, Presteigne, HEREF, Reino UnidoAardvark Rare Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 34,40
Envío por EUR 16,31Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
paperback. Condición: New. **PAPERBACK**.
Idioma: Inglés
Editorial: Fundacao Calouste Gulbenkian, Plano de Edicoes, 2025
- Tapa blanda
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 53,96
Gastos de envío gratisSe envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Calouste Gulbenkian amassed a remarkable collection of Japanese art. This lesser known facet of the collector's activity was explored in the exhibition Floating world: 'ukiyo-e' Japanese prints, which presented a large number of Japanese prints produced between the 17th and 19th centuries th…at belong entirely to the Museum's collection. The exhibition focused on the concept of ukiyo, which means 'floating world' and refers to the fleeting pleasures of everyday life. The catalogue is divided into two parts. The first is a set of four essays, including three by the exhibition curators. In the first text, Jorge Rodrigues explores the set of prints acquired by Calouste Gulbenkian for his collection. Francesca Neglia then looks at two of the most popular iconographic themes in ukiyo-e: the figure of the courtesan and landscapes. In the third essay, Hannah Sigur discusses the literary network associated with ukiyo-e. Finally, Rui Xavier, Preventive Conservation Coordinator at the Gulbenkian Museum and curator of the Gulbenkian Collection's lacquerware, writes about the damage sustained by the collection of Japanese prints after the 1967 Lisbon's floods and the remarkable restoration process that followed. The second part of the publication is similar in structure to the accompanying exhibition sections and includes texts on specific works or groups of works. The first chapter, 'Different views of nature and landscape', deals with landscape painting as an autonomous genre of ukiyo-e; in 'Uki-e': perspective images, the focus is on uki-e, a genre of prints made by adopting Western geometric perspective; Yoshiwara's 'floating world' revolves around the authorised leisure district of Edo (present-day Tokyo) and its influence on the production of prints depicting women; 'Ukiyo-e's literary web' deals with the unique and contradictory relationship between scholarly literature and poetry and the main protagonists in the 'floating world', such as kabuki theatre actors and the so-called 'women for play'; finally, 'The Tokaido Stations' covers the famous print series of the same name, comprising prints on various themes related to the Tokaido route, which ran from Edo to the imperial city of Kyoto. AUTHORS: Jorge Rodrigues has a doctorate in History of Art from the Faculty of Social and Human Sciences Universidade Nova de Lisboa; lecturer in History of Art at the Universidade Nova de Lisboa from 1993 to 2017, and was the former curator of Ancient, Medieval (Islamic and European) and Armenian Art and Japanese prints at the Gulbenkian Museum. He curated various History of Art exhibitions at the Gulbenkian Foundation and Museum as, for example the exhibition Floating world: 'ukiyo-e' Japanese Prints in 2023. Rui Xavier graduated in Interior Architecture from ESAD Escola Superior de Artes e Design; he followed this with post-graduate studies in Conservation/Museology at the Universidade Lusofona, Lisbon and post-graduate and master's studies in Museology at the Universidade Nova de Lisboa. He is a specialist in Conservation and Restoration of lacquer objects, having trained at the British Museum, the coordinator in the area of Preventive Conservation at the Calouste Gulbenkian Museum and curator of the Far Eastern lacquer collection and Japanese Prints at the Calouste Gulbenkian Museum. SELLING POINTS: . Almost one hundred Japanese prints from the Edo Period amassed by Calouste Gulbenkian, available for the first time in book form . By exploring the culture of the city of Edo, now Tokyo, we can grasp the city's vision of itself, including contemplation of the natural world and the beauty of the courtesans. This culture is defined through representation of the urban layout of the city, its iconic places including the Yoshiwara quarter its streets and surrounding landscape . Featuring many previously unseen Japanese Prin Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Floating World : Ukiyo-e Japanese Prints
Neglia, Francesca (CON); Sigur, Hannah (CON); Rodrigues, Jorge; Xavier, Rui
- Tapa blanda
Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,06
Envío por EUR 17,47Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: New.
