Isbn: 9781941701027 - no problem: cologne / new york 1984-1989 (21 resultados)

Hardcover. Condición: Acceptable. HARDCOVER Acceptable - This is a significantly damaged book. It should be considered a reading copy only. Please order this book only if you are interested in the content and not the condition. May be ex-library. Oversized.

Hardcover without dustjacket as issued 276 pages, as new condition; clean and crisp; no internal marks. Foreign shipping may be extra.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: Near Fine. 275pp., b/w and colour illus., notes, chronology. Minor creasing to first three pages. Otherwise 'as new' condition. GL.

HRD. Condición: New. New Book. Shipped from UK. Established seller since 2000.

Hardcover. Condición: New. 1st Edition. Hardcover volume, measuring approximately 9.5" x 11.75", is new, still preserved in shrink wrap. 276 pages. "In the words of Peter Schjeldahl, writing in The New Yorker about the exhibition "No Problem: Cologne/New York 19841989" at David Zwirner in New York, "the show's cast of artists amounts to a retrospective shopping list of what would matter and endure in art of the era." With an eye to canonizing that moment, this seminal publication examines the latter half of the 1980s through the lens of international art scenes that were based in Colognearguably the European center of the contemporary art world at that timeand New York. While a number of established Cologne-based gallerists, including Karsten Greve, Paul Maenz, Rolf Ricke, Michael Werner, and Rudolf Zwirner, had already begun shaping the European reception of American art in the previous decade, the 1980s marked a period during which art being produced in and around Cologne gained international attention. A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler, and Monika Spru¨th showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel, and others. The works of these German artists were exhibited along with the latest contemporary art from the US by artists like Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman, and Christopher Wool. Conversely, the works of German artists were presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring, Augustine & Hodes, and other significant venues. Important museum exhibitions that explored work being produced and exhibited on both sides of the Atlantic also set the tone for this ongoing dialogue, among them "Europa / Amerika" (Museum Ludwig, Cologne, 1986) and "A Distanced View: One Aspect of Recent Art from Belgium, France, Germany, and Holland" (New Museum, New York, 1986). Big, bold, and vibrant, this Pentagram-designed publication revives the conversation, reproducing in full color over one hundred immensely varied artworks by the twenty-two international artists included in this massive exhibitionone of the largest in David Zwirner's history. Beyond its stunning visual components, the book features crucial new scholarship by Diedrich Diederichsen and Bob Nickas, and an illustrated chronology of the decade by Kara Carmack. The book also includes an arsenal of compelling archival material, from documentary photographs from the period to reproductions of Cologne's culture magazine Spex. Taken as a whole, this ambitious exhibition catalogue encapsulates the energy, heart, and "dissonance of styles"in the words of Schjeldahlembodied by this fascinating and fecund moment in global art history. Artists featured in the book include Werner Büttner, George Condo, Walter Dahn, Jiri Georg Dokoupil, Peter Fischli/David Weiss, Günther Förg, Robert Gober, Georg Herold, Jenny Holzer, Mike Kelley, Martin Kippenberger, Jeff Koons, Barbara Kruger, Sherrie Levine, Albert Oehlen, Raymond Pettibon, Richard Prince, Cindy Sherman, Rosemarie Trockel, Franz West, and Christopher Wool.". …

Hardcover. Black matte boards with the title in white lettering down the spine. Pages: (6), 7-275, (1). Profusely illustrated with a healthy mix of black-and-white and color images. Contents are as follows: Foreword and acknowledgments / David Zwirner -- Before globalization : Cologne and New York in the 1980s / Diedrich Diederichsen -- Plates -- I [love] eternity, or, More love hours than can ever be repaid / Bob Nickas -- Cologne/New York in the 1980s : a chronology / Kara Carmack -- Artists biographies : selected exhibitions 1980-1990 -- List of works. VG: Exlibrary book. Stamp, sticker, and due date card on back pasted end page. Stamp and small plate on front free end page. Stamp on top text block.…

Condición: New. 224.

