9783932565816 - carlo scarpa, castelvecchio, verona: museo di castelvecchio, verona: opus 81 (26 resultados)
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Carlo Scarpa, Museo di Castelvecchio, Verona
Di Lieto, Alba; Marini, Paola; Carullo, Valeria; Bryant, Richard (PHT)
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Carlo Scarpa, Museo di Castelvecchio, Verona
Di Lieto, Alba; Marini, Paola; Carullo, Valeria; Bryant, Richard (PHT)
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Hardcover. Condición: new. Hardcover. During the 1960s Italys museum sector witnessed a fertile period of renewal. A generation of architects, working in partnership with the directors of museums, set about transforming into exhibition spaces a number of ancient monumental complexes located in the historic centres of some of the… most important Italian cities. Among these was the brilliant and solitary Venetian architect Carlo Scarpa who revitalised the discipline of museography by sagaciously combining it with restoration. His lucid intervention at Veronas Museo di Castelvecchio is emblematic of this approach: the medieval castle, the museum of ancient art, and modern architecture all harmoniously coexisting in a monument located at the heart of a city designated a UNESCO World Heritage Site. The Castelvecchio in Verona is the most perfectly resolved of Scarpa's works and today remain "outrageously" well pre-served. It is therefore unsurprising that a photographer-artist such as Richard Bryant should have been attracted by teh extraordinary compositional, spatial and luminous harmony of Castelvecchio. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Carlo Scarpa, Museo di Castelvecchio, Verona
Di Lieto, Alba; Marini, Paola; Carullo, Valeria; Bryant, Richard (PHT)
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Cloth. Condición: Near Fine. Estado de la sobrecubierta: Near Fine. 51 pages. Hardcover. Texts in Italian and English. Mild shelfwear to the edges and associated faint rubbing to the covers. Else, the binding is tight, the jacket reasonably bright, and interior clean and free of markings. Bound in white paper covered boards and…wrapped in an illustrated paper dustjacket. Handsomely designed and beautifully photographed by Richard Bryant. Richard Bryant (ilustrador).
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Carlo Scarpa, Museo di Castelvecchio, Verona
Carullo, Valeria/ Di Lieto, Alba/ Marini, Paola/ Bryant, Richard (Photographer)
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Taschenbuch. Condición: Neu. Neuware -Carlo Scarpa began to come into national prominencewith several designs for exhibitions.The first were in Venice: 'Paul Klee' (1948) forthe 1949 Biennale, 'Giovanni Bellini' (1949) atthe Palazzo Ducale, 'Toulouse Lautrec' (1952)at the Palazzo Correr, and 'Tiepolo' for the1952 Biennale. Other…s followed: 'Quattrocento'(1953) at Messina town hall and 'Piet Mondrian'(1956) at the Galleria Nazionale d'Arte Modernain Rome. Such commissions finally led him intothe design of museum interiors: among many,his most celebrated were the Museo dell'Accademia(1952-56) and the Museo Correr (1953to 1969), both in Venice, the Palazzo Abbatellis(1953/54) in Palermo, the Gipsoteca Canovianain Possagno (1955-57) and the Museo di Castelvecchio(1956-64) in Verona. Scarpa's exhibit designsand museum interiors present a differentway of seeing. On the one hand, seeing the objectthrough provision of a sympathetic settingfor it; on the other, seeing contemporary 'modern' architecture in the context of the culturalcontinuum that has carried it to where it nowmomentarily hovers. The Museo di Castelvecchiowas developed on the bombed ruins of theScaligery family's medieval castle in Verona. Firstcommissioned to redesign the oldest section ofthe building, Scarpa was later asked to completethe museum. The work is a monument to Scarpa'ssensibilties about time and place. Accordingto critic Nory Miller he 'achieved an extraordinarycoexistence involving architecture of differentcenturies, including this one . withoutthe crutches of neutral glass linkages, uniformmaterials, or historical references . Each angle,shape, surface is chosen to engage the attentionor participation of the visitor.' Indeed, the symbiosisbetween Scarpa's work and the survivingfabric is such that differences are hardly apparent.With his infinitive capacity for fine detailing,he touched the past lightly; because he was soconscious of continuity the museum gives the'sense that construction has been supended'.(After Donald Leslie Johnson and Donald Langmead.)Valeria Carullo is curator of the Robert ElwallPhotographs Collection in the Royal Institute ofBritish Architects, Paola Marini is director andAlba Di Lieto curator of the Musei d'Arte Monumentiof the city of Verona. Richard Bryant isone of the best-known architectural photographers,working all over the world. He is the onlyphotographer with an honorary fellowship ofthe Royal Institute of British Architects. 51 pp. Englisch, Italienisch.