Floating World : Ukiyo-e Japanese Prints
Neglia, Francesca (CON); Sigur, Hannah (CON); Rodrigues, Jorge; Xavier, Rui
- Tapa blanda
Librería: GreatBookPricesUK, Woodford Green, Reino UnidoGreatBookPricesUK
Contactar con el vendedorVendedor de 5 estrellasCondición: Usado - Como Nuevo
EUR 47,16
Envío por EUR 17,47Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: Más de 20 disponibles
Condición: As New. Unread book in perfect condition.
Floating World: Ukiyo-e Japanese Prints
Neglia, Francesca (Contributor)/ Sigur, Hannah (Contributor)/ Rodrigues, Jorge/ Xavier, Rui
- Tapa blanda
Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 52,45
Envío por EUR 14,56Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Paperback. Condición: Brand New. 208 pages. 10.24x7.87x7.87 inches. In Stock.
- Tapa blanda
Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,00
Envío por EUR 33,30Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 2 disponibles
Taschenbuch. Condición: Neu. Neuware - Calouste Gulbenkian amassed a remarkable collection of Japanese art. This publication explores this aspect of his activity, bringing together a large number of Japanese prints from the 17th to the 19th centuries.Calouste Gulbenkian amassed a remarkable collection of Japanese art. This lesse…r known facet of the collector's activity was explored in the exhibition Floating world: 'ukiyo-e' Japanese prints, which presented a large number of Japanese prints produced between the 17th and 19th centuries that belong entirely to the Museum's collection. The exhibition focused on the concept of ukiyo, which means 'floating world' and refers to the fleeting pleasures of everyday life. The catalogue is divided into two parts. The first is a set of four essays, including three by the exhibition curators. In the first text, Jorge Rodrigues explores the set of prints acquired by Calouste Gulbenkian for his collection. Francesca Neglia then looks at two of the most popular iconographic themes in ukiyo-e: the figure of the courtesan and landscapes. In the third essay, Hannah Sigur discusses the literary network associated with ukiyo-e. Finally, Rui Xavier, Preventive Conservation Coordinator at the Gulbenkian Museum and curator of the Gulbenkian Collection's lacquerware, writes about the damage sustained by the collection of Japanese prints after the 1967 Lisbon's floods and the remarkable restoration process that followed. The second part of the publication is similar in structure to the accompanying exhibition sections and includes texts on specific works or groups of works. The first chapter, 'Different views of nature and landscape', deals with landscape painting as an autonomous genre of ukiyo-e; in 'Uki-e': perspective images, the focus is on uki-e, a genre of prints made by adopting Western geometric perspective; Yoshiwara's 'floating world' revolves around the authorized leisure district of Edo (present-day Tokyo) and its influence on the production of prints depicting women; 'Ukiyo-e's literary web' deals with the unique and contradictory relationship between scholarly literature and poetry and the main protagonists in the 'floating world', such as kabuki theater actors and the so-called 'women for play'; finally, 'The Tokaido Stations' covers the famous print series of the same name, comprising prints on various themes related to the Tokaido route, which ran from Edo to the imperial city of Kyoto.
Idioma: Inglés
Editorial: Fundacao Calouste Gulbenkian, Plano de Edicoes, 2025
- Tapa blanda
Librería: CitiRetail, Stevenage, Reino UnidoCitiRetail
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 53,38
Envío por EUR 43,10Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Calouste Gulbenkian amassed a remarkable collection of Japanese art. This lesser known facet of the collector's activity was explored in the exhibition Floating world: 'ukiyo-e' Japanese prints, which presented a large number of Japanese prints produced between the 17th and 19th centuries th…at belong entirely to the Museum's collection. The exhibition focused on the concept of ukiyo, which means 'floating world' and refers to the fleeting pleasures of everyday life. The catalogue is divided into two parts. The first is a set of four essays, including three by the exhibition curators. In the first text, Jorge Rodrigues explores the set of prints acquired by Calouste Gulbenkian for his collection. Francesca Neglia then looks at two of the most popular iconographic themes in ukiyo-e: the figure of the courtesan and landscapes. In the third essay, Hannah Sigur discusses the literary network associated with ukiyo-e. Finally, Rui Xavier, Preventive Conservation Coordinator at the Gulbenkian Museum and curator of the Gulbenkian Collection's lacquerware, writes about the damage sustained by the