Condición: new.

Hardcover. Condición: new. Hardcover. In the words of Peter Schjeldahl, writing in The New Yorker about the exhibition No Problem: Cologne/New York 1984-1989 at David Zwirner in New York, "the show's cast of artists amounts to a retrospective shopping list of what would matter and endure in art of the era."With an eye to canonizing that moment, this seminal publication examines the latter half of the 1980s through the lens of international art scenes that were based in Cologne-arguably the European center of the contemporary art world at that time-and New York.While a number of established Cologne-based gallerists, including Karsten Greve, Paul Maenz, Rolf Ricke, Michael Werner, and Rudolf Zwirner, had already begun shaping the European reception of American art in the previous decade, the 1980s marked a period during which art being produced in and around Cologne gained international attention. A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler, and Monika Sprueth showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel, and others. The works of these German artists were exhibited along with the latest contemporary art from the US by artists like Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman, and Christopher Wool. Conversely, the works of German artists were presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring, Augustine & Hodes, and other significant venues. Important museum exhibitions that explored work being produced and exhibited on both sides of the Atlantic also set the tone for this ongoing dialogue, among them Europa / Amerika (Museum Ludwig, Cologne, 1986) and A Distanced View: One Aspect of Recent Art from Belgium, France, Germany, and Holland (New Museum, New York, 1986).Big, bold, and vibrant, this Pentagram-designed publication revives the conversation, reproducing in full color over one hundred immensely varied artworks by the twenty-two international artists included in this massive exhibition-one of the largest in David Zwirner's history. Beyond its stunning visual components, the book features crucial new scholarship by Diedrich Diederichsen and Bob Nickas, and an illustrated chronology of the decade by Kara Carmack. The book also includes an arsenal of compelling archival material, from documentary photographs from the period to reproductions of Cologne's culture magazine Spex. Taken as a whole, this ambitious exhibition catalogue encapsulates the energy, heart, and "dissonance of styles"-in the words of Schjeldahl-embodied by this fascinating and fecund moment in global art history.Artists featured in the book include Werner Buettner, George Condo, Walter Dahn, Jiri Georg Dokoupil, Peter Fischli/David Weiss, Guenther Foerg, Robert Gober, Georg Herold, Jenny Holzer, Mike Kelley, Martin Kippenberger, Jeff Koons, Barbara Kruger, Sherrie Levine, Albert Oehlen, Raymond Pettibon, Richard Prince, Cindy Sherman, Rosemarie Trockel, Franz West, and Christopher Wool. Examines the latter half of the 1980s through the lens of international art scenes based at the time in Cologne - arguably the European centre of the contemporary art world - and New York. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

Hardcover. Condición: New. In the words of Peter Schjeldahl, writing recently in 'The New Yorker' about the exhibition 'No Problem: Cologne/New York 1984-1989' at David Zwirner in New York, 'the show's cast of artists amounts to a retrospective shopping list of what would matter and endure in art of the era.' Canonizing that moment, this seminal publication examines the latter half of the 1980s through the lens of the art scenes in Cologne-arguably the European center of the contemporary art world at that time-and New York. While a number of established Cologne-based gallerists, including Karsten Greve, Paul Maenz, Rolf Ricke, Michael Werner and Rudolf Zwirner, had already begun shaping the European reception of American art in the previous decade, the 1980s marked a period during which art being produced in and around Cologne gained international attention. A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler and Monika Sprüth showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel and others. These German artists were exhibited alongside artists such as Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman and Christopher Wool. Conversely, the work of German artists was presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring Augustine and other significant venues. Important museum exhibitions that explored work on both sides of the Atlantic also set the tone for this dialogue, among them 'Europa/Amerika' (Museum Ludwig, 1986) and 'A Distanced View' (New Museum, 1986). Big, bold and vibrant, this Pentagram-designed publication revives the conversation, reproducing in full color every one of the over 100 artworks by 22 international artists included in this massive exhibition-one of the largest in David Zwirner's history. The book also features new scholarship by Diedrich Diederichsen and Bob Nickas, an illustrated timeline for both cities and compelling archival material-from documentary photographs from the period and reproductions of Cologne's historic 'Spex Magazine' to reviews of exhibitions from the period. This catalogue encapsulates the energy, heart and 'dissonance of styles'-in the words of Schjeldahl-embodied by this fecund moment in global art history.…

Hardcover. Condición: Fine. No jacket.

