9783764350239 - comic sense: reading robert coover, stanley elkin, philip roth (international cooper series in english language and literature) de pughe, thomas (14 resultados)
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Librería: Books From California, Simi Valley, Estados Unidos de AmericaBooks From California
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paperback. Condición: Good.
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Condición: New. pp. 212.
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Condición: New. Explores the comic in the work of three North American writers. Pughe concentrates mainly on their texts: Robert Coover's "A Night at the Movies" and "The Public Burning"; Stanley Elkin's "The Dick Gibson Show", "The Franchiser" and "The Magic Kingdom"; and Philip Roth's Zuckerman series. Series: International Co…oper Series in English Language & Literature. Num Pages: 197 pages, biography. BIC Classification: 1KBB; 2ABM; DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 244 x 170 x 11. Weight in Grams: 411. . 1994. Paperback. . . . .
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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Paperback. Condición: Brand New. 212 pages. German language. 9.40x6.50x0.90 inches. In Stock.
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Librería: Kennys Bookstore, Olney, Estados Unidos de AmericaKennys Bookstore
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Condición: New. Explores the comic in the work of three North American writers. Pughe concentrates mainly on their texts: Robert Coover's "A Night at the Movies" and "The Public Burning"; Stanley Elkin's "The Dick Gibson Show", "The Franchiser" and "The Magic Kingdom"; and Philip Roth's Zuckerman series. Series: International Co…oper Series in English Language & Literature. Num Pages: 197 pages, biography. BIC Classification: 1KBB; 2ABM; DSBH; DSK. Category: (P) Professional & Vocational; (UP) Postgraduate, Research & Scholarly; (UU) Undergraduate. Dimension: 244 x 170 x 11. Weight in Grams: 411. . 1994. Paperback. . . . . Books ship from the US and Ireland.
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Librería: Ria Christie Collections, Uxbridge, Reino UnidoRia Christie Collections
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Librería: moluna, Greven, Alemaniamoluna
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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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Taschenbuch. Condición: Neu. Druck auf Anfrage Neuware - Printed after ordering - The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in contemporary fiction…an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. 'Wit and mockery,' he notes, 'by themselves have little lasting value. Even in the best of such fiction, Gravity's Rainbow, one is made aware of attenuated skits stiched onto previous segments, rather than baked in by a defined point of view. ' (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily employed in discussions or reviews of con temporary fiction.
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Librería: Mispah books, Redhill, Reino UnidoMispah books
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Paperback. Condición: Like New. LIKE NEW. SHIPS FROM MULTIPLE LOCATIONS. book.
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- Primera edición
Librería: suspiratio - online bücherstube lic.phil h.b., Basel, Suizasuspiratio - online bücherstube lic.phil h.b.
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Softcover. Condición: Gut. 1. Auflage. ex (privater) bibliothek: kleine vignette auf vorblatt, kleiner kleber am buchrücken, leichte lagerspuren am einband, sonst sehr gut (nurxl-413 Language: DEU.
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Librería: BuchWeltWeit Ludwig Meier e.K., Bergisch Gladbach, AlemaniaBuchWeltWeit Ludwig Meier e.K.
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Taschenbuch. Condición: Neu. This item is printed on demand - it takes 3-4 days longer - Neuware -The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in conte…mporary fiction an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. 'Wit and mockery,' he notes, 'by themselves have little lasting value. Even in the best of such fiction, Gravity's Rainbow, one is made aware of attenuated skits stiched onto previous segments, rather than baked in by a defined point of view. ' (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily employed in discussions or reviews of con temporary fiction. 212 pp. Englisch.
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Librería: Majestic Books, Hounslow, Reino UnidoMajestic Books
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Condición: New. Print on Demand pp. 212 67:B&W 6.69 x 9.61 in or 244 x 170 mm (Pinched Crown) Perfect Bound on White w/Gloss Lam.
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Librería: Biblios, frankfurt am main, AlemaniaBiblios
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Condición: New. PRINT ON DEMAND pp. 212.
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Librería: buchversandmimpf2000, Emtmannsberg, Alemaniabuchversandmimpf2000
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Taschenbuch. Condición: Neu. This item is printed on demand - Print on Demand Titel. Neuware -The idea for this study came to me in the course of my reading of innova tive US-American! fiction of the last three decades. I observed that much of it is cast in the comic mode - or, more precisely, that there seems to be in contempor…ary fiction an affinity between 'innovation' and 'the comic' and that this affinity, furthermore, appears to be characteristic of postmo dernism. It is obvious, at the same time, that comic has become an elusive and, more often than not, a disputable category. Frederick Karl, in his sur vey of American Fictions 1940-1980, maintains, for instance, that much comic writing consists in ridicule that lacks deeper intellectual and cul tural roots. 'Wit and mockery,' he notes, 'by themselves have little lasting value. Even in the best of such fiction, Gravity's Rainbow, one is made aware of attenuated skits stiched onto previous segments, rather than baked in by a defined point of view. ' (Karl: 27) Such assessments of course challenge my view that the comic is in significant ways connected with what is innovative in postmodernist US-American fiction. Yet the term comic -or related terms like humour, parody, irony and so fort- is regularly and heavily employed in discussions or reviews of con temporary fiction.Springer Nature c/o IBS, Benzstrasse 21, 48619 Heek 212 pp. Englisch.