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Taschenbuch. Condición: Neu. Neuware -Carlo Scarpa began to come into national prominencewith several designs for exhibitions.The first were in Venice: 'Paul Klee' (1948) forthe 1949 Biennale, 'Giovanni Bellini' (1949) atthe Palazzo Ducale, 'Toulouse Lautrec' (1952)at the Palazzo Correr, and 'Tiepolo' for the1952 Biennale. Other…s followed: 'Quattrocento'(1953) at Messina town hall and 'Piet Mondrian'(1956) at the Galleria Nazionale d'Arte Modernain Rome. Such commissions finally led him intothe design of museum interiors: among many,his most celebrated were the Museo dell'Accademia(1952-56) and the Museo Correr (1953to 1969), both in Venice, the Palazzo Abbatellis(1953/54) in Palermo, the Gipsoteca Canovianain Possagno (1955-57) and the Museo di Castelvecchio(1956-64) in Verona. Scarpa's exhibit designsand museum interiors present a differentway of seeing. On the one hand, seeing the objectthrough provision of a sympathetic settingfor it; on the other, seeing contemporary 'modern' architecture in the context of the culturalcontinuum that has carried it to where it nowmomentarily hovers. The Museo di Castelvecchiowas developed on the bombed ruins of theScaligery family's medieval castle in Verona. Firstcommissioned to redesign the oldest section ofthe building, Scarpa was later asked to completethe museum. The work is a monument to Scarpa'ssensibilties about time and place. Accordingto critic Nory Miller he 'achieved an extraordinarycoexistence involving architecture of differentcenturies, including this one . withoutthe crutches of neutral glass linkages, uniformmaterials, or historical references . Each angle,shape, surface is chosen to engage the attentionor participation of the visitor.' Indeed, the symbiosisbetween Scarpa's work and the survivingfabric is such that differences are hardly apparent.With his infinitive capacity for fine detailing,he touched the past lightly; because he was soconscious of continuity the museum gives the'sense that construction has been supended'.(After Donald Leslie Johnson and Donald Langmead.)Valeria Carullo is curator of the Robert ElwallPhotographs Collection in the Royal Institute ofBritish Architects, Paola Marini is director andAlba Di Lieto curator of the Musei d'Arte Monumentiof the city of Verona. Richard Bryant isone of the best-known architectural photographers,working all over the world. He is the onlyphotographer with an honorary fellowship ofthe Royal Institute of British Architects. 51 pp. Englisch, Italienisch.
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Taschenbuch. Condición: Neu. Neuware -Carlo Scarpa began to come into national prominencewith several designs for exhibitions.The first were in Venice: 'Paul Klee' (1948) forthe 1949 Biennale, 'Giovanni Bellini' (1949) atthe Palazzo Ducale, 'Toulouse Lautrec' (1952)at the Palazzo Correr, and 'Tiepolo' for the1952 Biennale. Other…s followed: 'Quattrocento'(1953) at Messina town hall and 'Piet Mondrian'(1956) at the Galleria Nazionale d'Arte Modernain Rome. Such commissions finally led him intothe design of museum interiors: among manyhis most celebrated were the Museo dell'Accademia(1952-56) and the Museo Correr (1953to 1969), both in Venice, the Palazzo Abbatellis(1953/54) in Palermo, the Gipsoteca Canovianain Possagno (1955-57) and the Museo di Castelvecchio(1956-64) in Verona. Scarpa's exhibit designsand museum interiors present a differentway of seeing. On the one hand, seeing the objectthrough provision of a sympathetic settingfor it; on the other, seeing contemporary 'modern' architecture in the context of the culturalcontinuum that has carried it to where it nowmomentarily hovers. The Museo di Castelvecchiowas developed on the bombed ruins of theScaligery family's medieval castle in Verona. Firstcommissioned to redesign the oldest section ofthe building, Scarpa was later asked to completethe museum. The work is a monument to Scarpa'ssensibilties about time and place. Accordingto critic Nory Miller he 'achieved an extraordinarycoexistence involving architecture of differentcenturies, including this one . withoutthe crutches of neutral glass linkages, uniformmaterials, or historical references . Each angleshape, surface is chosen to engage the attentionor participation of the visitor.' Indeed, the symbiosisbetween Scarpa's work and the survivingfabric is such that differences are hardly apparent.With his infinitive capacity for fine detailinghe touched the past lightly; because he was soconscious of continuity the museum gives the'sense that construction has been supended'.(After Donald Leslie Johnson and Donald Langmead.)Valeria Carullo is curator of the Robert ElwallPhotographs Collection in the Royal Institute ofBritish Architects, Paola Marini is director andAlba Di Lieto curator of the Musei d'Arte Monumentiof the city of Verona. Richard Bryant isone of the best-known architectural photographersworking all over the world. He is the onlyphotographer with an honorary fellowship ofthe Royal Institute of British Architects.