Condición: New. No Problem. Num Pages: 276 pages. BIC Classification: AGC. Category: (G) General (US: Trade). Dimension: 241 x 297 x 31. Weight in Grams: 1898. . 2015. 01st Edition. Hardcover. . . . .

Hardcover. Condición: Brand New. 275 pages. 12.00x10.00x1.00 inches. In Stock.

Condición: New. 224.

Condición: New. No Problem. Num Pages: 276 pages. BIC Classification: AGC. Category: (G) General (US: Trade). Dimension: 241 x 297 x 31. Weight in Grams: 1898. . 2015. 01st Edition. Hardcover. . . . . Books ship from the US and Ireland.

hardbound. Condición: Very Good. Illustrated study of the collaboration between artists and adventurous gallerists (such as Max Hetzler, Gisela Capitain, Rafael Jablonka, Monika Spruth) in the mid-late 1980's in seminal art centres Cologne and New York; artists include Werner Buttner, George Condo, Jiri Georg Dokoupil, Gunther Forg, Georg Herold, Jenny Holzer, Mike Kelley, Jeff Koons, Barbara Kruger, Sherrie Levine, Raymond Pettibon, Cindy Sherman, Christopher Wool; copiously illustrated in colour and b&w; includes a Cologne/New York 1980's Chronology, artists biographies, and selected exhibitions; published on the occasion of the exhibition 'No Problem: Cologne/New York 1984-1989' David Zwirner New York May 1 - June 14 2014; Very Good tight clean copy, no dustwrapper (as issued). no dustwrapper. 275pp. 4to. Very Good. profusely illustrated (ilustrador). …

Condición: New. Examines the latter half of the 1980s through the lens of international art scenes based at the time in Cologne - arguably the European centre of the contemporary art world - and New York.In the words of Peter Schjeldahl, writing in The New Yorker ab.

Buch. Condición: Neu. Neuware - In the words of Peter Schjeldahl, writing in The New Yorker about the exhibition No Problem: Cologne/New York 1984-1989 at David Zwirner in New York, 'the show's cast of artists amounts to a retrospective shopping list of what would matter and endure in art of the era.' With an eye to canonizing that moment, this seminal publication examines the latter half of the 1980s through the lens of international art scenes that were based in Cologne-arguably the European center of the contemporary art world at that time-and New York. While a number of established Cologne-based gallerists, including Karsten Greve, Paul Maenz, Rolf Ricke, Michael Werner, and Rudolf Zwirner, had already begun shaping the European reception of American art in the previous decade, the 1980s marked a period during which art being produced in and around Cologne gained international attention. A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler, and Monika Sprüth showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel, and others. The works of these German artists were exhibited along with the latest contemporary art from the US by artists like Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman, and Christopher Wool. Conversely, the works of German artists were presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring, Augustine & Hodes, and other significant venues. Important museum exhibitions that explored work being produced and exhibited on both sides of the Atlantic also set the tone for this ongoing dialogue, among them Europa / Amerika (Museum Ludwig, Cologne, 1986) and A Distanced View: One Aspect of Recent Art from Belgium, France, Germany, and Holland (New Museum, New York, 1986). Big, bold, and vibrant, this Pentagram-designed publication revives the conversation, reproducing in full color over one hundred immensely varied artworks by the twenty-two international artists included in this massive exhibition-one of the largest in David Zwirner's history. Beyond its stunning visual components, the book features crucial new scholarship by Diedrich Diederichsen and Bob Nickas, and an illustrated chronology of the decade by Kara Carmack. The book also includes an arsenal of compelling archival material, from documentary photographs from the period to reproductions of Cologne's culture magazine Spex. Taken as a whole, this ambitious exhibition catalogue encapsulates the energy, heart, and 'dissonance of styles'-in the words of Schjeldahl-embodied by this fascinating and fecund moment in global art history. Artists featured in the book include Werner Büttner, George Condo, Walter Dahn, Jiri Georg Dokoupil, Peter Fischli/David Weiss, Günther Förg, Robert Gober, Georg Herold, Jenny Holzer, Mike Kelley, Martin Kippenberger, Jeff Koons, Barbara Kruger, Sherrie Levine, Albert Oehlen, Raymond Pettibon, Richard Prince, Cindy Sherman, Rosemarie Trockel, Franz West, and Christopher Wool.…

