Isbn: 9783039421640 - circle! square! progress! /anglais (28 resultados)

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paperback. Condición: Good. Good - Bumped and creased book with tears to the extremities, but not affecting the text block, may have remainder mark or previous owner's name - GOOD Oversized. PAPERBACK.

paperback. Condición: New. Brand new book, sourced directly from publisher. Dispatch time is 3-4 days from our warehouse. Book will be sent in robust, secure packaging to ensure it reaches you securely.

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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardback. Condición: New. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of Constructivist-Concrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics.Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafés, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form.…

Condición: As New. Unread book in perfect condition.

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Hardcover. Condición: new. Hardcover. The Zurich Concretists: from difficult beginnings and struggles to triumphs and arrival in Switzerland's art establishment. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of ConstructivistConcrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics. Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafes, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form. AUTHORS: Thomas Haemmerli is a Zurich-based director of film documentaries, journalist, and writer. Brigitte Ulmer is a scholar of history based in Zurich and London who works as a cultural publicist and writer. SELLING POINTS: . The first comprehensive survey of the Zurich Concretists, Switzerland's legendary Modernist art movement . Explores the Zurich Concretists' roots in the Bauhaus and their relations to the art theories of Theo van Doesburg, Johannes Itten, and Piet Mondrian, as well as influences from mathematics and music . Traces the struggles of the Zurich avant-garde of the 1930s and 1940s against the anti-modernism of the period . Lavishly illustrated with key works by all artists that belonged to the movement and with rich material from archives, some of which is previously unpublished 246 colour, 15 b/w illustrations The first comprehensive survey of the Zurich Concretists, Switzerlands legendary Modernist art movement. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: New.

Hardback. Condición: New. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of Constructivist-Concrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics.Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafés, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form.…

Condición: New. In English.

Condición: New.

Condición: new.

Condición: New.

Hardcover. Condición: Brand New. 304 pages. 11.03x8.86x10.35 inches. In Stock.

Condición: New.

Condición: New.

Condición: NEW.

Taschenbuch. Condición: Neu. Neuware - Amidst the turmoil of World War II, Zurich was an enclave where modern art held its ground. In the aftermath, Concrete Art, design, and the 'Swiss Style' became emblematic of a modern Switzerland. Influenced by De Stijl, Russian Constructivism, and the Bauhaus, the Zurich Concretists aimed to transform society through aesthetics, design, and architecture. Circle! Square! Progress! brings together the main protagonists Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse along with precursors such as Sophie Taeuber-Arp, Georges Vantongerloo, Theo van Doesburg, and Anton Stankowski. Contemporary witnesses, artist Peter Fischli and curator Bice Curiger, add their unique perspectives. The volume vividly describes the Zurich Concretist's conections with European avant-garde, delving into the hostilities, scandals, and their ultimately successful struggle for recognition against the backdrop of the 20th century's upheavals.; Konkrete Kunst, Grafik und Design wurden nach dem Zweiten Weltkrieg zum Emblem einer modernen Schweiz. Geprägt von de Stijl, russischem Konstruktivismus und dem Bauhaus zielten die Konkreten auf eine Transformation der Gesellschaft durch Ästhetik, Design und Architektur - etwa durch die Hochschule für Gestaltung Ulm. Kreis! Quadrat! Progress! porträtiert die Zürcher Konkreten Max Bill, Camille Graeser, Verena Loewensberg und Richard Paul Lohse und ihr Umfeld sowie ihre Impulsgeber wie Sophie Taeuber-Arp, Georges Vantongerloo, Theo van Doesburg oder Anton Stankowski. Es erzählen Zeitzeugen wie der Künstler Peter Fischli und die Kuratorin Bice Curiger. Lebendig werden Verbindungen zur europäischen Avantgarde ebenso wie die Anfeindungen, die Skandale und die Durchsetzungskämpfe inmitten der Umwälzungen des 20. Jahrhunderts. …

Condición: New. Die Geschichte der Zuercher Konkreten und ihres Strebens nach einer Transformation der Gesellschaft durch Aesthetik, Design und ArchitekturKonkrete Kunst, Grafik und Design wurden nach dem Zweiten Weltkrieg zum Emblem einer modernen Schweiz. Gepraegt vo.

