9781939663801 - the central laboratory de jacob, max (27 resultados)
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Paperback. Condición: New. The first English translation of the Cubist poet's most important collection of verse poems-a wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Paris was b…etween definitions, and Jacob embodied that moment.The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacob's art of mixed signals and mocked allegory formulates a camp sensibility, a "queering" of literary style as riddled with contradiction as Jacob himself had been in his lifetime.A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacob's more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: "it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me."Max Jacob (1876-1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020.
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Paperback. Condición: New. The first English translation of the Cubist poet's most important collection of verse poems-a wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Paris was b…etween definitions, and Jacob embodied that moment.The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacob's art of mixed signals and mocked allegory formulates a camp sensibility, a "queering" of literary style as riddled with contradiction as Jacob himself had been in his lifetime.A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacob's more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: "it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me."Max Jacob (1876-1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020.
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Paperback. Condición: new. Paperback. The first English translation of the Cubist poets most important collection of verse poemsa wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Pa…ris was between definitions, and Jacob embodied that moment.The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacobs art of mixed signals and mocked allegory formulates a camp sensibility, a queering of literary style as riddled with contradiction as Jacob himself had been in his lifetime.A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacobs more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me.Max Jacob (18761944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.
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Taschenbuch. Condición: Neu. Neuware -The first English translation of the Cubist poetâ¿s most important collection of verse poemsâ¿a wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene i…n Paris was between definitions, and Jacob embodied that moment. The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacobâ¿s art of mixed signals and mocked allegory formulates a camp sensibility, a âqueeringâ of literary style as riddled with contradiction as Jacob himself had been in his lifetime. A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacobâ¿s more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: âit sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me.â Max Jacob (1876â¿1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020. 360 pp. Deutsch.
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Taschenbuch. Condición: Neu. Neuware -The first English translation of the Cubist poet's most important collection of verse poems--a wild grab bag of contradictory styles 360 pp. Englisch.
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Paperback. Condición: New. The first English translation of the Cubist poet's most important collection of verse poems-a wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Paris was b…etween definitions, and Jacob embodied that moment.The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacob's art of mixed signals and mocked allegory formulates a camp sensibility, a "queering" of literary style as riddled with contradiction as Jacob himself had been in his lifetime.A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacob's more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: "it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me."Max Jacob (1876-1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020.
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Kartoniert / Broschiert. Condición: New. KlappentextThe first English translation of the Cubist poet‿s most important collection of verse poems‿a wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially .
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Paperback. Condición: new. Paperback. The first English translation of the Cubist poets most important collection of verse poemsa wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Pa…ris was between definitions, and Jacob embodied that moment.The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacobs art of mixed signals and mocked allegory formulates a camp sensibility, a queering of literary style as riddled with contradiction as Jacob himself had been in his lifetime.A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacobs more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me.Max Jacob (18761944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.
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Taschenbuch. Condición: Neu. Neuware - The first English translation of the Cubist poet's most important collection of verse poems-a wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in… Paris was between definitions, and Jacob embodied that moment. The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacob's art of mixed signals and mocked allegory formulates a camp sensibility, a 'queering' of literary style as riddled with contradiction as Jacob himself had been in his lifetime. A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacob's more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: 'it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me.'Max Jacob (1876-1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020.
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Taschenbuch. Condición: Neu. The Central Laboratory | Max Jacob | Taschenbuch | Kartoniert / Broschiert | Englisch | 2022 | Wakefield Press | EAN 9781939663801 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu.
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Paperback. Condición: New. The first English translation of the Cubist poet's most important collection of verse poems-a wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Paris was b…etween definitions, and Jacob embodied that moment.The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacob's art of mixed signals and mocked allegory formulates a camp sensibility, a "queering" of literary style as riddled with contradiction as Jacob himself had been in his lifetime.A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacob's more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: "it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me."Max Jacob (1876-1944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020.
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Paperback. Condición: new. Paperback. The first English translation of the Cubist poets most important collection of verse poemsa wild grab bag of contradictory stylesWhen Max Jacob published The Central Laboratory in 1921, Parisian Dada had just officially come to an end and Surrealism was yet to be born. The poetic scene in Pa…ris was between definitions, and Jacob embodied that moment.The Central Laboratory is distinctly modern, yet utterly discordant with anything else that had been published before: a grab bag of popular genres, operettas, Breton folk song, nonsense poetry, nursery rhyme, doggerel, parody and puns in which sound often trumps sense and Jacob changes register on a dime. Employing Symbolist obscure reference, Cubist fracturing of perspective and Dadaist discontinuity, Jacobs art of mixed signals and mocked allegory formulates a camp sensibility, a queering of literary style as riddled with contradiction as Jacob himself had been in his lifetime.A century after its initial publication in French, the book remains utterly peculiar and lost for too long in the shadow of Jacobs more famous book of prose poems, The Dice Cup. Jacob himself said of The Central Laboratory: it sums up 20 years and reflects 20 states of soul, often 20 styles either suffered or created by me.Max Jacob (18761944) was a French poet, painter, writer and critic. A key figure of bohemian Montmartre and the Cubist era, he rubbed shoulders with such figures as Apollinaire and Modigliani, and was a lifelong friend to Picasso, Gris and Cocteau. Jacob converted from Judaism to Christianity in 1915. Arrested by the Gestapo in 1944, he died in a deportation camp of pneumonia. Rosanna Warren's critically acclaimed biography of Jacob was published in 2020. This item is printed on demand. Shipping may be from our UK warehouse or from our Australian or US warehouses, depending on stock availability.
