Isbn: 9782370742261 - peter halley europe (bilingual edition) (22 resultados)

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HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Condición: new.

Hardcover. Condición: new. Hardcover. "I wanted to draw attention to this geometric, rationalized, quantified world." - Peter Halley Throughout his career, Peter Halley (b. 1953, New York) has developed a vocabulary derived from geometric abstraction that reflects the contemporary world. His works are inhabited by "prisons", "cells" and "conduits", the result of a personal interpretation of New York society in the 80s and the advent of technology. This vocabulary is used by Peter Halley in all his paintings. Peter Halley has developed a reflection on the alienation of contemporary society, whose members live in cramped spaces (cells or prisons) interconnected by a system of circuits (conduits) encompassing pipes, chimneys, electrical installations and the Internet. The geometric compositions are characterized by an apparent simplicity that makes it tempting to follow the lines of the conduits. Yet, with a sense of humor, the artist sometimes decides to cut the connections, adding to the absurdity of contemporary society. The bright, often fluorescent colors create vibrant paintings that convey a joyful vision of the world. Peter Halley's work has been the subject of numerous recent exhibitions, including at the MUDAM in Luxembourg (2023), the Dallas Contemporary (2021), the Schirn Kunsthall in Frankfurt (2016) and the Musee d'art moderne et contemporain in Saint Etienne (2014). Many institutions have works by Peter Halley in their collections: the MoMA in New York, the Stedelijk Museum in Amsterdam, the Tate in London and the Centre Pompidou in Paris. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardback. Condición: New.

Condición: New.

Hardcover. Condición: New.

Condición: As New. Unread book in perfect condition.

Halley, Peter. PETER HALLEY. 192 pages, including 100 color plates. Folio, cloth. Milan, Skira, 2024. This monograph presents Halley's work from its beginnings to the present, with a specific focus on tracing the reception of his work in Europe.

Hardcover. Condición: Brand New. bilingual edition. 12.25x10.00x1.00 inches. In Stock.

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Hardcover without dustjacket as issued, 192 pages; in English and French; as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

Condición: New. 2024. 1st Edition. hardcover. . . . . .

Hardcover. Condición: new. Hardcover. "I wanted to draw attention to this geometric, rationalized, quantified world." - Peter Halley Throughout his career, Peter Halley (b. 1953, New York) has developed a vocabulary derived from geometric abstraction that reflects the contemporary world. His works are inhabited by "prisons", "cells" and "conduits", the result of a personal interpretation of New York society in the 80s and the advent of technology. This vocabulary is used by Peter Halley in all his paintings. Peter Halley has developed a reflection on the alienation of contemporary society, whose members live in cramped spaces (cells or prisons) interconnected by a system of circuits (conduits) encompassing pipes, chimneys, electrical installations and the Internet. The geometric compositions are characterized by an apparent simplicity that makes it tempting to follow the lines of the conduits. Yet, with a sense of humor, the artist sometimes decides to cut the connections, adding to the absurdity of contemporary society. The bright, often fluorescent colors create vibrant paintings that convey a joyful vision of the world. Peter Halley's work has been the subject of numerous recent exhibitions, including at the MUDAM in Luxembourg (2023), the Dallas Contemporary (2021), the Schirn Kunsthall in Frankfurt (2016) and the Musee d'art moderne et contemporain in Saint Etienne (2014). Many institutions have works by Peter Halley in their collections: the MoMA in New York, the Stedelijk Museum in Amsterdam, the Tate in London and the Centre Pompidou in Paris. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Condición: New. In English.

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Condición: New. 2024. 1st Edition. hardcover. . . . . . Books ship from the US and Ireland.

Condición: New.

Buch. Condición: Neu. Neuware - 'I wanted to draw attention to this geometric, rationalized, quantified world.' - Peter Halley Throughout his career, Peter Halley (b. 1953, New York) has developed a vocabulary derived from geometric abstraction that reflects the contemporary world. His works are inhabited by 'prisons', 'cells' and 'conduits', the result of a personal interpretation of New York society in the 80s and the advent of technology. This vocabulary is used by Peter Halley in all his paintings. Peter Halley has developed a reflection on the alienation of contemporary society, whose members live in cramped spaces (cells or prisons) interconnected by a system of circuits (conduits) encompassing pipes, chimneys, electrical installations and the Internet. The geometric compositions are characterized by an apparent simplicity that makes it tempting to follow the lines of the conduits. Yet, with a sense of humor, the artist sometimes decides to cut the connections, adding to the absurdity of contemporary society. The bright, often fluorescent colors create vibrant paintings that convey a joyful vision of the world. Peter Halley's work has been the subject of numerous recent exhibitions, including at the MUDAM in Luxembourg (2023), the Dallas Contemporary (2021), the Schirn Kunsthall in Frankfurt (2016) and the Musée d'art moderne et contemporain in Saint Etienne (2014). Many institutions have works by Peter Halley in their collections: the MoMA in New York, the Stedelijk Museum in Amsterdam, the Tate in London and the Centre Pompidou in Paris.…

Hardback. Condición: New.