collection of Japanese prints after the 1967 Lisbon's floods and the remarkable restoration process that followed. The second part of the publication is similar in structure to the accompanying exhibition sections and includes texts on specific works or groups of works. The first chapter, 'Different views of nature and landscape', deals with landscape painting as an autonomous genre of ukiyo-e; in 'Uki-e': perspective images, the focus is on uki-e, a genre of prints made by adopting Western geometric perspective; Yoshiwara's 'floating world' revolves around the authorised leisure district of Edo (present-day Tokyo) and its influence on the production of prints depicting women; 'Ukiyo-e's literary web' deals with the unique and contradictory relationship between scholarly literature and poetry and the main protagonists in the 'floating world', such as kabuki theatre actors and the so-called 'women for play'; finally, 'The Tokaido Stations' covers the famous print series of the same name, comprising prints on various themes related to the Tokaido route, which ran from Edo to the imperial city of Kyoto. AUTHORS: Jorge Rodrigues has a doctorate in History of Art from the Faculty of Social and Human Sciences Universidade Nova de Lisboa; lecturer in History of Art at the Universidade Nova de Lisboa from 1993 to 2017, and was the former curator of Ancient, Medieval (Islamic and European) and Armenian Art and Japanese prints at the Gulbenkian Museum. He curated various History of Art exhibitions at the Gulbenkian Foundation and Museum as, for example the exhibition Floating world: 'ukiyo-e' Japanese Prints in 2023. Rui Xavier graduated in Interior Architecture from ESAD Escola Superior de Artes e Design; he followed this with post-graduate studies in Conservation/Museology at the Universidade Lusofona, Lisbon and post-graduate and master's studies in Museology at the Universidade Nova de Lisboa. He is a specialist in Conservation and Restoration of lacquer objects, having trained at the British Museum, the coordinator in the area of Preventive Conservation at the Calouste Gulbenkian Museum and curator of the Far Eastern lacquer collection and Japanese Prints at the Calouste Gulbenkian Museum. SELLING POINTS: . Almost one hundred Japanese prints from the Edo Period amassed by Calouste Gulbenkian, available for the first time in book form . By exploring the culture of the city of Edo, now Tokyo, we can grasp the city's vision of itself, including contemplation of the natural world and the beauty of the courtesans. This culture is defined through representation of the urban layout of the city, its iconic places including the Yoshiwara quarter its streets and surrounding landscape . Featuring many previously unseen Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
Idioma: Inglés
Editorial: Fundacao Calouste Gulbenkian, Plano de Edicoes, 2025
- Tapa blanda
Librería: AussieBookSeller, Truganina, VIC, AustraliaAussieBookSeller
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 85,73
Envío por EUR 31,69Se envía de Australia a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: new. Paperback. Calouste Gulbenkian amassed a remarkable collection of Japanese art. This lesser known facet of the collector's activity was explored in the exhibition Floating world: 'ukiyo-e' Japanese prints, which presented a large number of Japanese prints produced between the 17th and 19th centuries th…at belong entirely to the Museum's collection. The exhibition focused on the concept of ukiyo, which means 'floating world' and refers to the fleeting pleasures of everyday life. The catalogue is divided into two parts. The first is a set of four essays, including three by the exhibition curators. In the first text, Jorge Rodrigues explores the set of prints acquired by Calouste Gulbenkian for his collection. Francesca Neglia then looks at two of the most popular iconographic themes in ukiyo-e: the figure of the courtesan and landscapes. In the third essay, Hannah Sigur discusses the literary network associated with ukiyo-e. Finally, Rui Xavier, Preventive Conservation Coordinator at the Gulbenkian Museum and curator of the Gulbenkian Collection's lacquerware, writes about the damage sustained by the collection of Japanese prints after the 1967 Lisbon's floods and the remarkable restoration process that followed. The second part of the publication is similar in structure to the accompanying exhibition sections and includes texts on specific works or groups of works. The first chapter, 'Different views of nature and landscape', deals with landscape painting as an autonomous genre of ukiyo-e; in 'Uki-e': perspective images, the focus is on uki-e, a genre of prints made by adopting Western geometric perspective; Yoshiwara's 'floating world' revolves around the