9781945680809 - spring mountain: the complete poems of ho nansorhon de ho, nansorhon (7 resultados)

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Librería: Magers and Quinn Booksellers, Minneapolis, MN, Estados Unidos de AmericaMagers and Quinn Booksellers
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EUR 12,21
Envío por EUR 3,41Se envía dentro de Estados Unidos de AmericaCantidad disponible: 1 disponibles
paperback. Condición: Very Good. May have light to moderate shelf wear and/or a remainder mark. Complete. Clean pages.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 13,74
Envío por EUR 2,26Se envía dentro de Estados Unidos de AmericaCantidad disponible: 2 disponibles
Condición: As New. Unread book in perfect condition.

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Librería: GreatBookPrices, Columbia, MD, Estados Unidos de AmericaGreatBookPrices
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EUR 16,08
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Condición: New.

Editorial: White Pine Press, Buffalo, 2025
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Librería: Grand Eagle Retail, Bensenville, IL, Estados Unidos de AmericaGrand Eagle Retail
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EUR 18,42
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Paperback. Condición: new. Paperback. The complete collection of poems by Nansorhon, a 16th century sequestered noblewoman and one of Koreas first feminists in literature, considered by many Korean scholars to be Koreas greatest poet.Nansorhons writes frequently in the Korean han style of deep sighs, a thematically-styled poetry… reminiscent of the Chinese women poets of anguish, practiced by writers such as Li, Ching-chao (1084-1151). In this style, hardships that cannot be overcome but only endured are named and lamented: the death of children, abandonment by husbands, and destruction of households from war are a few examples. She did not lose the means to express her feelings, however, and her poetry remains as testament to the process of her responses to her life.The feminism of Nansorhon begins with her education and the act of writing poetry. If a Korean noblewoman of this period wrote about progressive themes that challenged social norms, she had to express the ideas by using personas and troping traditional formal structures. Poetry written in this manner could then be defended by the noblewoman as simply practicing variations on poetic tradition, despite the subtextual commentary on abandonment, experiences or opinions on sequestering, larger questions about socialized gender roles and identity, or what it means to be an artist. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.

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Librería: Russell Books, Victoria, BC, CanadaRussell Books
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EUR 12,69
Envío por EUR 17,11Se envía de Canada a Estados Unidos de AmericaCantidad disponible: 1 disponibles
paperback. Condición: New. Special order direct from the distributor.

Red Rain on a Spring Mountain: Poems of Ho Nansorhon
Ho, Nansorhon/ Haight, Ian (Translator)/ Ho, Tae-young (Translator)
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Librería: Revaluation Books, Exeter, Reino UnidoRevaluation Books
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EUR 18,88
Envío por EUR 11,67Se envía de Reino Unido a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Paperback. Condición: Brand New. 140 pages. 9.00x6.00x9.00 inches. In Stock.

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Librería: AHA-BUCH GmbH, Einbeck, AlemaniaAHA-BUCH GmbH
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EUR 20,00
Envío por EUR 61,16Se envía de Alemania a Estados Unidos de AmericaCantidad disponible: 1 disponibles
Taschenbuch. Condición: Neu. Neuware - The complete collection of poems by Nansorhon, a 16th century sequestered noblewoman and one of Korea's first feminists in literature, considered by many Korean scholars to be Korea's greatest poet.Nansorhon's writes frequently in the Korean han style of "deep sighs," a thematically-styled…poetry reminiscent of the Chinese "women poets of anguish," practiced by writers such as Li, Ch'ing-chao (1084-1151). In this style, hardships that cannot be overcome but only endured are named and lamented: the death of children, abandonment by husbands, and destruction of households from war are a few examples. She did not lose the means to express her feelings, however, and her poetry remains as testament to the process of her responses to her life.The feminism of Nansorhon begins with her education and the act of writing poetry. If a Korean noblewoman of this period wrote about progressive themes that challenged social norms, she had to express the ideas by using personas and troping traditional formal structures. Poetry written in this manner could then be defended by the noblewoman as simply practicing variations on poetic tradition, despite the subtextual commentary on abandonment, experiences or opinions on sequestering, larger questions about socialized gender roles and identity, or what it means to be an artist.