Carlo Scarpa, Museo di Castelvecchio, Verona
Carullo, Valeria/ Di Lieto, Alba/ Marini, Paola/ Bryant, Richard (Photographer)
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Condición: New. Carlo Scarpa began to come into national prominencewith several designs for exhibitions.The first were in Venice: Paul Klee (1948) forthe 1949 Biennale, Giovanni Bellini (1949) atthe Palazzo Ducale, Toulouse Lautrec (1952).
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Hardcover. Condición: new. Hardcover. During the 1960s Italys museum sector witnessed a fertile period of renewal. A generation of architects, working in partnership with the directors of museums, set about transforming into exhibition spaces a number of ancient monumental complexes located in the historic centres of some of the… most important Italian cities. Among these was the brilliant and solitary Venetian architect Carlo Scarpa who revitalised the discipline of museography by sagaciously combining it with restoration. His lucid intervention at Veronas Museo di Castelvecchio is emblematic of this approach: the medieval castle, the museum of ancient art, and modern architecture all harmoniously coexisting in a monument located at the heart of a city designated a UNESCO World Heritage Site. The Castelvecchio in Verona is the most perfectly resolved of Scarpa's works and today remain "outrageously" well pre-served. It is therefore unsurprising that a photographer-artist such as Richard Bryant should have been attracted by teh extraordinary compositional, spatial and luminous harmony of Castelvecchio. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Taschenbuch. Condición: Neu. Neuware -Carlo Scarpa began to come into national prominencewith several designs for exhibitions.The first were in Venice: 'Paul Klee' (1948) forthe 1949 Biennale, 'Giovanni Bellini' (1949) atthe Palazzo Ducale, 'Toulouse Lautrec' (1952)at the Palazzo Correr, and 'Tiepolo' for the1952 Biennale. Other…s followed: 'Quattrocento'(1953) at Messina town hall and 'Piet Mondrian'(1956) at the Galleria Nazionale d'Arte Modernain Rome. Such commissions finally led him intothe design of museum interiors: among manyhis most celebrated were the Museo dell'Accademia(1952-56) and the Museo Correr (1953to 1969), both in Venice, the Palazzo Abbatellis(1953/54) in Palermo, the Gipsoteca Canovianain Possagno (1955-57) and the Museo di Castelvecchio(1956-64) in Verona. Scarpa's exhibit designsand museum interiors present a differentway of seeing. On the one hand, seeing the objectthrough provision of a sympathetic settingfor it; on the other, seeing contemporary 'modern' architecture in the context of the culturalcontinuum that has carried it to where it nowmomentarily hovers. The Museo di Castelvecchiowas developed on the bombed ruins of theScaligery family's medieval castle in Verona. Firstcommissioned to redesign the oldest section ofthe building, Scarpa was later asked to completethe museum. The work is a monument to Scarpa'ssensibilties about time and place. Accordingto critic Nory Miller he 'achieved an extraordinarycoexistence involving architecture of differentcenturies, including this one . withoutthe crutches of neutral glass linkages, uniformmaterials, or historical references . Each angleshape, surface is chosen to engage the attentionor participation of the visitor.' Indeed, the symbiosisbetween Scarpa's work and the survivingfabric is such that differences are hardly apparent.With his infinitive capacity for fine detailinghe touched the past lightly; because he was soconscious of continuity the museum gives the'sense that construction has been supended'.(After Donald Leslie Johnson and Donald Langmead.)Valeria Carullo is curator of the Robert ElwallPhotographs Collection in the Royal Institute ofBritish Architects, Paola Marini is director andAlba Di Lieto curator of the Musei d'Arte Monumentiof the city of Verona. Richard Bryant isone of the best-known architectural photographersworking all over the world. He is the onlyphotographer with an honorary fellowship ofthe Royal Institute of British Architects.Edition Axel Menges GmbH, Esslinger Straße 24, 70736 Fellbach 51 pp. Englisch, Italienisch.