Hardcover. Condición: new. Hardcover. In the words of Peter Schjeldahl, writing in The New Yorker about the exhibition No Problem: Cologne/New York 1984-1989 at David Zwirner in New York, "the show's cast of artists amounts to a retrospective shopping list of what would matter and endure in art of the era."With an eye to canonizing that moment, this seminal publication examines the latter half of the 1980s through the lens of international art scenes that were based in Cologne-arguably the European center of the contemporary art world at that time-and New York.While a number of established Cologne-based gallerists, including Karsten Greve, Paul Maenz, Rolf Ricke, Michael Werner, and Rudolf Zwirner, had already begun shaping the European reception of American art in the previous decade, the 1980s marked a period during which art being produced in and around Cologne gained international attention. A burgeoning gallery scene supported the emerging work of artists based in the region, with gallerists such as Gisela Capitain, Rafael Jablonka, Max Hetzler, and Monika Sprueth showing artists such as Walter Dahn, Martin Kippenberger, Albert Oehlen, Rosemarie Trockel, and others. The works of these German artists were exhibited along with the latest contemporary art from the US by artists like Robert Gober, Jeff Koons, Richard Prince, Cindy Sherman, and Christopher Wool. Conversely, the works of German artists were presented in New York, with breakout exhibitions at galleries such as Barbara Gladstone, Metro Pictures, Luhring, Augustine & Hodes, and other significant venues. Important museum exhibitions that explored work being produced and exhibited on both sides of the Atlantic also set the tone for this ongoing dialogue, among them Europa / Amerika (Museum Ludwig, Cologne, 1986) and A Distanced View: One Aspect of Recent Art from Belgium, France, Germany, and Holland (New Museum, New York, 1986).Big, bold, and vibrant, this Pentagram-designed publication revives the conversation, reproducing in full color over one hundred immensely varied artworks by the twenty-two international artists included in this massive exhibition-one of the largest in David Zwirner's history. Beyond its stunning visual components, the book features crucial new scholarship by Diedrich Diederichsen and Bob Nickas, and an illustrated chronology of the decade by Kara Carmack. The book also includes an arsenal of compelling archival material, from documentary photographs from the period to reproductions of Cologne's culture magazine Spex. Taken as a whole, this ambitious exhibition catalogue encapsulates the energy, heart, and "dissonance of styles"-in the words of Schjeldahl-embodied by this fascinating and fecund moment in global art history.Artists featured in the book include Werner Buettner, George Condo, Walter Dahn, Jiri Georg Dokoupil, Peter Fischli/David Weiss, Guenther Foerg, Robert Gober, Georg Herold, Jenny Holzer, Mike Kelley, Martin Kippenberger, Jeff Koons, Barbara Kruger, Sherrie Levine, Albert Oehlen, Raymond Pettibon, Richard Prince, Cindy Sherman, Rosemarie Trockel, Franz West, and Christopher Wool. Examines the latter half of the 1980s through the lens of international art scenes based at the time in Cologne - arguably the European centre of the contemporary art world - and New York. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Hardcover. Condición: New.