Theory into practice: Composition, Performance and the Listening Experience (Geschriften van het Orpheus Instituut/Collected Writings of the Orpheus Institute) - Tapa blanda

Cook, Nicholas; Johnson, Peter; Zender, Hans

 
9789061869948: Theory into practice: Composition, Performance and the Listening Experience (Geschriften van het Orpheus Instituut/Collected Writings of the Orpheus Institute)
Tapa blanda
ISBN 10: 9061869943 ISBN 13: 9789061869948
Editorial: Leuven University Press, 1999

Sinopsis

'Theory into Practice. Composition, Performance and the Listening Experience' is the second publication in the series 'Collected Writings of the Orpheus Institute'. The series comprises articles concerning the activities of the Orpheus Institute.

The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency.

Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance.

The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.

A dutch edition is also available.

"Sinopsis" puede pertenecer a otra edición de este libro.

Reseña del editor

Theory into Practice. Composition, Performance and the Listening Experience is the second publication in the series Collected Writings of the Orpheus-Institute. The series comprises articles concerning the activities of the Orpheus Institute. The centrale theme of this book is the relationship between the reflections about and the relization of a musical composition. In his paper Words about Music, or Analysis versus Performance, Nicholas Cook states that words and music can never be aligned exactly with one another. He embarks on a quest for models of the relationship between analytical conception and performance that are more challenging than those in general currency. Peter Johnson's article Performance and the Listening Experience: Bach's 'Erbarme dich' shows that a performance is an element within the intentionality of the work itself. He looks for scientific methods capable of proving the artisticity of a performance. The composer Hans Zender, in his A Road Map for Orpheus?, states that a composer must be capable of questioning obvious basic principles (such as equal temperament) and finding creative solutions.

"Sobre este título" puede pertenecer a otra edición de este libro.

Editorial
Leuven University Press
Año de publicación
1999
Idioma
Inglés
ISBN 10 
9061869943
ISBN 13 
9789061869948
Encuadernación
Tapa blanda
Número de páginas
122
Contacto del fabricante
no disponible
Persona responsable
no disponible