9788857243276 - Doug Argue: Letters to the Future de Claude Peck (22 resultados)

hardcover. Condición: Good. Connecting readers with great books since 1972! Used textbooks may not include companion materials such as access codes, etc. May have some wear or writing/highlighting. We ship orders daily and Customer Service is our top priority!

hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover. Condición: As new. Quarto. Hardcover. Matte illustrated paper boards with white stamped titles. No jacket, as issued. 263 pages : chiefly color illustrations ; 34 cm. "Published by Skira in partnership with the Weisman Art Museum at the University of Minnesota in conjunction with the Weisman's forthcoming exhibition, 'Doug Argue: Letters to the Future, . "--Preliminary.

Hardcover. Condición: Near Fine. First Edition. First Edition stated. With inscription by the artist/author to half-title page. Some scuffing/marks to spine ends. Sharp corners, clean interior and tight binding. Please note: This book is very large/heavy and will require additional shipping for expedited and overseas orders. 1st Printing.

Condición: Como nuevo. : Este libro, titulado 'Doug Argue: Letters to the Future', es una exploración del trabajo del artista Doug Argue. Publicado en 2020 por Skira Editore, cuenta con 272 páginas y está escrito en inglés. El libro incluye contribuciones de Paola Gribaudo y Claude Peck, ofreciendo una visión completa de la obra de Argue. EAN: 9788857243276 Tipo: Libros Título: Doug Argue Autor: Paola Gribaudo| Doug Argue| Claude Peck Idioma: en Páginas: 272.

Hardcover. Condición: Very Good. PRESENTATION COPY INSCRIBED to art critic/historian Donald Kuspit and SIGNED by the artist. Folio, approx 13 1/2 inches tall, 262pp, color photographic illustrations, publisher s pictorial papered boards, pictorial endpapers (minor wear, largely to corners, very good or better). Signed by Author(s).

hardcover. Condición: near fine. Quarto. 34 cm x 26 cm. 263pp. Color pictorial boards.Exhibition catalogue. Signed and inscribed to previous owner on half-title page.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Claude Peck, Skira. The remarkable creativity of protean American painter Doug Argue is brought vividly to life in this book: words and images explore, explain and contextualize Argue's trajectory from art-school rebel to celebrated, much-exhibited artist on a global stage. With a colossal curiosity and tireless dedication to his solitary studio practice, Argue stands as a thinker-painter admired by a growing circle of curators and collectors. His work has been shown in museums and galleries from New York (where three large paintings are on permanent view at One World Trade Center) to Sydney and from Vienna to Venice. His often giant canvases shed virtuosic light on Argue's ongoing fascinations - with history, color, perspective, literature, language, music, science and technology. Inspired by such everyday subjects as chickens, leaves, books, dead buffaloes and floating letters, Argue may explore a single theme in multiple paintings over the course of many years, always pushing for new meanings. Minnesota-born Argue's wildly expressionist early figurative paintings of hospital morgues, pool sharks, strippers and fervid landscapes earned him a solo show at contemporary Walker Art Center while he was still in his early 20s. The "sheer vitality" of those 1980s works are recalled in an essay by former Walker curator Elizabeth Armstrong, who also traces how Argue's early passions evolved to inform his most recent work. In an ambitious suite of 2018 works based on masterworks by Picasso, Mondrian, Warhol and others, Argue "challenged our thinking about Modernist aesthetics and its legacy," says writer and museum director Charles Riley. His essay digs deeply into a single Argue painting inspired by Fernand Leger, finding in it engrossing connections to string theory, linguistics, musical counterpoint and the poetry of Arthur Rimbaud. Scholar and writer Mary Frank uncovers the powerful influence of Italy, especially the 16th-century Venetian masters Tintoretto and Titian, on Argue's art and ideas. Argue has traveled widely in Italy and spent a year there as a fellow of the American Academy in Rome. Frank insightfully explores a cycle of large-scale Venice-inspired abstractions that Argue exhibited in that city during the 2015 Biennale. Hardback.

Condición: New.

Hardcover without dustjacket as issued; 264 pages; very good condition; clean and crisp; signed by Doug Argue on title page; no other internal marks. Foreign shipping may be extra.

Hardcover. Condición: new. Hardcover. The remarkable creativity of protean American painter Doug Argue is brought vividly to life in this book: words and images explore, explain and contextualize Argue's trajectory from art-school rebel to celebrated, much-exhibited artist on a global stage.With a colossal curiosity and tireless dedication to his solitary studio practice, Argue stands as a thinker-painter admired by a growing circle of curators and collectors. His work has been shown in museums and galleries from New York (where three large paintings are on permanent view at One World Trade Center) to Sydney and from Vienna to Venice. His often giant canvases shed virtuosic light on Argue's ongoing fascinations - with history, color, perspective, literature, language, music, science and technology. Inspired by such everyday subjects as chickens, leaves, books, dead buffaloes and floating letters, Argue may explore a single theme in multiple paintings over the course of many years, always pushing for new meanings.Minnesota-born Argue's wildly expressionist early figurative paintings of hospital morgues, pool sharks, strippers and fervid landscapes earned him a solo show at contemporary Walker Art Center while he was still in his early 20s. The "sheer vitality" of those 1980s works are recalled in an essay by former Walker curator Elizabeth Armstrong, who also traces how Argue's early passions evolved to inform his most recent work.In an ambitious suite of 2018 works based on masterworks by Picasso, Mondrian, Warhol and others, Argue "challenged our thinking about Modernist aesthetics and its legacy," says writer and museum director Charles Riley. His essay digs deeply into a single Argue painting inspired by Fernand Leger, finding in it engrossing connections to string theory, linguistics, musical counterpoint and the poetry of Arthur Rimbaud.Scholar and writer Mary Frank uncovers the powerful influence of Italy, especially the 16th-century Venetian masters Tintoretto and Titian, on Argue's art and ideas. Argue has traveled widely in Italy and spent a year there as a fellow of the American Academy in Rome. Frank insightfully explores a cycle of large-scale Venice-inspired abstractions that Argue exhibited in that city during the 2015 Biennale. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New. Special order direct from the distributor.

