Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 20,09
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: GreatBookPrices, Columbia, MD, Estados Unidos de America
EUR 25,26
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Leuven University Press, BE, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Rarewaves.com USA, London, LONDO, Reino Unido
EUR 27,60
Cantidad disponible: 14 disponibles
Añadir al carritoPaperback. Condición: New. 'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.A dutch edition is also available.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: PBShop.store US, Wood Dale, IL, Estados Unidos de America
EUR 28,52
Cantidad disponible: 15 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: PBShop.store UK, Fairford, GLOS, Reino Unido
EUR 23,80
Cantidad disponible: 15 disponibles
Añadir al carritoPAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.
Idioma: Inglés
Publicado por Leuven University Press, Leuven, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de America
EUR 30,76
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 20,12
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Añadir al carritoCondición: New.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Ria Christie Collections, Uxbridge, Reino Unido
EUR 24,63
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Añadir al carritoCondición: New. In.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: GreatBookPricesUK, Woodford Green, Reino Unido
EUR 23,55
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Añadir al carritoCondición: As New. Unread book in perfect condition.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Revaluation Books, Exeter, Reino Unido
EUR 42,57
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Añadir al carritoPaperback. Condición: Brand New. illustrated edition. 119 pages. French language. 9.00x5.50x0.50 inches. In Stock.
EUR 27,61
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Añadir al carritoKartoniert / Broschiert. Condición: New.
Idioma: Inglés
Publicado por Leuven University Press, Leuven, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: AussieBookSeller, Truganina, VIC, Australia
EUR 49,43
Cantidad disponible: 1 disponibles
Añadir al carritoPaperback. Condición: new. Paperback. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's essay, "Performance and the Listening Experience: Bach's 'Erbarme dich'" shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. And the composer Hans Zender, in his "A Road Map for Orpheus?," states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions. The central theme of this book is the relationship between the reflections about and the realization of a musical composition. In his essay "Words about Music, or Analysis versus Performance," Nicholas Cook states that words and music can never be. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
Idioma: Inglés
Publicado por Leuven University Press Nov 1999, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: AHA-BUCH GmbH, Einbeck, Alemania
EUR 32,00
Cantidad disponible: 2 disponibles
Añadir al carritoTaschenbuch. Condición: Neu. Neuware - 'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.
Idioma: Inglés
Publicado por Leuven University Press, BE, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Rarewaves.com UK, London, Reino Unido
EUR 20,13
Cantidad disponible: 14 disponibles
Añadir al carritoPaperback. Condición: New. 'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.A dutch edition is also available.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Majestic Books, Hounslow, Reino Unido
EUR 47,28
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. Print on Demand pp. 120.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Books Puddle, New York, NY, Estados Unidos de America
EUR 53,39
Cantidad disponible: 4 disponibles
Añadir al carritoCondición: New. Print on Demand pp. 120 Illustrated edition.
Idioma: Inglés
Publicado por Leuven University Press, 1999
ISBN 10: 9061869943 ISBN 13: 9789061869948
Librería: Biblios, Frankfurt am main, HESSE, Alemania
EUR 48,04
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Añadir al carritoCondición: New. PRINT ON DEMAND pp. 120.