ISBN: 9781912230402 - the future art of cinema: rudolf steiner’s vision (16 resultados)

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Paperback. Condición: New. From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldelli's survey of cinema and film is based on practical experience - he was once the enfant terrible of Swiss cinema - and years of contemplation and study. He examines the difference between film as the 'hypnotic monster' referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction - from Star Wars to The Matrix - and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini.As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiner's attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiner's attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of 'light-show art'. Other topics in this penetrating study include: 'Basic philosophical stances in the pioneer period of media studies'; 'Steiner's prophetic warnings about a technocratic form of civilization that will destroy humanity'; 'Nostalgia for the art-house cinema that emerged in the 60s'; and 'The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiner's From the Akashic Records'. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book.…

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Paperback. Condición: new. Paperback. From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldellis survey of cinema and film is based on practical experience he was once the enfant terrible of Swiss cinema and years of contemplation and study. He examines the difference between film as the hypnotic monster referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction from Star Wars to The Matrix and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini.As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiners attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiners attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of light-show art. Other topics in this penetrating study include: Basic philosophical stances in the pioneer period of media studies; Steiners prophetic warnings about a technocratic form of civilization that will destroy humanity; Nostalgia for the art-house cinema that emerged in the 60s; and The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiners From the Akashic Records. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book. A critique of cinema, its history and future, in relation to Rudolf Steiner's vision. Shipping may be from multiple locations in the US or from the UK, depending on stock availability.…

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Condición: New. pp. 164.

Paperback. Condición: Brand New. 164 pages. 9.00x6.00x0.63 inches. In Stock.

Condición: New. pp. 164.

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Condición: New. pp. 164.

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Taschenbuch. Condición: Neu. Neuware - From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, Reto Andrea Savoldelli's survey of cinema and film is based on practical experience (he was once the enfant terrible of Swiss cinema) and years of contemplation and study. He examines the difference between film as the 'hypnotic monster' mentioned by the Italian director Pier Paolo Pasolini and the art of film to which Rudolf Steiner aspired. The author discusses the historical development of cinema from its origins, focusing particularly on science fiction (from Star Wars to The Matrix) and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky, and Pasolini.As a scholar of Anthroposophy, Savoldelli provides a comprehensive assessment of Rudolf Steiner's attitude toward film. In addition to frequenting the silent cinema of his time, Steiner commented several times on the newly introduced artform in lectures, letters, and private discussions. The author examines and interprets those statements and complements them with commentary on Steiner's attempt to produce a film on the theme of reincarnation and karma, as well as his explorations with Jan Stuten of 'light-show art.' Other topics in this penetrating study include: - Basic philosophical perspectives during the beginning of media studies;- Steiner's warnings about a technocratic form of civilization that will destroy humanity;- Nostalgia for the art-house cinema that emerged in the '60s;- The proposed film based on Rudolf Steiner's Fifth Gospel.Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thinking in this unique book.Includes eight pages of color plates. …

Paperback. Condición: new. Paperback. From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldellis survey of cinema and film is based on practical experience he was once the enfant terrible of Swiss cinema and years of contemplation and study. He examines the difference between film as the hypnotic monster referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction from Star Wars to The Matrix and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini.As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiners attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiners attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of light-show art. Other topics in this penetrating study include: Basic philosophical stances in the pioneer period of media studies; Steiners prophetic warnings about a technocratic form of civilization that will destroy humanity; Nostalgia for the art-house cinema that emerged in the 60s; and The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiners From the Akashic Records. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book. A critique of cinema, its history and future, in relation to Rudolf Steiner's vision. Shipping may be from our Sydney, NSW warehouse or from our UK or US warehouse, depending on stock availability.…

Kartoniert / Broschiert. Condición: New. A critique of cinema, its history and future, in relation to Rudolf Steiner s vision.&Uumlber den AutorReto Andrea Savoldelli was born in Solothurn, Switzerland in 1949. He is a director and actor, best known for hi.

Paperback. Condición: New. From Joseph Vogelsang and his mysterious peep-box to Hollywood blockbusters and Netflix, R.A. Savoldelli's survey of cinema and film is based on practical experience - he was once the enfant terrible of Swiss cinema - and years of contemplation and study. He examines the difference between film as the 'hypnotic monster' referred to by the Italian director Pier Paolo Pasolini, and the art of film that Rudolf Steiner aspired to. The author depicts the historical development of cinema from its origins, paying particular attention to science fiction - from Star Wars to The Matrix - and influential filmmakers such as Eric Rohmer, Andrei Tarkovsky and Pasolini.As a scholar of anthroposophy, Savoldelli gives a comprehensive assessment of Rudolf Steiner's attitude to film. In addition to frequenting the silent cinema of his time, Steiner made several statements about the new artform in his lectures, letters and private discussions. The author examines and interprets these and complements them with commentary on Steiner's attempt to produce a film on the theme of reincarnation and karma as well as his explorations with Jan Stuten of 'light-show art'. Other topics in this penetrating study include: 'Basic philosophical stances in the pioneer period of media studies'; 'Steiner's prophetic warnings about a technocratic form of civilization that will destroy humanity'; 'Nostalgia for the art-house cinema that emerged in the 60s'; and 'The project discussed by Alexander Kluge and Andrei Tarkovsky for a film based on Rudolf Steiner's From the Akashic Records'. Anyone interested in the cinematic arts will find a treasure of stimulating ideas and new thought in this unique book.…