Hardback. Condición: New. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of Constructivist-Concrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics.Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafés, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form.…

Hardcover. Condición: new. Hardcover. The Zurich Concretists: from difficult beginnings and struggles to triumphs and arrival in Switzerland's art establishment. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of ConstructivistConcrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics. Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafes, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form. AUTHORS: Thomas Haemmerli is a Zurich-based director of film documentaries, journalist, and writer. Brigitte Ulmer is a scholar of history based in Zurich and London who works as a cultural publicist and writer. SELLING POINTS: . The first comprehensive survey of the Zurich Concretists, Switzerland's legendary Modernist art movement . Explores the Zurich Concretists' roots in the Bauhaus and their relations to the art theories of Theo van Doesburg, Johannes Itten, and Piet Mondrian, as well as influences from mathematics and music . Traces the struggles of the Zurich avant-garde of the 1930s and 1940s against the anti-modernism of the period . Lavishly illustrated with key works by all artists that belonged to the movement and with rich material from archives, some of which is previously unpublished 246 colour, 15 b/w illustrations The first comprehensive survey of the Zurich Concretists, Switzerlands legendary Modernist art movement. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Circle! Square! Progress! | Zurich's Concrete Avant-garde. Max Bill, Camille Graeser, Verena Loewensberg, Richard Paul Lohse and Their Times | Thomas Haemmerli (u. a.) | Taschenbuch | 336 S. | Englisch | 2024 | Scheidegger & Spiess | EAN 9783039421640 | Verantwortliche Person für die EU: GVA Gemeinsame Verlagsauslieferung Göttingen GmbH & Co. KG, Carsten Schlieker, Postfach 20 21, 37010 Göttingen, info[at]gva-verlage[dot]de | Anbieter: preigu.…

Hardback. Condición: New. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of Constructivist-Concrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics.Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafés, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form.…

Hardcover. Condición: new. Hardcover. The Zurich Concretists: from difficult beginnings and struggles to triumphs and arrival in Switzerland's art establishment. They were reviled, ridiculed, and ignored. Today, the Zurich Concretists - along with Dada - are considered the most important art movement originating from Switzerland. Circle! Square! Progress! tells the story of the city's avant-garde movement, which is rooted in the Bauhaus and renewed the formal language of art, shaped design and architecture, and also positioned itself politically. It traces its relations to the heroes of ConstructivistConcrete art, such as Johannes Itten, Piet Mondrian, Sophie Taeuber-Arp, Theo van Doesburg, and Georges Vantongerloo, and looks at the influences that came from graphic art and advertising, jazz music and dance, colour theory, and mathematics. Max Bill, Camille Graeser, Verena Loewensberg, and Richard Paul Lohse - a group incidentally thrown together rather than true conspirators - formed the centre of gravity of a milieu that wrestled with critics, institutions, and authorities. Lavishly illustrated, the book explores Zurich as the habitat of highly gifted people engaged in lively debates at bohemian cafes, drifting in jazz clubs, celebrating excessively at the legendary annual artists' fancy dress ball, achieving fame and artistic triumphs with creative power and a sense of mission. It illuminates the Zurich Concretists' successes of the 1960s, their at times extremely violent quarrels of the 1970s, and their disputes about the beauty of form. AUTHORS: Thomas Haemmerli is a Zurich-based director of film documentaries, journalist, and writer. Brigitte Ulmer is a scholar of history based in Zurich and London who works as a cultural publicist and writer. SELLING POINTS: . The first comprehensive survey of the Zurich Concretists, Switzerland's legendary Modernist art movement . Explores the Zurich Concretists' roots in the Bauhaus and their relations to the art theories of Theo van Doesburg, Johannes Itten, and Piet Mondrian, as well as influences from mathematics and music . Traces the struggles of the Zurich avant-garde of the 1930s and 1940s against the anti-modernism of the period . Lavishly illustrated with key works by all artists that belonged to the movement and with rich material from archives, some of which is previously unpublished 246 colour, 15 b/w illustrations The first comprehensive survey of the Zurich Concretists, Switzerlands legendary Modernist art movement. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.…