9783791377926 - neue sachlichkeit: new objectivity de lauder, ronald s.; price, renée (20 resultados)
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Neue Sachlichkeit / New Objectivity
(editor) Olaf Peters, (preface) Ronald S. Lauder, (forword) Renee Price
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Hardcover. Condición: new. Hardcover. On the eve of its subject's centennial, this richly illustrated and meticulously researched catalog celebrates-and reconsiders-one of the most significant artistic movements of the twentieth century. Gustav F. Hartlaub's 1925 exhibition Neue Sachlichkeit (New Objectivity) for the Kunsthalle…Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism's emotional intensity. But it was divided by two philosophies-the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy. Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix's Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz's Of Things to Come; and Marcel Breuer's Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period's cultural, political, and social complexities. AUTHOR: Olaf Peters is a professor of modern art at Martin Luther University in Halle-Wittenberg, Germany. He is the editor and contributing author of other Neue Galerie exhibition catalogues, including Modern Worlds: Austrian and German Art, 18901940, and Max Beckmann: The Formative Years, 19151925. Other contributors include Regina Bittner, Birgit Dalbajawa, Christian Drobe, Gustav F. Hartlaub, Jurgen Muller, Carina Plath, Franz Roh, Rolf Sachsse, and Robert Schnepf. SELLING POINTS: . PERFECT FOR readers interested in art, culture and philosophy during the Weimar Republic . Celebrating the 100th anniversary of the exhibition Neue Sachlichkeit in Mannheim . Comprehensive insights into the visual arts, architecture, photography and film of the New Objectivity movement . Published in association with Neue Galerie New York 200 colour illustrations Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Gebunden. Condición: Neu. Neu -Gustav F. Hartlaubs Ausstellung »Neue Sachlichkeit« 1925 in der Kunsthalle Mannheim war ein zentrales Ereignis, das eine neue künstlerische Bewegung in Deutschland vorstellte, die sich durch ihren kritischen Realismus, ihren sozialen Kommentar und ihre detaillierte Darstellung des zeitgenössischen…Lebens auszeichnete; Sie stellt eine deutliche Abkehr von der emotionalen Intensität des Expressionismus dar. Er wurde jedoch durch zwei Kunstauffassungen gespalten - die unbeugsamen und sozialkritischen Veristen (Otto Dix, George Grosz, Georg Scholz und andere) und die Klassizisten (Alexander Kanoldt, Georg Schrimpf und Christian Schad), die auf Harmonie und kalte Schönheit setzten. Dieser umfassende Überblick erforscht die Spannung zwischen diesen Lagern und interpretiert sie als ein zusammenhängendes Kapitel der Kunstgeschichte. Die Aufsätze führender Experten werfen ein neues Licht auf die Bewegung unter dem Aspekt der Regionalität und berücksichtigen dabei ein breites Spektrum unterschiedlicher Medien: Architektur, Design, Zeichnungen, Film, Malerei, Fotografie und Philosophie. Die erhellenden Texte werden von beeindruckenden Reproduktionen von Werken wie Otto Dix« Porträt des Rechtsanwalts Dr. Fritz Glaser, Georg Scholz« Von kommenden Dingen und Marcel Breuers Stuhl B 33 begleitet. Dieser Band zeigt, wie die Anhänger der Neuen Sachlichkeit die kulturellen, politischen und sozialen Komplexitäten der Weimarer Zeit widerspiegeln. (Ausstellungsdauer: 20.2. - 26.5.2025 Neue Galerie New York) (Text engl.) 304 pp. Englisch.
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Hardcover. Condición: new. Hardcover. On the eve of its subject's centennial, this richly illustrated and meticulously researched catalog celebrates-and reconsiders-one of the most significant artistic movements of the twentieth century. Gustav F. Hartlaub's 1925 exhibition Neue Sachlichkeit (New Objectivity) for the Kunsthalle…Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism's emotional intensity. But it was divided by two philosophies-the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy. Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix's Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz's Of Things to Come; and Marcel Breuer's Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period's cultural, political, and social complexities. AUTHOR: Olaf Peters is a professor of modern art at Martin Luther University in Halle-Wittenberg, Germany. He is the editor and contributing author of other Neue Galerie exhibition catalogues, including Modern Worlds: Austrian and German Art, 18901940, and Max Beckmann: The Formative Years, 19151925. Other contributors include Regina Bittner, Birgit Dalbajawa, Christian Drobe, Gustav F. Hartlaub, Jurgen Muller, Carina Plath, Franz Roh, Rolf Sachsse, and Robert Schnepf. SELLING POINTS: . PERFECT FOR readers interested in art, culture and philosophy during the Weimar Republic . Celebrating the 100th anniversary of the exhibition Neue Sachlichkeit in Mannheim . Comprehensive insights into the visual arts, architecture, photography and film of the New Objectivity movement . Published in association with Neue Galerie New York 200 colour illustrations Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
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Hardcover. Condición: new. Hardcover. On the eve of its subject's centennial, this richly illustrated and meticulously researched catalog celebrates-and reconsiders-one of the most significant artistic movements of the twentieth century. Gustav F. Hartlaub's 1925 exhibition Neue Sachlichkeit (New Objectivity) for the Kunsthalle…Mannheim was a pivotal event that showcased a new artistic movement in Germany, characterized by its critical realism, social commentary, and detailed depiction of contemporary life; it marked a significant departure from Expressionism's emotional intensity. But it was divided by two philosophies-the unflinching and socially critical Verists (Otto Dix, George Grosz, Georg Scholz, and others) and the Classicists (Alexander Kanoldt, Georg Schrimpf, and Christian Schad) who focused on harmony and beauty. This wide-ranging survey explores the tension between these camps and interprets it as a coherent chapter in art history. Essays by leading experts shed new light on the movement through the lens of regionality while considering a wide spectrum of media: architecture, design, drawings, film, paintings, photography, and philosophy. Their illuminating texts are accompanied by stunning reproductions of works such as Otto Dix's Portrait of the Lawyer Dr. Fritz Glaser; Georg Scholz's Of Things to Come; and Marcel Breuer's Chair B 33. Impeccably produced and researched, this volume captures the ways that the New Objectivity proponents mirrored the Weimar period's cultural, political, and social complexities. AUTHOR: Olaf Peters is a professor of modern art at Martin Luther University in Halle-Wittenberg, Germany. He is the editor and contributing author of other Neue Galerie exhibition catalogues, including Modern Worlds: Austrian and German Art, 18901940, and Max Beckmann: The Formative Years, 19151925. Other contributors include Regina Bittner, Birgit Dalbajawa, Christian Drobe, Gustav F. Hartlaub, Jurgen Muller, Carina Plath, Franz Roh, Rolf Sachsse, and Robert Schnepf. SELLING POINTS: . PERFECT FOR readers interested in art, culture and philosophy during the Weimar Republic . Celebrating the 100th anniversary of the exhibition Neue Sachlichkeit in Mannheim . Comprehensive insights into the visual arts, architecture, photography and film of the New Objectivity movement . Published in association with Neue Galerie New York 200 colour illustrations Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
