9783791348728 - Yinka Shonibare MBE (new edition) /anglais: (Revised and expanded edition) de Kent, Rachel (32 resultados)

Hardbound. Condición: Very Good. Large quarto, printed paper covered boards, 232 pp., color photos throughout, index of artworks Essays are "Time and Transformation in the Arts of Yika Shonibare MBE," Raichel Kent, "Yinka Shonibre MBE: The Politics of Representation," Robert Hobbs, "Setting the Stage," Yink Shonibare MBE in conversation with Anthony Downey. Revised and expanded version of a catalogue published in 2008.

Hardcover. Condición: Fine. Revised Edition. A fine copy of the Revised edition.

hardcover. Condición: Very Good. Connecting readers with great books since 1972! Used books may not include companion materials, and may have some shelf wear or limited writing. We ship orders daily and Customer Service is our top priority!

Condición: Very Good. Picture Shown is For Illustration Purposes Only, Please See Below For Further DetailsCONDITION ? VERY GOOD ? HARDBACK - light dent/wear and scuff marks to boards, pages in nice condition, shipped from the UK.

Condición: As New. Unread book in perfect condition.

Condición: New.

Hardback. Condición: New. Revised ed. Born in London and raised in Nigeria, Shonibare employs a diverse range of media - from sculpture, painting and installation to photography and film - to probe matters of race, class, cultural identity and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonisers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book - the most comprehensive resource available on Shonibare - presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in Trafalgar Square, London and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: New. Newly revised and updated, this authoritative book presents the exciting, ironic and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. Editor(s): Kent, Rachel. Num Pages: 240 pages, 175 colour. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 307 x 244 x 25. Weight in Grams: 1672. . 2014. Rev Exp. Hardcover. . . . .

Condición: New. In.

Condición: New. pp. 240.

Hardcover. Condición: new. Hardcover. Born in London and raised in Nigeria, Shonibare employs a diverse range of media-from sculpture, painting, and installation to photography and film-to probe matters of race, class, cultural identity, and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonizers. Incorporated into Victorian costumes, covering sculptures of extra-terrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book-the most comprehensive resource available on Shonibare-presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in London's Trafalgar Square and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations. AUTHOR: Rachel Kent, chief curator at the Museum of Contemporary Art Australia in Sydney, organised the Shonibare retrospective that toured internationally in 20082010. Robert Hobbs holds the Rhoda Thalhimer Endowed Chair at Virginia Commonwealth University and is a regular visiting professor at Yale University. Anthony Downey is director of the MA program in contemporary art at Sotheby's Institute of Art, London. SELLING POINTS: Newly revised and updated, this authoritative book presents the exciting, ironic, and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. 175 colour illustrations Newly revised and updated, this authoritative book presents the exciting, ironic and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Hardcover. Condición: Very Good.

Condición: New.

Hardback. Condición: New. Revised ed. Born in London and raised in Nigeria, Shonibare employs a diverse range of media - from sculpture, painting and installation to photography and film - to probe matters of race, class, cultural identity and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonisers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book - the most comprehensive resource available on Shonibare - presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in Trafalgar Square, London and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations.

Hardcover. Condición: Fine. Qto., 232 pages, colour illustrated. An unused Fine copy.

Condición: New. Newly revised and updated, this authoritative book presents the exciting, ironic and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. Editor(s): Kent, Rachel. Num Pages: 240 pages, 175 colour. BIC Classification: ACXJ; AGB. Category: (G) General (US: Trade). Dimension: 307 x 244 x 25. Weight in Grams: 1672. . 2014. Rev Exp. Hardcover. . . . . Books ship from the US and Ireland.

Condición: new.

Hardcover. Condición: Brand New. revised expanded edition. 240 pages. 12.25x9.50x1.00 inches. In Stock.

Hardcover. Condición: new. New Copy. Customer Service Guaranteed.

Condición: New. pp. 240.

Hardcover. Condición: new. Hardcover. Born in London and raised in Nigeria, Shonibare employs a diverse range of media-from sculpture, painting, and installation to photography and film-to probe matters of race, class, cultural identity, and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonizers. Incorporated into Victorian costumes, covering sculptures of extra-terrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book-the most comprehensive resource available on Shonibare-presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in London's Trafalgar Square and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations. AUTHOR: Rachel Kent, chief curator at the Museum of Contemporary Art Australia in Sydney, organised the Shonibare retrospective that toured internationally in 20082010. Robert Hobbs holds the Rhoda Thalhimer Endowed Chair at Virginia Commonwealth University and is a regular visiting professor at Yale University. Anthony Downey is director of the MA program in contemporary art at Sotheby's Institute of Art, London. SELLING POINTS: Newly revised and updated, this authoritative book presents the exciting, ironic, and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. 175 colour illustrations Newly revised and updated, this authoritative book presents the exciting, ironic and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.

Condición: New. pp. 240.

Condición: New. Newly revised and updated, this authoritative book presents the exciting, ironic and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene.Newly revised and updated, this authoritative book presents the exciting, .

Hardback. Condición: New. Revised ed. Born in London and raised in Nigeria, Shonibare employs a diverse range of media - from sculpture, painting and installation to photography and film - to probe matters of race, class, cultural identity and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonisers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book - the most comprehensive resource available on Shonibare - presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in Trafalgar Square, London and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations.

Hardback. Condición: New. Revised ed. Born in London and raised in Nigeria, Shonibare employs a diverse range of media - from sculpture, painting and installation to photography and film - to probe matters of race, class, cultural identity and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonisers. Incorporated into Victorian costumes, covering sculptures of extraterrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book - the most comprehensive resource available on Shonibare - presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in Trafalgar Square, London and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations.

Hardcover. Condición: new. Hardcover. Born in London and raised in Nigeria, Shonibare employs a diverse range of media-from sculpture, painting, and installation to photography and film-to probe matters of race, class, cultural identity, and history. He is perhaps best known for his signature use of a colourful "African" batik fabric that actually originated in Indonesia and was introduced to Africa in the 19th century by British and Dutch colonizers. Incorporated into Victorian costumes, covering sculptures of extra-terrestrials, or stretched like canvas for paintings, these vibrant textiles cleverly challenge issues of origin and authenticity. This book-the most comprehensive resource available on Shonibare-presents the best work of the London-based artist's career, including his high-profile project for the Fourth Plinth in London's Trafalgar Square and other innovative public sculptures. Whether lampooning Victorian propriety or commenting on what it means to be an "alien," Shonibare makes art that challenges straightforward interpretations. AUTHOR: Rachel Kent, chief curator at the Museum of Contemporary Art Australia in Sydney, organised the Shonibare retrospective that toured internationally in 20082010. Robert Hobbs holds the Rhoda Thalhimer Endowed Chair at Virginia Commonwealth University and is a regular visiting professor at Yale University. Anthony Downey is director of the MA program in contemporary art at Sotheby's Institute of Art, London. SELLING POINTS: Newly revised and updated, this authoritative book presents the exciting, ironic, and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. 175 colour illustrations Newly revised and updated, this authoritative book presents the exciting, ironic and often subversive work of Yinka Shonibare MBE, one of the stars of the international art scene. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.