Condición: New. 2020. 01st Edition. Hardcover. . . . . .

Condición: New.

Condición: New. 2020. 01st Edition. Hardcover. . . . . . Books ship from the US and Ireland.

Hardcover. Condición: Brand New. 01 edition. 263 pages. French language. 13.00x10.25x0.75 inches. In Stock.

Condición: New. &Uumlber den AutorrnrnClaude Peck is an arts joumalist. Ex-arts and news editor, Star Tribune. Co-writer of Withering Glance. Book reviewer. Quatrefoil library board vice president.KlappentextrnrnThe remarkable creativity of.

Hardcover. Condición: new. Hardcover. The remarkable creativity of protean American painter Doug Argue is brought vividly to life in this book: words and images explore, explain and contextualize Argue's trajectory from art-school rebel to celebrated, much-exhibited artist on a global stage.With a colossal curiosity and tireless dedication to his solitary studio practice, Argue stands as a thinker-painter admired by a growing circle of curators and collectors. His work has been shown in museums and galleries from New York (where three large paintings are on permanent view at One World Trade Center) to Sydney and from Vienna to Venice. His often giant canvases shed virtuosic light on Argue's ongoing fascinations - with history, color, perspective, literature, language, music, science and technology. Inspired by such everyday subjects as chickens, leaves, books, dead buffaloes and floating letters, Argue may explore a single theme in multiple paintings over the course of many years, always pushing for new meanings.Minnesota-born Argue's wildly expressionist early figurative paintings of hospital morgues, pool sharks, strippers and fervid landscapes earned him a solo show at contemporary Walker Art Center while he was still in his early 20s. The "sheer vitality" of those 1980s works are recalled in an essay by former Walker curator Elizabeth Armstrong, who also traces how Argue's early passions evolved to inform his most recent work.In an ambitious suite of 2018 works based on masterworks by Picasso, Mondrian, Warhol and others, Argue "challenged our thinking about Modernist aesthetics and its legacy," says writer and museum director Charles Riley. His essay digs deeply into a single Argue painting inspired by Fernand Leger, finding in it engrossing connections to string theory, linguistics, musical counterpoint and the poetry of Arthur Rimbaud.Scholar and writer Mary Frank uncovers the powerful influence of Italy, especially the 16th-century Venetian masters Tintoretto and Titian, on Argue's art and ideas. Argue has traveled widely in Italy and spent a year there as a fellow of the American Academy in Rome. Frank insightfully explores a cycle of large-scale Venice-inspired abstractions that Argue exhibited in that city during the 2015 Biennale. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Hardcover. Condición: Brand New. 01 edition. 263 pages. French language. 13.00x10.25x0.75 inches. In Stock.

Buch. Condición: Neu. Neuware - The remarkable creativity of protean American painter Doug Argue is brought vividly to life in this book: words and images explore, explain and contextualize Argue's trajectory from art-school rebel to celebrated, much-exhibited artist on a global stage.With a colossal curiosity and tireless dedication to his solitary studio practice, Argue stands as a thinker-painter admired by a growing circle of curators and collectors. His work has been shown in museums and galleries from New York (where three large paintings are on permanent view at One World Trade Center) to Sydney and from Vienna to Venice. His often giant canvases shed virtuosic light on Argue's ongoing fascinations - with history, color, perspective, literature, language, music, science and technology. Inspired by such everyday subjects as chickens, leaves, books, dead buffaloes and floating letters, Argue may explore a single theme in multiple paintings over the course of many years, always pushing for new meanings.Minnesota-born Argue's wildly expressionist early figurative paintings of hospital morgues, pool sharks, strippers and fervid landscapes earned him a solo show at contemporary Walker Art Center while he was still in his early 20s. The 'sheer vitality' of those 1980s works are recalled in an essay by former Walker curator Elizabeth Armstrong, who also traces how Argue's early passions evolved to inform his most recent work.In an ambitious suite of 2018 works based on masterworks by Picasso, Mondrian, Warhol and others, Argue 'challenged our thinking about Modernist aesthetics and its legacy,' says writer and museum director Charles Riley. His essay digs deeply into a single Argue painting inspired by Fernand Léger, finding in it engrossing connections to string theory, linguistics, musical counterpoint and the poetry of Arthur Rimbaud.Scholar and writer Mary Frank uncovers the powerful influence of Italy, especially the 16th-century Venetian masters Tintoretto and Titian, on Argue's art and ideas. Argue has traveled widely in Italy and spent a year there as a fellow of the American Academy in Rome. Frank insightfully explores a cycle of large-scale Venice-inspired abstractions that Argue exhibited in that city during the 2015 Biennale.