Carlo Scarpa, Museo di Castelvecchio, Verona
Di Lieto, Alba; Marini, Paola; Carullo, Valeria; Bryant, Richard (PHT)
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Taschenbuch. Condición: Neu. Neuware - Carlo Scarpa began to come into national prominencewith several designs for exhibitions.The first were in Venice: 'Paul Klee' (1948) forthe 1949 Biennale, 'Giovanni Bellini' (1949) atthe Palazzo Ducale, 'Toulouse Lautrec' (1952)at the Palazzo Correr, and 'Tiepolo' for the1952 Biennale. Othe…rs followed: 'Quattrocento'(1953) at Messina town hall and 'Piet Mondrian'(1956) at the Galleria Nazionale d'Arte Modernain Rome. Such commissions finally led him intothe design of museum interiors: among many,his most celebrated were the Museo dell'Accademia(1952-56) and the Museo Correr (1953to 1969), both in Venice, the Palazzo Abbatellis(1953/54) in Palermo, the Gipsoteca Canovianain Possagno (1955-57) and the Museo di Castelvecchio(1956-64) in Verona. Scarpa's exhibit designsand museum interiors present a differentway of seeing. On the one hand, seeing the objectthrough provision of a sympathetic settingfor it; on the other, seeing contemporary 'modern' architecture in the context of the culturalcontinuum that has carried it to where it nowmomentarily hovers. The Museo di Castelvecchiowas developed on the bombed ruins of theScaligery family's medieval castle in Verona. Firstcommissioned to redesign the oldest section ofthe building, Scarpa was later asked to completethe museum. The work is a monument to Scarpa'ssensibilties about time and place. Accordingto critic Nory Miller he 'achieved an extraordinarycoexistence involving architecture of differentcenturies, including this one . withoutthe crutches of neutral glass linkages, uniformmaterials, or historical references . Each angle,shape, surface is chosen to engage the attentionor participation of the visitor.' Indeed, the symbiosisbetween Scarpa's work and the survivingfabric is such that differences are hardly apparent.With his infinitive capacity for fine detailing,he touched the past lightly; because he was soconscious of continuity the museum gives the'sense that construction has been supended'.(After Donald Leslie Johnson and Donald Langmead.)Valeria Carullo is curator of the Robert ElwallPhotographs Collection in the Royal Institute ofBritish Architects, Paola Marini is director andAlba Di Lieto curator of the Musei d'Arte Monumentiof the city of Verona. Richard Bryant isone of the best-known architectural photographers,working all over the world. He is the onlyphotographer with an honorary fellowship ofthe Royal Institute of British Architects.
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Taschenbuch. Condición: Neu. Carlo Scarpa, Castelvecchio, Verona | Richard Bryant (u. a.) | Taschenbuch | 60 S. | Englisch | 2016 | Edition Axel Menges GmbH | EAN 9783932565816 | Verantwortliche Person für die EU: Edition Axel Menges, Esslingerstr. 24, 70736 Fellbach, axelmenges[at]aol[dot]com | Anbieter: preigu.
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Taschenbuch. Condición: Neu. Neuware -The Museo di Castelvecchio was developed on the bombed ruins of the Scaligery family's medieval castle in Verona. First commissioned to redesign the oldest section of the building, Scarpa was later asked to complete the museum. The work is a monument to Scarpa's sensibilties about time and p…lace. According to critic Nory Miller he »achieved an extraor-dinary coexistence involving architecture of different centuries, including this one . without the crutches of neutral glass linkages, uniform materials, or historical references .« Indeed, the symbiosis between Scarpa's work and the surviving fabric is such that differences are hardly apparent. 51 pp. Englisch, Italienisch.