authorised leisure district of Edo (present-day Tokyo) and its influence on the production of prints depicting women; 'Ukiyo-e's literary web' deals with the unique and contradictory relationship between scholarly literature and poetry and the main protagonists in the 'floating world', such as kabuki theatre actors and the so-called 'women for play'; finally, 'The Tokaido Stations' covers the famous print series of the same name, comprising prints on various themes related to the Tokaido route, which ran from Edo to the imperial city of Kyoto. AUTHORS: Jorge Rodrigues has a doctorate in History of Art from the Faculty of Social and Human Sciences Universidade Nova de Lisboa; lecturer in History of Art at the Universidade Nova de Lisboa from 1993 to 2017, and was the former curator of Ancient, Medieval (Islamic and European) and Armenian Art and Japanese prints at the Gulbenkian Museum. He curated various History of Art exhibitions at the Gulbenkian Foundation and Museum as, for example the exhibition Floating world: 'ukiyo-e' Japanese Prints in 2023. Rui Xavier graduated in Interior Architecture from ESAD Escola Superior de Artes e Design; he followed this with post-graduate studies in Conservation/Museology at the Universidade Lusofona, Lisbon and post-graduate and master's studies in Museology at the Universidade Nova de Lisboa. He is a specialist in Conservation and Restoration of lacquer objects, having trained at the British Museum, the coordinator in the area of Preventive Conservation at the Calouste Gulbenkian Museum and curator of the Far Eastern lacquer collection and Japanese Prints at the Calouste Gulbenkian Museum. SELLING POINTS: . Almost one hundred Japanese prints from the Edo Period amassed by Calouste Gulbenkian, available for the first time in book form . By exploring the culture of the city of Edo, now Tokyo, we can grasp the city's vision of itself, including contemplation of the natural world and the beauty of the courtesans. This culture is defined through representation of the urban layout of the city, its iconic places including the Yoshiwara quarter its streets and surrounding landscape . Featuring many previously unseen Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Editorial: Fundacao Calouste Gulbenkian, Plano de Edicoes, PT, 2025
- Tapa blanda
Librería: Rarewaves.com UK, London, Reino UnidoRarewaves.com UK
Contactar con el vendedorVendedor de 5 estrellasCondición: Nuevo
EUR 45,07
Envío por EUR 75,72Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 12 disponibles
Paperback. Condición: New. Calouste Gulbenkian amassed a remarkable collection of Japanese art. This lesser known facet of the collector's activity was explored in the exhibition Floating world: 'ukiyo-e' Japanese prints, which presented a large number of Japanese prints produced between the 17th and 19th centuries that belong e…ntirely to the Museum's collection. The exhibition focused on the concept of ukiyo, which means 'floating world' and refers to the fleeting pleasures of everyday life.The catalogue is divided into two parts. The first is a set of four essays, including three by the exhibition curators. In the first text, Jorge Rodrigues explores the set of prints acquired by Calouste Gulbenkian for his collection. Francesca Neglia then looks at two of the most popular iconographic themes in ukiyo-e: the figure of the courtesan and landscapes. In the third essay, Hannah Sigur discusses the literary network associated with ukiyo-e. Finally, Rui Xavier, Preventive Conservation Coordinator at the Gulbenkian Museum and curator of the Gulbenkian Collection's lacquerware, writes about the damage sustained by the collection of Japanese prints after the 1967 Lisbon's floods and the remarkable restoration process that followed.The second part of the publication is similar in structure to the accompanying exhibition sections and includes texts on specific works or groups of works. The first chapter, 'Different views of nature and landscape', deals with landscape painting as an autonomous genre of ukiyo-e; in 'Uki-e': perspective images, the focus is on uki-e, a genre of prints made by adopting Western geometric perspective; Yoshiwara's 'floating world' revolves around the authorised leisure district of Edo (present-day Tokyo) and its influence on the production of prints depicting women; 'Ukiyo-e's literary web' deals with the unique and contradictory relationship between scholarly literature and poetry and the main protagonists in the 'floating world', such as kabuki theatre actors and the so-called 'women for play'; finally, 'The Tokaido Stations' covers the famous print series of the same name, comprising prints on various themes related to the Tokaido route, which ran from Edo to the imperial city of Kyoto.Image Credits: Panorama.
