9783837680102 - Assemblages of Belonging: Murals, Beadwork, and Ndebele Identity in South Africa: 262 (Image) de Boyd, Craniv (28 resultados)

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Paperback. Condición: new. Paperback. Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as "assemblages of belonging" that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation. Showing the ways in which Ndebele women in South Africa engage tradition-based art to navigate identity, history and the present. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Condición: New. 2025. paperback. . . . . .

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Taschenbuch. Condición: Neu. Neuware -Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as »assemblages of belonging« that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation. 244 pp. Englisch.

Taschenbuch. Condición: Neu. Neuware -Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as »assemblages of belonging« that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation. 244 pp. Englisch.

Condición: New. 2025. paperback. . . . . . Books ship from the US and Ireland.

Taschenbuch. Condición: Neu. Neuware -Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as 'assemblages of belonging' that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation.

Paperback. Condición: New. Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as "assemblages of belonging" that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation.

Paperback. Condición: New. Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as "assemblages of belonging" that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation.

Condición: New.

Paperback. Condición: Brand New. 250 pages. 9.45x6.11x9.61 inches. In Stock.

Taschenbuch. Condición: Neu. Neuware -Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as 'assemblages of belonging' that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation.transcript Verlag, Hermannstraße 26, 33602 Bielefeld 244 pp. Englisch.

Taschenbuch. Condición: Neu. Assemblages of Belonging | Murals, Beadwork, and Ndebele Identity in South Africa | Craniv Boyd | Taschenbuch | 244 S. | Englisch | 2026 | Transcript Verlag | EAN 9783837680102 | Verantwortliche Person für die EU: transcript Verlag, Gero Wierichs, Hermannstr. 26, 33602 Bielefeld, live[at]transcript-verlag[dot]de | Anbieter: preigu.

Paperback. Condición: New. New Book, Direct from Publisher.

Taschenbuch. Condición: Neu. Neuware - Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as »assemblages of belonging« that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation.

Paperback. Condición: New. Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as "assemblages of belonging" that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation.

Paperback. Condición: new. Paperback. Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as "assemblages of belonging" that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation. Showing the ways in which Ndebele women in South Africa engage tradition-based art to navigate identity, history and the present. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Paperback. Condición: New. Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as "assemblages of belonging" that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation.

Taschenbuch. Condición: Neu. Neuware -Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as 'assemblages of belonging' that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation. 244 pp. Englisch.

Paperback. Condición: Brand New. 250 pages. 9.45x6.11x9.61 inches. In Stock. This item is printed on demand.

Paperback. Condición: new. Paperback. Ndebele material culture in South Africa was appropriated and commodified during the apartheid era. Craniv Boyd traces Ndebele art back to its origins and examines its creation as enduring practices of identity construction and of cultural articulation, placing particular emphasis on mural painting and beadwork. He traces the historical trajectories of these art forms and considers their ongoing transformation in contemporary contexts. Focusing on the creative labor of Ndebele women, this study conceptualizes these practices as "assemblages of belonging" that mediate personal and collective identity, sustain cultural continuity, and navigate the shifting dynamics of heritage, modernity, and global circulation. Showing the ways in which Ndebele women in South Africa engage tradition-based art to navigate identity, history and the present. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.