Isbn: 9781913029678 - duchamp looked at (from the other side) / duchamp with (and against) lacan: (undoing the image 3) (urbanomic / art editions) (28 resultados)

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Paperback. Condición: new. Paperback. Rethinking Duchamp's legacy in relation to contemporary art and the image, psychoanalysis, and gender.A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the image-a polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language.Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and tant donnes-and beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp. A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condición: New. pp. 256.

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Condición: New. 2022. Paperback. . . . . .

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Condición: New. pp. 256.

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Condición: New. 2022. Paperback. . . . . . Books ship from the US and Ireland.

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Taschenbuch. Condición: Neu. Neuware -A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the imagea polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language. Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and Étant donnésand beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the imagea polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language. Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and Étant donnésand beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp. Englisch.…

Taschenbuch. Condición: Neu. Neuware -A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the imagea polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language. Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and Étant donnésand beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp.…

Paperback. Condición: Brand New. 288 pages. 9.75x7.00x1.25 inches. In Stock.

Paperback. Condición: Brand New. 288 pages. 9.75x7.00x1.25 inches. In Stock.

Paperback. Condición: New.

Taschenbuch. Condición: Neu. Neuware -A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the imagea polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language. Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and Étant donnésand beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp.Libri GmbH, Europaallee 1, 36244 Bad Hersfeld Englisch.…

Paperback. Condición: new. Paperback. Rethinking Duchamp's legacy in relation to contemporary art and the image, psychoanalysis, and gender.A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the image-a polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language.Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and tant donnes-and beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp. A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Taschenbuch. Condición: Neu. Neuware - A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the imagea polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language. Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and Étant donnésand beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp.…

Taschenbuch. Condición: Neu. Duchamp Looked at (from the Other Side) / Duchamp with (and Against) Lacan | (Undoing the Image 3) | Eric Alliez | Taschenbuch | Englisch | 2022 | MIT Press | EAN 9781913029678 | Verantwortliche Person für die EU: Libri GmbH, Europaallee 1, 36244 Bad Hersfeld, gpsr[at]libri[dot]de | Anbieter: preigu. …

Paperback. Condición: New.

Taschenbuch. Condición: Neu. Neuware -A detailed examination of the motivations and precise coordinates of Duchamp's break from painting into the field of the linguistic sign.Matisse and Duchamp seem to incarnate ideal poles of the tension internal to modern art as it plunged into crisis the idea of the imagea polemical operation that opened the way to contemporary art's auto-problematization of experimental constructivism. Where Matisse subverted the aesthetic regime by bringing painting out of itself to invest its environment in a Bergsonian energetics of color, Duchamp cuts it off from the plastic arts through a reversal of Bergson's in-the-making. The readymade captures a literalized signifier of this perspective. Duchamp Looked At is an extraordinarily rich philosophical study that offers a startling new account of the dis/continuity between the problems of contemporary art and the new articulations Duchamp fabricated between image and idea, science and art, painting and language. Alliez and Bonne's meticulous archaeological survey rediscovers the real problems and motivations of "Duchamp-thought" through a close analysis of his entire oeuvre: from the Nudes in which the problem of representing movement is gradually displaced into the realm of the virtual, the image disqualified in favor of the diagram, to the pataphysical sciences of chance and the particular, the readymades, the Large Glass and Étant donnésand beyond, as the artist carbonizes the gallery with 1200 Sacks of Coal and ties it up with Miles of String, in installations that take Duchamp beyond Duchamp. Englisch.…

Condición: New. Dieser Artikel ist ein Print on Demand Artikel und wird nach Ihrer Bestellung fuer Sie gedruckt. &#201ric Alliez is a philosopher and Professor at Universit&#233 Paris 8 and at the Centre for Research in Modern European Philosophy at Kingston University, London. He is author of Capital Times, The Signature of the World: Or, What is Deleuze .…