9782940656141 - Robert Filliou /anglais de Filliou, Robert (14 resultados)

Condición: As New. Unread book in perfect condition.

Condición: New.

Paperback. Condición: New. Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday lifeThis book showcases Eins. Un. One. (1984), one of the last major works of French American artist Robert Filliou (1926-87), which consists of 5,000 blue, red, yellow, black, white and wood-colored dice of various sizes, each with a single dot on its face, randomly distributed over a surface of nine meters in diameter. This new volume of the MAMCO Collection series contains an introductory text by Michel Collet, who explains the conceptual power of Filliou's practice, while Sophie Costes carefully surveys all the artist's works in the museum's collection. She shows how Filliou used play, action, philosophy and language to question the foundations of artistic creation with humor and benevolence. While Filliou rubbed shoulders with Joseph Beuys, George Brecht, John Cage, Allan Kaprow and Daniel Spoerri, he remained a discrete figure who wanted to abolish the arbitrary hierarchies established by art history.

Paperback. Condición: new. Paperback. Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday lifeThis book showcases Eins. Un. One. (1984), one of the last major works of French American artist Robert Filliou (192687), which consists of 5,000 blue, red, yellow, black, white and wood-colored dice of various sizes, each with a single dot on its face, randomly distributed over a surface of nine meters in diameter. This new volume of the MAMCO Collection series contains an introductory text by Michel Collet, who explains the conceptual power of Filliou's practice, while Sophie Costes carefully surveys all the artist's works in the museum's collection. She shows how Filliou used play, action, philosophy and language to question the foundations of artistic creation with humor and benevolence. While Filliou rubbed shoulders with Joseph Beuys, George Brecht, John Cage, Allan Kaprow and Daniel Spoerri, he remained a discrete figure who wanted to abolish the arbitrary hierarchies established by art history. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

PAP. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Paperback. Condición: Brand New. 96 pages. 9.00x6.25x9.00 inches. In Stock.

Paperback. Condición: Brand New. 96 pages. 9.00x6.25x9.00 inches. In Stock.

Condición: New.

paperback. Condición: New. Special order direct from the distributor.

Condición: As New. Unread book in perfect condition.

Paperback. Condición: new. Paperback. Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday lifeThis book showcases Eins. Un. One. (1984), one of the last major works of French American artist Robert Filliou (192687), which consists of 5,000 blue, red, yellow, black, white and wood-colored dice of various sizes, each with a single dot on its face, randomly distributed over a surface of nine meters in diameter. This new volume of the MAMCO Collection series contains an introductory text by Michel Collet, who explains the conceptual power of Filliou's practice, while Sophie Costes carefully surveys all the artist's works in the museum's collection. She shows how Filliou used play, action, philosophy and language to question the foundations of artistic creation with humor and benevolence. While Filliou rubbed shoulders with Joseph Beuys, George Brecht, John Cage, Allan Kaprow and Daniel Spoerri, he remained a discrete figure who wanted to abolish the arbitrary hierarchies established by art history. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.

Taschenbuch. Condición: Neu. Neuware - Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday life.

Paperback. Condición: New. Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday lifeThis book showcases Eins. Un. One. (1984), one of the last major works of French American artist Robert Filliou (1926-87), which consists of 5,000 blue, red, yellow, black, white and wood-colored dice of various sizes, each with a single dot on its face, randomly distributed over a surface of nine meters in diameter. This new volume of the MAMCO Collection series contains an introductory text by Michel Collet, who explains the conceptual power of Filliou's practice, while Sophie Costes carefully surveys all the artist's works in the museum's collection. She shows how Filliou used play, action, philosophy and language to question the foundations of artistic creation with humor and benevolence. While Filliou rubbed shoulders with Joseph Beuys, George Brecht, John Cage, Allan Kaprow and Daniel Spoerri, he remained a discrete figure who wanted to abolish the arbitrary hierarchies established by art history.

Paperback. Condición: new. Paperback. Inside one of the final works of a Fluxus artist for whom artmaking was part of a permanent, endless process embedded in everyday lifeThis book showcases Eins. Un. One. (1984), one of the last major works of French American artist Robert Filliou (192687), which consists of 5,000 blue, red, yellow, black, white and wood-colored dice of various sizes, each with a single dot on its face, randomly distributed over a surface of nine meters in diameter. This new volume of the MAMCO Collection series contains an introductory text by Michel Collet, who explains the conceptual power of Filliou's practice, while Sophie Costes carefully surveys all the artist's works in the museum's collection. She shows how Filliou used play, action, philosophy and language to question the foundations of artistic creation with humor and benevolence. While Filliou rubbed shoulders with Joseph Beuys, George Brecht, John Cage, Allan Kaprow and Daniel Spoerri, he remained a discrete figure who wanted to abolish the arbitrary hierarchies established by art history. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.